'Andrew Taylor is a master story-teller' Daily Telegraph From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the final instalment in the acclaimed Lydmouth series As a young police officer in Palestine during the closing months of the Mandate - the cradle of Middle Eastern terrorism - Richard Thornhill saw and did things which still haunt his dreams and make him fear for his sanity. Is he himself a killer? Now, when a retired police officer is found dead in the ruins of Lydmouth Castle, the past has come back to claim Detective Inspector Thornhill, and he is under suspicion of another murder. His wife Edith and former lover Jill Francis join forces in an uneasy alliance to try to help him. But there are many complications - scandalous allegations have been made about Miss Awre's School of Dancing; the Ruispidge Charity's annual dance for young people is under threat; teenagers haunt the newly opened Italian coffee bar and yearn for fumbled intimacies in the sheltering darkness of the Rex Cinema. And the Spring floods are rising higher than they have in living memory, drowning a multitude of secrets . . . 'An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling' The Times 'The most under-rated crime writer in Britain today' Val McDermid 'There is no denying Taylor's talent, his prose exudes a quality uncommon among his contemporaries' Time Out

The Hangman’s Psalm: The Girl at the Gallows By: Carter J. Gregory Public hangings were great sport in 18th century London. Mobs of cursing men and shrieking women would turn out to witness a doomed man being hauled to the scaffold where the hangman, Jack Ketch, awaited him. The spectacle was given an aura of sanctity when choirs and bells pealed out hymns in praise of God, and the doomed man was required to recite the damning words of the biblical Psalm 51: “Behold I was shapen in wickedness and in sin did my mother conceive me”—or be lashed with a Cat o' nine tails if he refused. The Psalm was called The Hangman's Psalm. NOTE: Psalm 51 has been misunderstood for centuries. It is an example of Hebrew poetry, which is alive with dramatic hyperbole and metaphor, and not to be taken literally. It's a pity that neither the Crown nor jack Ketch knew the entire Psalm, which begins with an affirmation of God's mercy and ends with the ecstatic cry: “Thou shalt make me hear of joy and gladness, and the bones which thou hast broken may rejoice.” A desperate thief, his dead father, a beautiful young girl, a priest, and a hangman are destined to meet at the foot of the gallows—so claims a gypsy fortune teller whose tarot card predicts that someone will die a fool's death...but who? In 18th century London a thief could be hanged for stealing a kerchief, a hat, a bolt of cloth—and the thief in this story, Daniel Tavard, is guilty of such crimes. A bounty of 250 Guineas is offered by the Crown for his capture. But the bounty-hunters are not the ones who bring the thief to the hangman and collect the Guineas. Daniel's birth and death are shrouded in mystery. Why did his father Joseph flee France? Where is his mother? Only Maggie Quinn knows—Joseph's mistress(whore). When Daniel was little he thought Maggie was his mother—she quickly disabused him of that notion. But Maggie knows who his mother is, and why Joseph fled France, and she swore she would never tell the boy. Daniel goes about searching for answers, but as he does so, two bounty-hunters lay a plot to seize him. A young girl, Catherine, enters Daniel's life, and for the love of her he risks his fate at the hands of the bounty-hunters.

If you had to interview the candidates for a country's new hangman, what questions would you ask them? If your family was on the verge of starvation, and becoming a hangman was the only job available, would you apply? If you were hired, what would you do if the prisoners looked like your loved ones? If you knew that another good man was taking the job out of desperation, would you do anything to prevent him from getting it? What if that man's recruitment would somehow guarantee your own survival, would you encourage his candidacy? All these questions were asked of people who never thought they would find themselves in such a position, until they became mired in the chaos surrounding the hangman's replacement.

‘They wanted me dead. I don’t mean physical death. I’m not afraid of that any more ... The death they wanted for me was spiritual – I think that’s what I mean – to have me beset by fears, doubts; the insecurities of action and word that take their toll and make you live a life of death.’

From crime fiction's next big thing (The Sunday Telegraph), comes the strange and exciting third entry in the Detective Inspector McLean series.

NATIONAL BESTSELLER • “Flavia is incisive, cutting and hilarious . . . one of the most remarkable creations in recent literature.” —USA Today Flavia de Luce, a dangerously smart eleven-year-old with a passion for chemistry and a genius for solving murders, thinks that her days of crime-solving in the bucolic English hamlet of Bishop’s Lacey are over—until beloved puppeteer Rupert Porson has his own strings sizzled in an unfortunate rendezvous with electricity. But who’d do such a thing, and why? Does the madwoman who lives in Gibbet Wood know more than she’s letting on? What about Porson’s charming but erratic assistant? All clues point toward a suspicious death years earlier and a case the local constables can’t solve—without Flavia’s help. But in getting so close to who’s secretly pulling the strings of this dance of death, has our precocious heroine finally gotten in way over her head? BONUS: This edition includes an excerpt from Alan Bradley's A Red Herring Without Mustard, discussion questions, and an essay by the author.

vol. 1., pt. 1. Medieval sovereigns. pt. 2. Social and general. Appendices. Index.--v. 2., pt. 1. The government of London. pt. 2. Ecclesiastical London. pt. 3. Religious houses. Appendices. Index