Exegesis that bears fruit both for the academy and the church In this collection of essays and sermons on the Gospel of John and Revelation, friends, colleagues, and former students of Gail R. O’Day explore and extend the possibilities raised by her work in her groundbreaking study Revelation in the Fourth Gospel. The essays engage with both historical contextualization and literary analysis to identify the rhetorical features that ancient readers might have apprehended, while the sermons explore how the literary shape of the text can inform preaching through attention to the narrative modes of the text. Contributions from Yoshimi Azuma, Teresa Fry Brown, Patrick Gray, Lynn R. Huber, Susan E. Hylen, Karoline M. Lewis, Thomas G. Long, Veronice Miles, Vernon K. Robbins, Gilberto A. Ruiz, Ted A. Smith, and William M. Wright IV thematize the importance of narrative approaches and the diverse ways they can be employed.

The Johannine Renaissance in Early Modern English Literature and Theology argues that the Fourth Gospel and First Epistle of Saint John the Evangelist were so influential during the early modern period in England as to share with Pauline theology pride of place as leading apostolic texts on matters Christological, sacramental, pneumatological, and political. The book argues further that, in several instances, Johannine theology is more central than both Pauline theology and the Synoptic theology of Matthew, Mark, and Luke, particularly with regard to early modern polemicizing on the Trinity, distinctions between agape and eros, and the ideologies of radical dissent, especially the seventeenth-century antinomian challenge of free grace to traditional Puritan Pietism. In particular, early modern religious poetry, including works by Robert Southwell, George Herbert, John Donne, Richard Crashaw, Thomas Traherne, and Anna Trapnel, embraces a distinctive form of Johannine devotion that emphasizes the divine rather than human nature of Christ; the belief that salvation is achieved more through revelation than objective atonement and expiatory sin; a realized eschatology; a robust doctrine of assurance and comfort; and a stylistic and rhetorical approach to representing these theological features that often emulates John's mode of discipleship misunderstanding and dramatic irony. Early modern Johannine devotion assumes that religious lyrics often express a revelatory poetics that aims to clarify, typically through the use of dramatic irony, some of the deepest mysteries of the Fourth Gospel and First Epistle.

About this Book: Gail R. O’Day’s Revelation in the Fourth Gospel set the stage for a new literary paradigm in Johannine studies, which has carried over into disciplinary advances in gospel criticism overall. With the addition of eight key Johannine essays and a state-of-the-art introduction by Alan Culpepper, this new publication as Volume 9 in the Johannine Monograph Series advances a fuller appreciation of her important work on John and new-literary biblical analyses overall. From the Preface: What becomes apparent in an overview of Gail O’Day’s work is her keen analysis of relations and functions of literary themes and features within the Gospel of John, as they further its rhetorical thrust, elucidating its meaning. Whereas diachronic approaches to John have tended to compartmentalize and divide sections and literary forms, O’Day shows time and again how things worked synchronically within John’s story of Jesus, challenging misinterpretations and opening doors to understanding more fully its message. The present collection highlights the dialectics between narrative and theology, time and space, and characters and plot in the Fourth Gospel, clarifying their tensive presentations within this classic narrative.

The essays in this volume, which span four decades, represent sustained reflection on the historical setting, narrative devices, and theology of the Gospel of John. Methodologically, the essays develop a narrative-critical approach to the Gospel, producing insights that have implications for historical and theological issues. Thematically, many of the essays explore the Gospel's ecclesiology, especilly its vision for the church and its mission. As a collection, this volume provides an introduction to the Fourth Gospel, analyses of major issues (including John's anti-Judaism, relationship to 1 John, irony, imagery, creation ethics, evil, and eschatology), and in-depth exploration of key texts, especially John 1:1-18, 2:20; 4:35-38; 5:1-18; 5:21-30; 10:1-18; 12:12-15; 13:1-20; 19:16-30; 20:19-23; and chapter 21.

