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Songs of Kabir Rabindranath Tagore - Kabir lived in the 15th Century (1440-1518); born to Mohammadan parents; he came under the influence of the famous Hindu saint; Sri Ramananda and delved deep into the mysteries of Hindu mysticism. A true worshipper of God; he emphasized the purity of mind and selfless devotion to God. He openly opposed the weaknesses of both Hinduism and Islam.During his life time he composed many poems. They are usually two line couplets; known as dohas; recited by many scholars even today to denote some deep philosophical truths.All these songs of Kabir were translated into English by none other than Rabindranath Tagore; the mystic poet and the Noble Laureate; the first edition; published by The Macmillan Company; 1915; New York.This book shall prove to be an asset for the Kabir lovers who can't enjoy his writings in Hindi.

Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.

Originally published in 1976, with more than 75,000 copies in print, this collection of poems by fifteenth-century ecstatic poet Kabir is full of fun and full of thought. Columbia University professor of religion John Stratton Hawley has contributed an introduction that makes clear Kabir's immense importance to the contemporary reader and praises Bly's intuitive translations. By making every reader consider anew their religious thinking, the poems of Kabir seem as relevant today as when they were first written.

Kabir was an extraordinary oral poet whose works have been sung and recited by millions throughout North India for half a millennium. He may have been illiterate and he preached an abrasive, sometimes shocking, always uncompromising message that exhorted his audience to shed their delusions, pretentions, and empty orthodoxies in favor of an intense, direct, and personal confrontation with the truth. Thousands of poems are popularly attributed to Kabir, but only a few written collections have survived over the centuries. The Bijak is one of the most important, and is the sacred book of those who follow Kabir.

"Few major achievements of world literature are as little known to Americans as the great ecstatic poetry of the Hindus and Sufis, as exemplified by the work of the 15th century master, Kabir. Irreverent while being intensely religious, Kabir seems incredibly playful in his taunting of the sacred dogmas of his time--to readers accustomed to the solemnity and ideological fidelity of most Western religious poems. Kabir has been translated into English only once before, by Rabindranath Tagore and Evelyn Underhill. Unfortunately, Tagore's Victorian English was simply not equal to Kabir's directness, spontaneity, and irreverent humor. Working from the Tagore-Underhill translation, Bly has done much more than retranslate into American diction. A noted poet himself, he has breathed new life into the work of a fascinating poet"--From back cover.

Life and works of a Hindu saint poet.

This translation presents the hymns of Kabir from the Adi Granth (the holy book of the Sikhs), which has been neglected because it is written in Gurmukhi script rather than Devanagari. The Introduction contextualizes these songs and proceeds to examine their construction of meaning. Most songs have explanatory notes, and there is a Glossary of names and terms that appear in Kabir's work.

The poet Kablr, a selection from whose songs is here for the first time offered to English readers, is one of the most interesting personalities in the history of I ndian mysticism. Born in or near Benares, of Mohammedan parents, and probably about the year 1440, he became in early life a disciple of the celebrated Hindu ascetic Ramananda. Ramananda had brought to Northern India the religious revival which Ramanuja, the great twelfth-century reformer of Brahmanism, had initiated in the South...

Mystic Songs Of Meera Presents (Probably For The First Time) The Original Text In Devanagari, Side With English Translation Of 101 Songs Of Meera, The Mystic Saint Of Rajasthan Who Lived In The 15Th 16Th Century A.D. Birdal Mysticism Marked Meera S Spiritual Approach To God. Krishna, Whom She Endearingly Called Giridhar, The Lord Who Upheld The Mountain, Was Her Beloved, And She Expressed The Imagery Of Human Love To Delineate The Agony Of Separation From Him And The Intense Desire To Be United With Him.Childlike Simplicity, Deep Devotion, Intense Spiritual Yearning And Soulful Poetry Make The God-Oriented Songs Of Meera A National Heritage Of India, Transcending Regional, Lingual And Time Barriers.This Volume Should Prove Useful To All Those Interested In The Spiritual Heritage Of India, Especially The Life And Work Of The Mystics Of India, Whose Devotional Lyrics Can Be Savoured As Spiritual Nectar, By All.The Raga (Melody) In Which Each Songs Is To Be Sung Has Been Given For The Benefit Of Musicians, Choreographers Etc.