This is a work of cllimate fiction set in Crocodile Dundee country in the Northern Territory of Australia. When the body of Alex Petersen, an employee of Parks Australia, is found at Gunlom Falls in Kakadu National Park, the Northern Territory Police are determined to uncover the truth behind his murder. Tensions are high between the Traditional Owners, government and a global miner, as the dispute over the environmental clean up of Ranger Uranium Mine continues. Meanwhile, is there a cover up of government funds behind a gas fracking mine on aboriginal land and a port too close to cultural sites in Darwin. An indignous paleo astronomy course field trip in Kakadu, brings together a young Norwegian marine biologist, an astronomer from Edinburgh, and an archaeologist from Sydney. As the disparate group of characters navigate between the worlds of politics and culture, they uncover secrets that could explain the murder.

Nancy, on a hunt for a missing ancient Aborigine artifact, joins the Hardy boys in the Australian outback, where the trio find themselves dodging bullets, chasing a poacher, and rushing to catch the desperadoes who pulled off a theft at the opal mines.

When you drive down Gold St. in Deming, are you driving over mysterious tunnels built in the city's past? The rumors of their existence have persisted for decades. Did the army build a 10-mile tunnel right through the middle of town? Did 19th century businessmen use tunnels to secretly patronize the town's brothels? Or, did the local Chinese use tunnels to avoid contact with abusive townsfolk? The curious and talented members of the Deming Writing Group set out to explore these legends and try to sort out the truth. Thirteen writers accepted the challenge and were randomly assigned different literary genres (mystery, horror, screenplay, literary, etc.) to create each one's take on the tunnels. So, do these mystifying tunnels under Deming really exist? Decide for yourself after reading Down Under Deming.

Dexter returns in a blood-soaked Australian adventure written by his creator, Jeff Lindsay! Dexter Morgan isn't just Miami's No. 1 forensic blood-spatter expert - he's also a serial killer who targets other killers! But when Dexter travels Down Under on the trail of a new murderer, he quickly learns that sharks aren't Australia's only deadly predator. Who is setting up illegal hunting safaris in the Outback, and are they targeting more than big game? Dexter investigates as only he can, but soon discovers that he isn't the hunter - he's the prey! Now Dexter is trapped in a private preserve where humans are in the crosshairs. Will this one end with a bang? COLLECTING: Dexter Down Under 1-5

An American girl’s stay in Australia proves to be out of this world when she meets a mysterious Aussie named Patrick, whose wild imagination takes them both on incredible journeys.

The world's most exclusive detective agency opens a new office-in Australia! With the best detectives in the business, cutting edge technology and offices around the globe, there is no investigation company quite like Private. Now, at a glittering launch party overlooking the iconic Opera House, Private Sydney throws open its doors. Craig Gisto and his newly formed team have barely raised their glasses, however, when a young Asian man, blood-soaked and bullet-ridden, staggers into the party, and what looks like a botched kidnapping turns out to be a whole lot more. Within days the agency's caseload is full. But it is a horrific murder in the wealthy Eastern Suburbs and the desperate search for a motive that stretches the team to the limit. Stacy Friel, friend of the Deputy Commissioner of NSW Police, isn't the killer's first victim-and as the bodies mount up she's clearly not the last . . .

Darcy and Jon are finally married and heading to Australia for their honeymoon. A whole week in Tasmania staying at the Pine Lake Inn with nothing to do but act like tourists. No ghosts to deal with. No mysteries to solve. Just rest and relaxation. It will be a welcome change having nothing to worry about. That is until they actually arrive at their destination. They find that three people have died just recently under suspicious circumstances and a fourth has just been released from hospital. That is definitely something to worry about. The local police department doesn't seem too worried about it though so it's up to Darcy and Jon to figure it all out. Will they be able to catch a killer in their midst before the unknown person strikes again?

A smart and charming middle-grade mystery series starring young detective Aggie Morton and her friend Hector, inspired by the imagined life of Agatha Christie as a child and her most popular creation, Hercule Poirot. Aggie Morton lives in a small town on the coast of England in 1902. Adventurous and imaginative but deeply shy, Aggie hasn't got much to do since the death of her beloved father . . . until the fateful day when she crosses paths with twelve-year-old Belgian immigrant Hector Perot and discovers a dead body on the floor of the Mermaid Dance Room! As the number of suspects grows and the murder threatens to tear the town apart, Aggie and her new friend will need every tool at their disposal -- including their insatiable curiosity, deductive skills and not a little help from their friends -- to solve the case before Aggie's beloved dance instructor is charged with a crime Aggie is sure she didn't commit.

In 1948, the Australian government banned the production, importation and exhibition of horror films in a move to appease religious communities and entertainment watchdogs. Drawing upon previously unseen government documents, private letters and contemporary newspaper accounts, this book is the first to extensively cover the history of censorship and the early production of horror movies in Australia. Beginning its examination in the late 19th century, the book documents the earliest horror films like Georges Melies' The Haunted Castle (1896), and how Australians enjoyed such films before the ban. The book then explains how certain imports, like 1954's Creature from the Black Lagoon, were able to circumvent the ban while others were not. It also reveals how Australian television, though similarly impacted by government censorship, was occasionally able to broadcast films technically banned from cinematic release. The work concludes with a look at the first Australian horror films produced after the ban was formally lifted in 1969, like Terry Bourke's Night of Fear (1973).

The promise of Mystery’s is change, the regulars told her often as they sat down across from her in their favorite stools for another night on their ride to pleasure and never changed a thing about themselves. Never quite sure who she wanted to be, Keira Rhys embraces them and finally feels like she belongs after stepping away from a life that was pushing her to change at the detriment of happiness. But she soon finds appearances and definitions to be misleading as her love affair with the fast and loose single culture proves to be an identity crisis for her, her regulars, and the bar itself. Determined to find satisfaction on her own terms, Keira struggles through deconstructing the connections between love and lust, identity and appearance in this coming of age story on self, sex, and society.