A title, in which, the narrator occasionally obtrudes into the narrative to manage or deflect anticipated reader questions and assumptions, sometimes invoking the divine, sometimes protecting a favored character, in an interpretive stance that the author compares with the commentary provided by later rabbis and in the Targums.

Narrators of the Hebrew Bible generally allow their stories to proceed while relying on characters and dialogue to provide necessary information. Paris calls attention to when the story teller “breaks frame” to provide information or direct reader understanding, preventing undesirable construals or interpretations of the story. After surveying the phenomenon in the Hebrew Bible and other ancient Near Eastern literature, Paris focuses on the Deuteronomistic History. Paris argues that attention to narrative obtrusion offers an entry point into the world of the narrator and redefines aspects of narrative criticism.

This book aims to understand God's interactions with Abraham in relation to God's command that Abraham "be a blessing" (Gen 12:2d), which is directly tied to God's goal that "in you all the families of the earth will be blessed" (Gen 12:3b). The book proposes a formative narrative approach to examine interactions between character and plot, the movement of plot, and the connection between sequential plots. An analysis of thirteen Abrahamic narratives (Gen 12-22) suggests a classification based on four different types of interactions between God and Abraham, which indicate how cooperation and conflict between God and Abraham advance the narrative's plot. The book then proposes a narrative discourse analysis to examine how Abraham evolved through different stages of the narrative by moving from deviation to cooperation. Detailed analysis of this transformation process reveals three turning points in Abraham's life. The formative narrative approach and narrative discourse analysis proposed in this book can contribute to the analysis of two important aspects of Old Testament narratives: the formation of plot and the cause-and-effect structure in narrative discourse.

How can the stories of the Hebrew Bible be read for their ethical value? Eryl W. Davies uses the narratives of King David in order to explore this, basing his argument on Martha Nussbaum's notion that a sensitive and informed commentary can unpack the complexity of fictional accounts. Davies discusses David and Michal in 1 Sam. 19:11-17; David and Jonathan in 1 Sam. 20; David and Bathsheba in 2 Sam. 11; Nathan's parable in 2 Sam. 12; and the rape of Tamar in 2 Sam. 13. By examining these narratives, Davies shows that a fruitful and constructive dialogue is possible between biblical ethics and modern philosophy. He also emphasizes the ethical accountability of biblical scholars and their responsibility to evaluate the moral teaching that the biblical narratives have to offer.

Comprised of contributions from scholars across the globe, The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology, offering critical treatments of both the Bible's narratives and topics related to the Bible's narrative constructions. The Handbook covers the Bible's narrative literature, from Genesis to Revelation, providing concise overviews of literary-critical scholarship as well as innovative readings of individual narratives informed by a variety of methodological approaches and theoretical frameworks. The volume as a whole combines literary sensitivities with the traditional historical and sociological questions of biblical criticism and puts biblical studies into intentional conversation with other disciplines in the humanities. It reframes biblical literature in a way that highlights its aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to various forms of social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities.

Examines the dialectic relationship between the text, conceived as the vehicle of narrative communication, and the reader in an assemenent of the story of Rahab – the prostitute from Jericho – in Josuha 2. Toczyski uses his study to examine how this story has been read by various audiences across time, the different interpretive perspectives and methodologies that have thus been brought to the text and the influences this has had on the manner in which the story has been interpreted. In particular Toczyski focuses on internal literary analysis of Joshua 2 and the external historical approach and what this can say about the readers of the text. The purpose of such insight is to register how successive interpretations overlap and set the interpretative pattern for subsequent generations of readers. As a result of this conceptual framework, Toczyski presents the Rahab story in the broader context of the communicative process, which has been challenging the story's readers for centuries. This deep immersion into both internal and external contexts reveals the generally-overlooked thread within the Rahab story, namely "the power of storytelling†?, which may prove relevant for contemporary readers by providing grounds for inter-cultural dialogue in the postmodern world.

The stories of Hagar, Dinah, and Tamar stand out as strangers in the ancestral narrative. They deviate from the main plot and draw attention to the interests and fates of characters who are not a part of the ancestral family. Readers have traditionally domesticated these strange stories. They have made them “familiar”—all about the ancestral family. Thus Hagar’s story becomes a drama of deselection, Shechem and the Hivites become emblematic for ancestral conflict with the people of the land, and Tamar becomes a lens by which to read providence in the story of Joseph. This study resurrects the question of these stories’ strangeness. Rather than allow the ancestral narrative to determine their significance, it attends to each interlude’s particularity and detects ironic gestures made toward the ancestral narrative. These stories contain within them the potential to defamiliarize key themes of ancestral identity: the ancestral-divine relationship, ancestral relations to the land and its inhabitants, and ancestral self-identity. Perhaps the ancestral family are not the only privileged partners of God, the only heirs to the land, or the only bloodline fit to bear the next generation.

The study of the Bible has long included a literary aspect with great attention paid not only to what was written but also to how it was expressed. The detailed analysis of biblical books and passages as written texts has benefited from the study of literature in classical philology, ancient rhetoric, and modern literary criticism. This volume of the Lexham Methods Series introduces the various ways the study of literature has been used in biblical studies. Most literary approaches emphasize the study of the text alone—its structure, its message, and its use of literary devices—rather than its social or historical background. The methods described in Literary Approaches to the Bible are focused on different ways of analyzing the text within its literary context. Some of the techniques have been around for centuries, but the theories of literary critics from the early 20th century to today had a profound impact on biblical interpretation. In this book, you will learn about those literary approaches, how they were adapted for biblical studies, and what their strengths and weaknesses are.

This groundbreaking volume presents a new translation of the text and detailed interpretation of almost every word or phrase in the book of Judges, drawing from archaeology and iconography, textual versions, biblical parallels, and extrabiblical texts, many never noted before. Archaeology also serves to show how a story of the Iron II period employed visible ruins to narrate supposedly early events from the so-called "period of the Judges." The synchronic analysis for each unit sketches its characters and main themes, as well as other literary dynamics. The diachronic, redactional analysis shows the shifting settings of units as well as their development, commonly due to their inner-textual reception and reinterpretation. The result is a remarkably fresh historical-critical treatment of 1:1-10:5.

In Configurations of Rape in the Hebrew Bible, Frank M. Yamada explores the compelling similarity among three rape narratives found in the Hebrew Scriptures. These three stories the rape of Dinah (Genesis 34), the rape of an unnamed concubine (Judges 19), and the rape of Tamar, daughter of David (2 Samuel 13) move through the same plot progression: an initial sexual violation of a woman leads to escalating violence among men, resulting in some form of social fragmentation. In this intriguing study, Yamada draws from the disciplines of literary and narrative criticism, feminist biblical interpretation, and cultural anthropology to argue for a family resemblance among these three stories about rape."