Nadine Gordimer and the Rhetoric of Otherness in Post-Apartheid South Africa observes and examines several issues that are central to the South African writer’s works: the uniqueness of terror in a difficult historical period, the desire to annihilate racial oppression, and, above all, the psychological alienation provoked by racism. The analysis also focuses on literary topics that are specific to Gordimer’s post-Apartheid writings, such as the significance of multiculturalism, the status of writers, the banalisation of violence due to mass-media coverage, the reconciliation with a violent past, globalization and loss of cultural and national identity, economic exile, and migration. The book proposes in five chapters a journey into Nadine Gordimer’s novels, short stories and non-fiction that presents the reader with a multifaceted Other who is no longer specific to postcolonial and multicultural South Africa but can be identified across the globe as alterity is redefined by globalization.

Romance: The History of a Genre is a collection of essays devoted to the highly popular and no less controversial genre of romance. A genre often disregarded for its stereotypical language, shallow characters, and predictable plots, dismissed as “women’s” fiction, accused of conventionalism, romance is a genre which, after ups and downs in its millennial history, is now holding a leading position on the international bookselling market. This achievement has also been possible with the endorsement of contemporary media and modern technology, cinema, television, the Internet, etc. Much has been written in both traditional and more recent literary theory about the origins and evolution of the early forms of romance, from the classical Antiquity, through the Middle Ages, and into the Renaissance and early modernity in Western Europe. A corpus, which is becoming more and more substantial today, is already available about the gendered status of contemporary romance, both in terms of the writing ethos and in terms of reader response, with theories coming from the combined areas of feminism, social sciences, and psychoanalysis. The aim of the present volume is that of noting the fluid character of the genre, with the great number of subcategories, mixed and hybrid, bringing evidence to the polymorphous nature of contemporary popular culture. This book proposes, in four parts and twelve chapters, a fascinating and multifaceted journey into the history, substance and geography of romance. From its origins to the latest developments, from its subgenres to its features, from print to film, from television to Facebook, romance comes in various shapes and colours, which the reader can fully explore. The journey in the world of romance takes the reader from familiar corners to less familiar ones: from North America, Great Britain, Romania, or Turkey, to India or South Africa. The numerous approaches to romance generate diverse data, varied analytical frameworks and interesting, fresh and solidly grounded findings.

A Serious Genre: The Apology of Children’s Literature is a collection of essays by scholars and academics from Romania, the United States and Turkey, who investigate the value and impact of what, since the 19th century, has been called, using an umbrella term, children’s literature. The volume is the fourth in a series, which focuses on literary genres which are considered marginal or low-brow, but which have a long tradition and display remarkable versatility and popularity. Previous volumes in the collection presented the historical novel (2010), romance (2012), and fantasy (2014). In this book, fourteen essays approach children’s literature from different angles, from classical Victorian children’s books to the latest film adaptation of The Hobbit, from adult narrators of children’s stories to children narrators of adult stories. The book addresses researchers, teachers and students with an interest in literature, literary theory and genre analysis, but it will also appeal to the wider public, given the flexibility and friendly nature of children’s literature.

Apartheid and Beyond explores a wide range of South African writings to demonstrate the way apartheid functioned in its day-to-day operations as a geographical system of control, exerting its power through such spatial mechanisms as residential segregation, bantustans, passes, and prisons.

Longlisted for the 2002 Booker Prize: the compelling story of a relationship between a young white South African woman and a young Arab man

Set in South Africa, this is the story of Vera Stark, a lawyer and an independent mother of two, who works for the Legal Foundation representing blacks trying to reclaim land that was once theirs. As her country lurches towards majority rule, so she discovers a need to reconstruct her own life.

The novels and short stories of Nadine Gordimer are acclaimed throughout the world. In 1991, she was awarded the Nobel Prize for Literature. Yet until Stephen Clingman's study of her work, few will have been aware of how deeply it has responded to the history of South Africa over the past forty years.;This study traces that history. Drawing out the central themes of her work, the book follows a developing consciousness of history through Gordimer's novels, to contribute towards a history of consciousness in South Africa. Major periods and events are covered, from the political triumph of the National Party in 1948 to the vibrant social and political world of the fifties; from the Sharpeville massacre of 1960 to the Soweto Revolt of 1976, and beyond.;For Gordimer's many readers this book will provide an illuminating guide to an author whose work mirrors and reflects the turbulence of South African history as well as of our own times.;Nadine Gordimer's novels include "The Conservationist", joint winner of the 1974 Booker Prize, "Burger's Daughter", "July's People", "A Sport of Nature" and "My Son's Story". Among her collections of short stories are "A Soldier's Embrace", "Something O

When Paul Bannerman, an ecologist in Africa, is diagnosed with cancer and prescribed treatment that makes him radioactive, his suddenly fragile existence makes him question his life for the first time. He is especially struck by the contradiction in values between his work as a conservationist and that of his wife, an advertising agency executive. Then when Paul moves in with his parents to protect his wife and young son from radiation, the strange nature of his condition leads his mother to face her own past.

Award-winning Michiel Heyns returns with a richly textured novel set in contemporary South Africa. The murder of a beautiful woman shatters the rural village peace of Alfredville, and her husband, the police station commander, is jailed as chief suspect. Her cousin Peter, a freelance writer in London, returns to South Africa for the first time in decades -- unsettled, curious, but also in search of a career-defining story. On checking into the Queen's Hotel he finds that things are not as straightforward as he imagined, and South Africa is not as he left it. His carefully ordered world is thrown into turmoil as his trip dredges up a long-abandoned past, forcing him to question the assumptions so easily held from the comfort of his London flat. He meets a mixture of locals, visitors, vagrants and migrants, but most momentously, Peter discovers that his bosom friend from school, Bennie Nienaber, is still in Alfredville -- and is in fact now, acting station commander at the local police station. Peter re-establishes an awkward friendship with his erstwhile friend and the two warily circle each other, sharing reminiscences that hint at a bond much deeper than nostalgia. As Peter abandons the neatly patterned story he had planned and is forced to participate in a community that he once despised, he begins to reconsider his place in the world. In search of Desirée's story, he now starts to rewrite his own -- till events take an even more shocking turn. . . This book explores questions of xenophobia and prejudice, of national, sexual and personal identity, and what it means to be a foreigner wherever you go.