As a wife, the life of a diaosi changed. All kinds of beauties were embraced in her arms, and she could choose any technique in the Heavenly Court ...

In Lady into Fox, Silvia Tebrick, the 24-year-old wife of Richard Tebrick, suddenly becomes a fox while they are out walking in the woods. Mr. Tebrick sends away all the servants in an attempt to keep Silvia's new nature a secret, although Silvia's childhood nurse returns. While Silvia initially acts human, insisting on wearing clothing and playing piquet, her behavior increasingly becomes that characteristic of a vixen, causing the husband a great deal of anguish. Eventually, Mr. Tebrick releases Silvia into the wild, where she gives birth to five kits, whom Tebrick names and plays with every day. Despite Tebrick's efforts to protect Silvia and her cubs, she is ultimately killed by dogs during a fox hunt. Tebrick, who tried to save Silvia from the dogs, is badly wounded, but eventually recovers. In A Man in the Zoo, Josephine Lackett and John Cromartie walking around London Zoo. They had been dating for some time and John was keen to marry Josephine but they are having an argument about it as her father didn’t approve, presumably due to the lack of money on John’s behalf. Josephine Lackett and John Cromartie walking around London Zoo as they were wont to do on a pleasant weekend. He wants them to be married regardless, but she is reluctant to fall out with her family. Exasperated, John compares his situation with the caged animals they are viewing and decides to join them as an exhibit. John’s proposal is accepted by the Zoo’s Board, and he packs his bags and takes up residence in a new cage in the Ape-house.

As a scholar, Zhang Nan had always wanted to become one of the nine great demon catcher s, whose name resounded throughout the world. However, he had never thought that the difficulty of the great tribulation, which involved ten thousand people in the human world, would have quietly arrived...

A woman writer moves into a house she inherited from a poet in the hills of Arizona. The man died in mysterious circumstances and Maggie Black wants to find out why. So begins a terrifying introduction to the Indian spirits which roam the hills and feed on people's creative juices.

Since I was a child, my fate had been strange. The fortune-teller said that this was basically death. In order to let this little life of mine breathe a little more, Grandpa made a "ghost bride" out of the girl he married from a young age. I did survive, but with this' damned girl 'pestering me everyday, it's practically a fate worse than death!

Liaozhai Zhiyi (Liaozhai; Chinese: 聊齋, or 聊齋誌異), called in English Strange Tales from a Chinese Lonely Studio is a collection of Classical Chinese stories by Pu Songling comprising close to five hundred "marvel tales" in the zhiguai and chuanqi styles which serve to implicitly criticise societal issues then. Dating back to the Qing dynasty, its earliest publication date is given as 1740. Since then, many of the critically lauded stories have been adapted for other media such as film and television. The main characters of this book apparently are ghosts, foxes, immortals and demons, but the author focused on the everyday life of commoners. He used the supernatural and the unexplainable to illustrate his ideas of society and government. He criticized the corruption and injustice in society and sympathized with the poor. The book is complete translation of all volumes (Vol. 1 to 12) of Liaozhai.

This collection in five volumes tries to realize the desideratum of a comprehensive interdisciplinary work on the manifold faces and images of Jesus in China, which unites the Sinological, mission-historical, theological, art-historical, and other aspects. The first three volumes (vols. L/1-3) contain articles and texts which discuss the faces and images of Jesus Christ from the Tang dynasty to the present time. In a separate volume (vol. L/4) follows an annotated bibliography of the Western and Chinese writings on Jesus Christ in China and a general index with glossary. The iconography, i.e., the attempts of the Western missionaries and the Chinese to portray Jesus in an artistic way, will be presented in the fifth volume of this collection (vol. L/5). "This unique ongoing project continues to open a new, vital lens to learn more about China in its intellectual and cultural dimensions." John Witek in Journal of Asian Studies

"The one hundred-some stories depict the important role ghosts played in the lives of the Chinese, as well as revealing a great deal about sex, revenge, transvestism, corruption, and other topics banned by Mei's puritanical mid-Qing society". -- Reference & Research Book News.