Mystical Theology and Platonism in the Time of Cusanus engages with the history of mystical theology and Neoplatonic philosophy through the lens of the 15th century philosopher and theologian, Nicholas of Cusa. The volume comprises nineteen essays that break down the barriers between medieval and Renaissance studies, reinterpreting Cusanus’ place in the history of thought by exploring the archive that informed his thinking, while also interrogating his works by exploring them from the standpoint of their later reception by modern philosophers and theologians. The volume also offers tribute to the career of Donald F. Duclow, a leading scholar in the field of Cusanus studies in particular and of the history of mystical theology and Neoplatonic philosophy more generally.

At the end of the nineteenth century, German theologians and philosophers rediscovered the Renaissance cardinal Nicholas of Cusa (1401-1464). Immediately they hailed Cusanus as the first modern thinker, a brilliant German rival to the French Descartes. But since the founding of the Cusanus critical edition in 1927 up to its conclusion in 2005, historians have gradually learned that Nicholas was more of a medieval preacher and contemplative than a modern philosopher. Yet over the same century, modern German and French readers were already digging into Nicholas's many works. There they encountered an exciting voice with fresh perspectives about God's immanence in the cosmos and the awesome capacities of the human mind. Leading philosophers and theologians from Erich Przywara to Karl Jaspers to Hans-Georg Gadamer, and from Gilles Deleuze to Jacques Lacan to Michel de Certeau, found their own thinking stimulated by the cardinal's innovative concepts and interdisciplinary style. Even as Nicholas shifted from modern to medieval among historians, he was emerging as a contemporary interlocutor for moderns and postmoderns. Who could have guessed that the first debate between Jean-Luc Marion and Emmanuel Falque would take place over the fifteenth-century mystical dialogue, De visione dei? If Meister Eckhart found his moment amidst Deconstruction in prior decades, Nicholas of Cusa is our thinker for today. His interests anticipate themes in continental philosophy of religion, whether alterity, invisibility, the fold, or the icon. His habit of interweaving philosophy and theology anticipates current debates on the thresholds of phenomenology. Our volume first maps the contours of modern receptions of Nicholas of Cusa in French and German spheres, and then beyond Europe to the Americas and Japan. It also hosts the next round of engagement by some of today's most original Christian thinkers: Emmanuel Falque, John Milbank, and David Bentley Hart.

This volume contains studies on Nicholas of Cusa and his times. The first section is concerned with Cusanus' context, beginning with a historiographic essay by Francis Oakley on the impact of Brian Tierney's Foundations of the Conciliar Theory. Among the topics addressed are the long-term continuation of the Council of Basel (1431-1449) and the issues of ecclesiastical income which it addressed. The second part is concerned with Cusanus' thought on the Church, both in his conciliarist and papalist phases. Included is the first translation into English of Nicholas' Reformatio generalis. Attention also is paid to Cusanus' reforming efforts and the relationship of his thought on these issues to his earliest speculative writings. The third part is concerned with Nicholas' ideas on Christ and mystical experience. Particular attention is paid to the De visione dei, including its relationship to Renaissance art. The volume concludes with wide-ranging essays on the larger significance of Cusanus' speculative thought. An update of Thomas M. Izbicki's bibliography of Cusanus scholarship in English is included.

Nicholas of Cusa (1401-1464) was active during the Renaissance, developing adventurous ideas even while serving as a churchman. The religious issues with which he engaged – spiritual, apocalyptic and institutional – were to play out in the Reformation. These essays reflect the interests of Cusanus but also those of Gerald Christianson, who has studied church history, the Renaissance and the Reformation. The book places Nicholas into his times but also looks at his later reception. The first part addresses institutional issues, including Schism, conciliarism, indulgences and the possibility of dialogue with Muslims. The second treats theological and philosophical themes, including nominalism, time, faith, religious metaphor, and prediction of the end times.

In Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies.