Using various narrative approaches and methodologies, an international team of forty-four Johannine scholars here offers probing essays related to individual characters and group characters in the Gospel of John. These essays present fresh perspectives on characters who play a major role in the Gospel (Peter, Nicodemus, the Samaritan woman, Thomas, and many others), but they also examine characters who have never before been the focus of narrative analysis (the men of the Samaritan woman, the boy with the loaves and fishes, Barabbas, and more). Taken together, the essays shed new light on how complex and nuanced many of these characters are, even as they stand in the shadow of Jesus. Readers of this volume will be challenged to consider the Gospel of John anew.

Over the last two centuries, many scholars have considered the Gospel of John off-limits for all quests for the historical Jesus. That stance, however, creates a new set of problems that need to be addressed thoughtfully. The essays in this book, reflecting the ongoing deliberations of an international group of Johannine and Jesus scholars, critically assess two primary assumptions of the prevalent view: the dehistoricization of John and the de-Johannification of Jesus. The approaches taken here are diverse, including cognitive-critical developments of Johannine memory, distinctive characteristics of the Johannine witness, new historicism, Johannine-Synoptic relations, and fresh analyses of Johannine traditional development. In addition to offering state-of-the-art reviews of Johannine studies and Jesus studies, this volume draws together an emerging consensus that sees the Gospel of John as an autonomous tradition with its own perspective, in dialogue with other traditions. Through this challenging of critical and traditional assumptions alike, new approaches to John’s age-old riddles emerge, and the ground is cleared for new and creative ways forward.

Cornelis Bennema explains the role of the Spirit in salvation according to John's Gospel against the background of intertestamental Jewish wisdom literature. He comes to the conclusion that the salvific function of the Spirit is that of a cognitive agent who, through the mediation of life-giving wisdom, creates and sustains a saving relationship between the believer and the Father and Son.

In analyzing the intertextuality between the Genesis and Johannine Prologues, Dr. Lioy maintains that both passages utilize polemical theology to refute distorted views of ultimate reality. Furthermore, he theorizes that the author of the Johannine Prologue deliberately reflected the structure and themes found in the Genesis Prologue to emphasize that the God-man, Jesus Christ, created all things and is a new (spiritual) beginning for all who believe in Him. Ultimate reality is found through faith in the Son.

James H. Charlesworth begins from a burgeoning point of scholarly consensus: More and more scholars are coming to recognize that the Fourth Gospel is more historically complex than previously thought. Charlesworth outlines two historical horizons within John. On the one hand, there is the Jewish background to the text (complete with the evangelist's knowledge of Palestinian geography and Jewish customs) which Charlesworth perceives as offering a window into pre-70 Palestinian Judaism. On the other hand, the gospel also reflects a post-70 world in which non-believing Jews, with more unity, begin to part definitely with those who identified Jesus as the Messiah. Split into four sections, this volume first examines the origins of the Fourth Gospel, its evolution in several editions, and its setting in Judea and Galilee. Charlesworth then looks specifically at the figure of Jesus and issues of history. He proceeds to consider this Gospel alongside earlier and contemporaneous Jewish literature, most notably the Dead Sea Scrolls. Finally, the volume engages with John's symbolism and language, looking closely at key aspects in which John differs from the Synoptic Gospels, and raising such provocative questions as whether or not it is possible that Jesus married Mary Magdalene. From one of the New Testament's most noted scholars, this book allows deeper understanding of the ways in which the Gospel of John is a vital resource for understanding both the origin of Christianity and Jesus' position in history.

John's Gospel is best known for its presentation of Jesus as the Word of God made flesh. But as the narrative unfolds, readers discover that the identity of Jesus is surprisingly complex. He is depicted as a teacher, a healer, a prophet, and Messiah. He is Jewish and Galilean, a human being who is Son of Man and Son of God. Portraits of Jesus in the Gospel of John considers each of these roles in detail, showing how each makes a distinctive contribution to the Gospel's rich mosaic of images for Jesus. John's multifaceted portrait of Jesus draws on a broad spectrum of early Christian traditions, and the contributors to this collection of essays explore the ways in which these traditions are both preserved and transformed in the Fourth Gospel. The writers draw us more deeply into the questions of the way in which traditions about Jesus developed in the early church and how the Gospel of John might contribute to our understanding of that dynamic process.