Fate has its way of letting seemingly simple things irrevocably alter the course of people’s lives. This is what Larry Bulger, the hero in Peter Robinson’s new novel, My Story in the Philippines in First Person, discovers. At 30 years old, Larry is enjoying the rewards that his life and career in the engineering industry brought him. When he signs a contract to work overseas—in the Philippines— he has no idea that the decision will propel him on his first true adventure and inextricably change his life. From the bustling urban maze work of Manila (the country’s capital) to the mesmerizing Chocolate Hills of Bohol to the anxiety-ridden streets of Basilan, Larry’s voyage will be riddled with excitement, new discoveries, intriguing personalities and, unexpectedly, danger. As Larry becomes immersed in the unique culture and life, he also becomes enmeshed in perilous circumstances he never thought were possible. Soon, Larry will realize some enlightening truths about himself. Peopled by richly-drawn characters, My Story in the Philippines in First Person unfolds to an adventure of a lifetime and a window into an enchantingly exotic world.

Fate has its way of letting seemingly simple things irrevocably alter the course of people s lives. This is what Larry Bulger, the hero in Peter Robinson s new novel, My Story in the Philippines in First Person, discovers. At 30 years old, Larry is enjoying the rewards that his life and career in the engineering industry brought him. When he signs a contract to work overseas in the Philippines he has no idea that the decision will propel him on his first true adventure and inextricably change his life. From the bustling urban maze work of Manila (the country s capital) to the mesmerizing Chocolate Hills of Bohol to the anxiety-ridden streets of Basilan, Larry s voyage will be riddled with excitement, new discoveries, intriguing personalities and, unexpectedly, danger. As Larry becomes immersed in the unique culture and life, he also becomes enmeshed in perilous circumstances he never thought were possible. Soon, Larry will realize some enlightening truths about himself. Peopled by richly-drawn characters, My Story in the Philippines in First Person unfolds to an adventure of a lifetime and a window into an enchantingly exotic world.

In these nine globe-trotting tales, Mia Alvar gives voice to the women and men of the Philippines and its diaspora. From teachers to housemaids, from mothers to sons, Alvar’s stories explore the universal experiences of loss, displacement, and the longing to connect across borders both real and imagined. In the Country speaks to the heart of everyone who has ever searched for a place to call home—and marks the arrival of a formidable new voice in literature.

"A powerful, complex, and fascinating coming-of-age novel." -- Costa Book Award PanelA boy and a girl in the Philippine jungle must confront what coming of age will mean to their friendship made even more complicated when Americans invade their country. Samkad lives deep in the Philippine jungle, and has never encountered anyone from outside his own tribe before. He's about to become a man, and while he's desperate to grow up, he's worried that this will take him away from his best friend, Little Luki, who isn't ready for the traditions and ceremonies of being a girl in her tribe.But when a bad omen sends Samkad's life in another direction, he discovers the brother he never knew he had. A brother who tells him of a people called "Americans." A people who are bringing war and destruction right to their home...A coming-of-age story set at the end of the 19th century in a remote village in the Philippines, this is a story about growing up, discovering yourself, and the impact of colonialism on native peoples and their lives.

The author of The Key to Happily Ever After—“a true gem filled with heart, laughs, and a cast of delightful characters” (Nina Bocci, USA TODAY bestselling author)—returns with a heartwarming and charming novel about a woman who travels to the Philippines to reconnect with her long-lost family…and manages to find herself along the way. Diana Gallagher-Cary is at a tipping point. As a Washington, DC, OB/GYN at a prestigious hospital, she uses her career to distract herself from her grief over her granny’s death and her breakup from her long-term boyfriend after her free-spirited mother moves in with her. But when she makes a medical decision that disparages the hospital, she is forced to go on a short sabbatical. Never one to wallow, Diana decides to use the break to put order in her life, when her mother, Margo, stumbles upon a box of letters from her grandfather, Antonio Cruz, to her grandmother from the 1940s. The two women always believed that Antonio died in World War II, but the letters reveal otherwise. When they learn that he lived through the war, and that they have surviving relatives in the Philippines, Diana becomes determined to connect with the family that she never knew existed, though Margo refuses to face her history. But Diana pushes on, and heads on a once-in-a-lifetime trip that challenges her identity, family history, and her idea of romantic love that could change her life forever. Infused with Tif Marcelo’s signature “sexy, adorable, and heartfelt” (Kate Meader, USA TODAY bestselling author) voice, Once Upon a Sunset is a moving and lyrical celebration of love, family, and second chances.

"A bravura performance."—The New York Times Histories and personalities collide in this literary tour-de-force about the Philippines’ present and America’s past by the PEN Open Book Award–winning author of Gun Dealers’ Daughter. Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher. Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.

One of The Washington Post's 10 Best Books of the Year "A remarkable book...indispensable."--The Boston Globe "A sweeping, deeply reported tale of international migration...DeParle's understanding of migration is refreshingly clear-eyed and nuanced."--The New York Times "This is epic reporting, nonfiction on a whole other level...One of the best books on immigration written in a generation."--Matthew Desmond, author of Evicted The definitive chronicle of our new age of global migration, told through the multi-generational saga of a Filipino family, by a veteran New York Times reporter and two-time Pulitzer Prize finalist. When Jason DeParle moved into the Manila slums with Tita Comodas and her family three decades ago, he never imagined his reporting on them would span three generations and turn into the defining chronicle of a new age--the age of global migration. In a monumental book that gives new meaning to "immersion journalism," DeParle paints an intimate portrait of an unforgettable family as they endure years of sacrifice and separation, willing themselves out of shantytown poverty into a new global middle class. At the heart of the story is Tita's daughter, Rosalie. Beating the odds, she struggles through nursing school and works her way across the Middle East until a Texas hospital fulfills her dreams with a job offer in the States. Migration is changing the world--reordering politics, economics, and cultures across the globe. With nearly 45 million immigrants in the United States, few issues are as polarizing. But if the politics of immigration is broken, immigration itself--tens of millions of people gathered from every corner of the globe--remains an underappreciated American success. Expertly combining the personal and panoramic, DeParle presents a family saga and a global phenomenon. Restarting her life in Galveston, Rosalie brings her reluctant husband and three young children with whom she has rarely lived. They must learn to become a family, even as they learn a new country. Ordinary and extraordinary at once, their journey is a twenty-first-century classic, rendered in gripping detail.

This collection of funny and heartrending autobiographical essays by the young Filipino Chinese author is a photo album of sorts—there are black-and-white shots, vivid Polaroids, ID pictures, and yellowed photographs that look like scenes from a dream.

Though Elsie Reyes Cook has traveled throughout Asia as a missionary, served as a high-profile executive at CBN Asia, while also being sought-after church speaker and counselor-her early beginnings hardly promised such a life of ministry. As a painfully shy, awkward and insecure girl growing up in a humble Philippines provincial household, Elsie often preferred to remain quietly in the shadows. But upon becoming born again, she gradually acquired a boldness that surprised even her. Guided by Romans 8:28 as a life verse, Elsie has experienced amazing aEURoehighsaEUR (success in ministry and academia) as well as aEURoelowsaEUR (attacks from co-workers and physical attacks while in India). Still, her story is a testimony to the fact that God is sovereign and through it aEURallaEUR is able work aEURoeallaEUR things for good