Nicholas of Cusa and Early Modern Reform sheds new light on Cusanus’ relationship to early modernity by focusing on the reform of church, the reform of theology, the reform of perspective, and the reform of method – which together aim to encompass the breadth and depth of Cusanus’ own reform initiatives. In particular, in examining the way in which he served as inspiration for a wide and diverse array of reform-minded philosophers, ecclesiastics, theologians, and lay scholars in the midst of their struggle for the renewal and restoration of the individual, society, and the world, our volume combines a focus on Cusanus as a paradigmatic thinker with a study of his concrete influence on early modern thought. This volume is aimed at scholars working in the field of late medieval and early modern philosophy, theology, and history of science. As the first Anglophone volume to explore the early modern reception of Nicholas of Cusa, this work will provide an important complement to a growing number of companions focusing on his life and thought.

The Philosophy of Religion is one result of the Early Modern Reformation movements, as competing theologies purported truth claims which were equal in strength and different in contents. Renaissance thought, from Humanism through philosophy of nature, contributed to the origin of the modern concepts of God. This book explores the continuity of philosophy of religion from late medieval thinkers through humanists to late Renaissance philosophers, explaining the growth of the tensions between the philosophical and theological views. Covering the work of Renaissance authors, including Lull, Salutati, Raimundus Sabundus, Plethon, Cusanus, Valla, Ficino, Pico, Bruno, Suárez, and Campanella, this book offers an important understanding of the current philosophy/religion and faith/reason debates and fills the gap between medieval and early modern philosophy and theology.

Women’s Secrets provides the first modern translation of the notorious treatise De secretis mulierum, popular throughout the late middle ages and into modern times. The Secrets deals with human reproduction and was written to instruct celibate medieval monks on the facts of life and some of the ways of the universe. However, the book had a much more far-reaching influence. Lemay shows how its message that women were evil, lascivious creatures built on the misogyny of the work’s Aristotelian sources and laid the groundwork for serious persecution of women. Both the content of the treatise and the reputation of its author (erroneously believed to be Albertus Magnus) inspired a few medieval scholars to compose lengthy commentaries on the text, substantial selections from which are included, providing further evidence of how medieval men interpreted science and viewed the female body.

The Vita coaetanea (A Contemporary Life) is an autobiographical account of Ramon Llull’s life dictated by himself to a friend in 1311 when he was seventy-nine years old. In it Llull reviews his works in the context of a life dedicated to God and motivated by the desire to disseminate the message of the Christian faith among the infidels. Llull, the self-labeled troubadour of books, wrote this account in part as a self-justification of his life and work, in part as self-consolation for his unending toils and travails. It is very likely that he also had in mind the Council of Vienne (1311) which he was about to attend and where he submitted petitions dealing with the establishment of adequate places to study languages for the preaching of the Gospel to every creature and the founding of a Christian military religious order that waged permanent war against the Saracens until the Holy Land is reconquered. Llull wanted to frame these petitions within a well thought-out justificatory account of his life and works that exudes passion, commitment and love for his fellow man. This volume contains the Latin original, as well as translations into Catalan, Spanish, and English.

When political theorists teach the history of political philosophy, they typically skip from the ancient Greeks and Cicero to Augustine in the fifth century and Thomas Aquinas in the thirteenth, and then on to the origins of modernity with Machiavelli and beyond. Paul Stern aims to change this settled narrative and makes a powerful case for treating Dante Alighieri, arguably the greatest poet of medieval Christendom, as a political philosopher of the first rank. In Dante's Philosophical Life, Stern argues that Purgatorio's depiction of the ascent to Earthly Paradise, that is, the summit of Mount Purgatory, was intended to give instruction on how to live the philosophic life, understood in its classical form as "love of wisdom." As an object of love, however, wisdom must be sought by the human soul, rather than possessed. But before the search can be undertaken, the soul needs to consider from where it begins: its nature and its good. In Stern's interpretation of Purgatorio, Dante's intense concern for political life follows from this need, for it is law that supplies the notions of good that shape the soul's understanding and it is law, especially its limits, that provides the most evident display of the soul's enduring hopes. According to Stern, Dante places inquiry regarding human nature and its good at the heart of philosophic investigation, thereby rehabilitating the highest form of reasoned judgment or prudence. Philosophy thus understood is neither a body of doctrines easily situated in a Christian framework nor a set of intellectual tools best used for predetermined theological ends, but a way of life. Stern's claim that Dante was arguing for prudence against dogmatisms of every kind addresses a question of contemporary concern: whether reason can guide a life.