Here 'Downland' refers to the chalk countriside of Southern England and the Isle of Wight.

As David Matless argues in this book—updated in this accessible, pocket edition—landscape has been central to definitions of Englishness for centuries. It is the aspect of English life where visions of the past, present, and future have met in debates over questions of national identity, disputes over history and modernity, and ideals of citizenship and the body. Extensively illustrated, Landscape and Englishness explores just how important the aesthetics of Britain’s cities and countryside have been to its people. Matless examines a wide range of material, including topographical guides, health manuals, paintings, poetry, architectural polemics, photography, nature guides, and novels. Taking readers to the interwar period, he explores how England negotiated the modern and traditional, the urban and rural, the progressive and preservationist, in its decisions over how to develop the countryside, re-plan cities, and support various cultures of leisure and citizenship. Tracing the role of landscape to Englishness from then up until the present day, he shows how familiar notions of heritage in landscape are products of the immediate post-war era, and he unveils how the present always resonates with the past.

Why do we speak so much of nature today when there is so little of it left? Prompted by this question, this study offers the first full-length exploration of modern British nature writing, from the late eighteenth century to the present. Focusing on non-fictional prose writing, the book supplies new readings of classic texts by Romantic, Victorian and Contemporary authors, situating these within the context of an enduringly popular genre. Nature writing is still widely considered fundamentally celebratory or escapist, yet it is also very much in tune with the conflicts of a natural world under threat. The book's five authors connect these conflicts to the triple historical crisis of the environment; of representation; and of modern dissociated sensibility. This book offers an informed critical approach to modern British nature writing for specialist readers, as well as a valuable guide for general readers concerned by an increasingly diminished natural world.

High quality reprint of Nature in Downland by W.H. Hudson.

An imposing, life-size oil painting dominates the main meeting room at the RSPB’s base in the heart of England: ‘the man above the fireplace’ – always present, rarely mentioned. Curious about the person in the portrait, the author began a quest to rediscover William Henry Hudson (1841–1922). It became a mission of restoration: stitching back together the faded tapestry of Hudson’s life, re-colouring it in places and adding new threads from the testaments of his closest friends. This book traces the unassuming field naturalist’s path through a dramatic and turbulent era: from Hudson’s journey to Britain from Argentina in 1874 to the unveiling by the prime minister of a monument and bird sanctuary in his honour 50 years later, in the heart of Hyde Park – a place where the young immigrant had, for a time, slept rough. At its core, this extraordinary story reveals Hudson’s deep influence on the creation of his beloved Bird Society by its founding women, and the rise of the conservation movement. It reveals the strange magnetism of this mysterious man from the Pampas – unschooled, battle-scarred and once penniless – that made his achievements possible, and left such a profound impression on those who knew him. By the end of his life, Hudson had Hollywood studios bidding for his work. He was a household name through his luminous and seminal nature writing, and the Bird Society had at last reached the climax of a 30-year campaign, working to create the first global alliance of bird protectionists. A century after Hudson’s death, this is a long-overdue tribute to perhaps our most significant – and most neglected – writer-naturalist and wildlife campaigner.