This is a novel on how a wife becomes an obsession for her husband despite the fact that she was not his first love and his marriage was a forced marriage. It is story that love may surrender itself to family pressures but the guilt from abandoning his first love remains hidden in the crypt of his soul to inflict emotional pain from time to time. This novel is about the powerful force of friendship between two women from two different sects and yet under the family pressures it crumples but the pain from forsaking a friend remains hidden in the crypt of her soul. It’s the story of a woman abandoned by her biological parents, brought up by adopted abusive parents, betrayed by her best friend, betrayed by her first love and forced to marry a person she didn’t like. This novel is about how fate can destroy an innocent life and destroys it beyond any redemption. It’s touching story of relationship between a mother and her adopted daughter proving feelings are a much powerful force than the blood ties. Because of the powerful capture of emotions, this novel will bring tears to flow from reading of it.

Beyond Diamond Rings is a book that spans five generations. Yet it is not a story of generations that encapsulates a family history. Instead the book touches upon the lives of a women-centric Sindhi family of the Bhaibund community. The story revolves around the family's post-partition rehabilitation experiences and presents a panorama of relationships between the women. The book follows them from pre-partition times to ours. The Bhaibunds were the Merchant Princes of Sindh, who celebrated their success with fabulous homes and flamboyant weddings, Sindhi roots streaked with the colours of the world. Post-partition's major sociological development was a break with the ancient tradition of Bhaibund men leaving their families at home to live and work abroad, very often fathering a brood there. Genetically programmed almost to live with minimal male interference in their day-to-day functioning, the womenfolk blossomed on their own, taking hold of their lives. Living together with their men made for gender discomforts, in sharp contrast to the flair for living displayed by those lone women whose best was brought out by absent husbands or widowhood. This book is about the women of those Merchant Princes, how they coped with the trauma and the freedom of this lifestyle, individually and collectively in locales as varied as Pune, Jakarta, Singapore, Dubai, the West Indies and Canary Islands.

" If you see my face you will know WHAT I wanna say. " There are lots of emotions unshared and unspoken but keeps quenching the mind and the soul. This book of mine is an attempt to echo the emotions hidden deep. It's a collection of poems inked with a story to tell. Numerous people are out there who wants to pour their heart out but they do not they stay mute wearing a smile or shedding tears. I was inspired to pour out my emotions into words when I had spent 15 days in hospital fighting love to be back safe and there I experienced overwhelming emotions and painted face of people. Hence, here comes voice of emotions.

"Gripping, hugely involving, and very satisfying" KATE MOSSE Set in Pakistan, London and Egypt, this epic drama centres around the life of Zarri, the glamorous daughter of a wealthy landowner. Zarrie Bano is the charismatic 28-year-old daughter of a wealthy Muslim landowner. She falls in love with Sikander, a business tycoon to whom her father takes an immediate dislike. When Zarri's brother is killed in a freak accident, her father decides to make her his heiress, resurrecting an ancient tradition and forcing her into marriage to the Holy Koran, to become her clan's 'holy woman' - a nun. A powerful and compelling family drama, The Holy Woman is a romantic story of love and betrayal within a wealthy Muslim community.

Before the 1857 Uprising of India, the old Delhi, or Shahjahanabad is sprawling with life—like an ode wavering towards its end. The inhabitants of Red Fort and the splendored world around it, all subjects of Emperor Bahadur Shah Zafar, lived on the cusp of a change with the arrival of the British. Yet, people’s own stories continued against backdrop of this transition. At the centre of this sprawling narrative is a princess, Falak Ara, daughter of the Emperor. Beautiful and vivacious, Falak Ara is curious about the world outside the fort but never imagines being able to leave. Soon, she loses her heart to a salatin—a prince— and longs for a union with him. Her quest is made difficult by a changing Shahjahanabad, on whose horizon lurks a revolution. Author Rana Safvi unspools the aches of a young heart as she pays homage to Old Delhi—which, like a living, breathing being, has many moods and survives a lifetime in this novel A Firestorm in Paradise.

Women's stories in India have been handed down from generation to generation, enriched and embroidered along the way. Political change and the arrival of print culture meant that storytelling was pushed into the background. But in more recent times, these voices have once again come centre-stage - confident, varied and complex. Spanning half a century, this collection covers many languages and cultures, and reflects the vast and complex cultures of the country and its diaspora. It offers a view of the changes that have taken place, both in terms of the subjects women choose to write about and their preferred way of writing about these subjects. From established names such as Mahashveta Devi to the newer generation of young authors, such as Tishani Doshi, Katha brings to the reader a vivid array of voices.

A dazzling collection that captures the essence of Hyderabad, offering glimpses of the various strands that go into its making, fact and legend, old-world quaintness and the highest hi-tech, eccentricity and intrigue, the calm of genteelness and the fury of rebellion. Hyderabad is a city once ruled by the worlds richest man who invested most lavishly in his state, most shabbily in his wardrobe; it holds stories of a courtesan who fought wars, counselled prime ministers, sang her own verse and enthralled luminaries who mattered; of a chief minister who transformed it into a hi-tech hub; and of a sports star who brought the young glamour of India to every tennis court in the world. Home as much to the Golconda as to Jacob, the 187-carat diamond used as a paperweight by the Nizam, and to rock landscapes two and a half million years old, Hyderabad is a city that forever mixes cultures, cuisines, religions and languages. Here, Persian turned alloy with Telugu, Marathi and Arabic to yield a special version of Urdu, Dakhini. And here, as Andhra mingled with Telangana, a smiling mildness has survived, disarming at every turn, just as grace under pressure, regardless of gender, is unfailing. In The Untold Charminar readers will discover a city they will want to explore, as Sarojini Naidu, Sir Mark Tully and William Dalrymple rub shoulders with Ian Austin, Meenakshi Mukherjee and Anees Jung, regaling you with their feast of hard facts and hearsay; as each foreign visitor shares his story through Narendra Luther; as the film-makers Shyam Benegal and Nagesh Kukunoor paint their vivid memories of home; as poets, not just the maverick Makhdoom and Gaddar, raise their voices in song; as statesmen, academics and aficionados hold forth on the completely different Hyderabad each experienced. And when Tejaswini Niranjana profiles the vigilante Vijayasanthi and Dharmender Prasad picks out place names and explains their sometimes almost mystic origins, as Bachi Karkaria, Omkar Goswami and Harsha Bhogle share their typically offbeat views of a favourite city, readers will be persuaded to believe they have encountered not a city but the inner workings of a very complex character.

A young woman confronts her own dark desires, and finds her match in a masked conjurer turned assassin. Inspired by Gaston LeRoux's The Phantom of the Opera, Marion Grace Woolley takes us on forbidden adventures through a time that has been written out of history books. "Those days are buried beneath the mists of time. I was the first, you see. The very first daughter. There would be many like me to come. Svelte little figures, each with saffron skin and wide, dark eyes. Every one possessing a voice like honey, able to twist the santur strings of our father's heart." It begins with a rumour, an exciting whisper. Anything to break the tedium of the harem for the Shah's eldest daughter. People speak of a man with a face so vile it would make a hangman faint, but a voice as sweet as an angel's kiss. A master of illusion and stealth. A masked performer, known only as Vachon. For once, the truth will outshine the tales. On her birthday, the Shah gifts his eldest daughter Afsar a circus. With the circus comes a man who will change everything. Note: Mature subject matter