Easy-to-follow diagrams and simple instructions enable even beginners to create a host of striking Native American designs. Color-coded patterns for buffalo, kachinas, eagles, and more will add delightful ornamental touches to T-shirts, lend distinctive touches to handbags, headbands, and belts, and enhance cushion covers, table linens, and other household accessories.

Sunset. Fire. Rainbow. Drawing on such common occurrences of light, Navajo artists have crafted an uncommon array of design in colored glass beads. Beadwork is an art form introduced to the Navajos through other Indian and Euro-American contacts, but it is one that they have truly made their own. More than simple crafts, Navajo beaded designs are architectures of light. Ellen Moore has written the first history of Navajo beadwork—belts and hatbands, baskets and necklaces—in a book that examines both the influence of Navajo beliefs in the creation of this art and the primacy of light and color in Navajo culture. Navajo Beadwork: Architectures of Light traces the evolution of the art as explained by traders, Navajo consultants, and Navajo beadworkers themselves. It also shares the visions, words, and art of 23 individual artists to reveal the influences on their creativity and show how they go about creating their designs. As Moore reveals, Navajo beadwork is based on an aggregate of beliefs, categories, and symbols that are individually interpreted and transposed into beaded designs. Most designs are generated from close observation of light in the natural world, then structured according to either Navajo tradition or the newer spirituality of the Native American Church. For many beadworkers, creating designs taps deeply embedded beliefs so that beaded objects reflect their thoughts and prayers, their aesthetic sensibilities, and their sense of being Navajo—but above all, their attention to light and its properties. No other book offers such an intimate view of this creative process, and its striking color plates attest to the wondrous results. Navajo Beadwork: Architectures of Light is a valuable record of ethnographic research and a rich source of artistic insight for lovers of beadwork and Native American art.

Keywords include: bandolier, bannock, beading bags, Blackfoot, blanket strips, breaking beads, breech cloth, Chippewa-Cree, contemporary stitch, Crow beads, Earth Maker, fur trade, half leggings, hexigon beads, knife sheath, looms, quillwork, saddle bags, tobacco bags.

Combining detailed step-by-step photographs and illustrations, this books covers beadwork styles found among Native Americans on the western plains, including loom work, applique, and more.

Beadwork has been steadily gaining popularity among crafters, and no area of the genre garners more interest than the intricate designs of the Apache, Comanche, and Lakota peoples of the American Southwest, who use their designs to relate legends and pass down tribal lore. Here are 15 authentic projects using such traditional stitches as the flat and circular peyote stitches, the Comanche weave, free-form feathering, and more. Each project is accompanied by a rich explanation of how the colors, shapes, and combinations of materials interact to tell a story. Abundant color photographs and illustrations guide the reader through this unique art form.

Navajo Beadwork: Architectures of Light traces the evolution of the art as explained by traders, Navajo consultants, and Navajo beadworkers themselves. It also shares the visions, words, and art of 23 individual artists to reveal the influences on their creativity and shows how they go about creating their designs."--BOOK JACKET.

A handicraft guide to American Indian beadwork for those seeking the fundamentals of construction and ideas of design—fully illustrated throughout. American Indian Beadwork includes: -Directions for beading stitches -Directions for making and stringing a loom -Fifty-four black-and-white photographs of actual Indian beadwork -Thirteen full-color pages of 132 authentic Indian patterns for your own beadwork

Booklet of patterns to make various accessories.

Discusses the traditional adornment of North American Indians, covering the furs of the subarctic, the shells of the woodland tribes, the plateau area beadwork, the Northwest Coast jewelers, and the turquoise of the Southwest.

In Navajo Land, Navajo Culture, Robert S. McPherson presents an intimate history of the Diné, or Navajo people, of southeastern Utah. Moving beyond standard history by incorporating Native voices, the author shows how the Dine's culture and economy have both persisted and changed during the twentieth century. As the dominant white culture increasingly affected their worldview, these Navajos adjusted to change, took what they perceived as beneficial, and shaped or filtered outside influences to preserve traditional values. With guidance from Navajo elders, McPherson describes varied experiences ranging from traditional deer hunting to livestock reduction, from bartering at a trading post to acting in John Ford movies, and from the coming of the automobile to the burgeoning of the tourist industry. Clearly written and richly detailed, this book offers new perspectives on a people who have adapted to new conditions while shaping their own destiny.