Napoleon's Oraculum and Dream Book - Containing the great oracle of human destiny is an unchanged, high-quality reprint of the original edition of 1884. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This Is A New Release Of The Original 1922 Edition.

The Ten of ClubsDenotes great riches to come speedily from an unexpected source; but also threatens that you will at the same time lose some very dear friend.On the Nails of the FingersBroad nails show the person to be bashful, fearful, but of gentle nature. Queries About Fortunate DaysFair Venus Friday does approve, And on that day prosper love. This "Book of Fate" is said to be a perfect facsimile of the one used by Napoleon, and was supposedly consulted by him on every important occasion. It permits fortune telling by dice; fortunate and unfortunate days; behaviors; the lines and forms of the face, hair, and eyes; as well as fortune telling by cards, palms, and coffee grounds in a cup. Last but not least, it provides spells, charms, and incantations, as well as signs of a speedy marriage, and ways to choose good husbands and wives. The book admonishes Napoleon for not following its advice more closely: "Happy had it been for him had he abided or been ruled by the answers of this Oracle."

Passion intertwines with fate in this riveting and historically rich novel about the journey of a woman from poverty to ultimate power in Revolution-era France. In this first of three books inspired by the life of Josephine Bonaparte, Sandra Gulland has created a novel of immense and magical proportions. We meet Josephine in the exotic and lush Martinico, where an old island woman predicts that one day she will be queen. The journey from the remote village of her birth to the height of European elegance is long, but Josephine's fortune proves to be true. By way of fictionalized diary entries, we traverse her early years as she marries her one true love, bears his children, and is left betrayed, widowed, and penniless. It is Josephine's extraordinary charm, cunning, and will to survive that catapults her to the heart of society, where she meets Napoleon, whose destiny will prove to be irrevocably intertwined with hers.

DigiCat Publishing presents to you this special edition of "The Golden Wheel Dream-book and Fortune-teller" by Felix Fontaine. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Napoleon's Oraculum is one of the foremost fortune-telling works of its era. Based in part on the system found in the earlier British work "The Philosophical Merlin," it purports to deliver to the reader a system of divination once used by Napoleon Bonaparte himself to govern his conquests. This edition of the work, earlier than other American endeavors at crafting such a system, adds to the Oraculum itself an elaborate series of passages by which playing cards, dice, dominoes, and other means can be used to divine fortunes. Altogether, it is perhaps the finest pre-modern work of its type ever made.

"Fortunes and Dreams: A practical manual of fortune telling, divination and the interpretation of dreams, signs and omens" by Astra Cielo is an easy-to-read manual of magic and the occult for amateurs of the practice. The history of the occult as well as the science behind different practices, are all explored before directions for these practices are given to assist people on their journey into the divine.

National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry

Built in the fifth century b.c., the Parthenon has been venerated for more than two millennia as the West’s ultimate paragon of beauty and proportion. Since the Enlightenment, it has also come to represent our political ideals, the lavish temple to the goddess Athena serving as the model for our most hallowed civic architecture. But how much do the values of those who built the Parthenon truly correspond with our own? And apart from the significance with which we have invested it, what exactly did this marvel of human hands mean to those who made it? In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis—the Sacred Rock at the heart of the city-state—from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon’s legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century) and most of what remained was shipped off to Britain (in the nineteenth century) among the Elgin marbles. The frieze’s vast enigmatic procession—a dazzling pageant of cavalrymen and elders, musicians and maidens—has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book’s intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city’s mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible. The Parthenon’s full significance has been obscured until now owing in no small part, Connelly argues, to the frieze’s dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent.