"That road all paved in gold, I found in my mother's eyes." A girl from Jacksonville, Florida that rose to fame in 1980s Los Angels, lived through countless scandals and ultimately her fall from grace and her abandonment of the spotlight in the early 90s. Once one of the brightest stars above Sunset Boulevard, Poppy Rey has been through it all and always by her side was her mother Cindy. It is safe to say that her sudden rise to the top seemed too good to be true to many, except to Cindy, who has set her own life aside to pave a way of gold for her daughter. Why would she throw it all away in an instance? She confides this long veiled truth to the frail elderly lady, that is in her care ever since she has disappeared from the stages of Hollywood. As Poppy's story comes to an end, the lives of the two women shall be connected in tragic and irreversible ways.

Jean-Marie Faggiano and her family were living in the Philippines when Pearl Harbor was attacked on December 7, 1941. The following month, she and her family, along with over 3,600 other non-national civilians, were forced to surrender to the Imperial Japanese Army and live as civilian prisoners of war in the Santo Tomas Internment Camp in Manila. In Through My Mother's Eyes, you will experience how a young girl and her family were able to survive their thirty-seven month ordeal until their nick-of-time rescue by American forces on February 3, 1945. Through My Mother's Eyes is a story of a world rampant with sickness, starvation, and brutality, but it is also an incredible story of love, courage, and enduring faith.

Anna Ornstein is a Holocaust survivor. After emigrating to the U.S., she seldom spoke of the experiences she suffered while a young girl. Twenty-five years ago, at the family Seder gathering, her family asked for a story from her past. In an evocative, understated passage, she shared a bit of the tragedy she saw through the eyes of a child. Every year she has added to this tradition by sharing another chapter of the tragedies she witnessed and the small moments of grace in her survival. Through her family's support, Orenstein gained enough strength to share her experiences in My Mother's Eyes, in hopes of keeping the nightmare from ever happening again.

Loathed and Loved. Mother and Daughter. Her childhood is something she wants to leave behind but now that her mother is once again pregnant she has to reflect on how the woman fulfilled that role during her own youth. This is a story about the past, about growing up in a household that holds traditional values very dear: Family Roles, Religion and a Lack of Emotional Intelligence A story about the present, about dealing with Internalized Hate and Contempt towards your own Blood and Flesh. And a story about the future, about your Hopes and Dreams and Desires, not for yourself but for the one after you. Because your story takes place in the past. Something long gone.

This look at the traditional and subversive world of women's folklore examines the realm of women's talk, exploring the ways Italian immigrant women from Montreal use classic folk genres to stretch the boundaries of their culture. Through songs, lullabies, bawdy riddles, and trickster tales, these women subvert, redefine, and alter what it means to be Italian and female in North America. More than just a study of Italian Canadians, this essay delves into broader themes of gender, immigration, and ethnicity, showcasing voices that contradict homogenizing interpretations of traditional historical scholarship.

Imagine living with the knowledge that your father had murdered your mother and lied to you your whole life, telling you she left because she didn't love you anymore. How could a father do this to his children? How could a husband do this to a woman he at one time loved? When she was four years old, Shanelle Dawson's mother, Lynette, disappeared. On 8 January 1982, the woman who had been a loving, constant presence vanished without a trace. Four year old's might not be able to articulate questions or understand a lot, but the ache of absence is very real. Year after year that ache persisted. Shanelle's father, Chris Dawson, claimed that his wife just needed to get away. This is what he told Lyn's parents and siblings. This is what he told his daughters. But Lyn never returned home. Her side of the bed was immediately filled by Shanelle's teenage babysitter, a former student of her father's. After thirty-six years of her father's lies, a podcast called The Teacher's Pet investigated her mother's case. Sordid details about the father she loved became public. Whispers that he had murdered Lynette grew louder. The police refocused on the cold case. Then, Chris Dawson faced court. Forty years after she went missing, he was sentenced to twenty-four years in prison for the murder of Lynette. Now, in this brave, emotionally powerful memoir, Shanelle reclaims her mother's story and finds a channel for her own voice. It is an unforgettable insight into the ripples of trauma and loss that family violence brings and shows how Shanelle found the strength to confront her father and can now create a new life after unimaginable deception. This is Shanelle's story.

From the author of How Should a Person Be? (“one of the most talked-about books of the year”—Time Magazine) and the New York Times Bestseller Women in Clothes comes a daring novel about whether to have children. In Motherhood, Sheila Heti asks what is gained and what is lost when a woman becomes a mother, treating the most consequential decision of early adulthood with the candor, originality, and humor that have won Heti international acclaim and made How Should A Person Be? required reading for a generation. In her late thirties, when her friends are asking when they will become mothers, the narrator of Heti’s intimate and urgent novel considers whether she will do so at all. In a narrative spanning several years, casting among the influence of her peers, partner, and her duties to her forbearers, she struggles to make a wise and moral choice. After seeking guidance from philosophy, her body, mysticism, and chance, she discovers her answer much closer to home. Motherhood is a courageous, keenly felt, and starkly original novel that will surely spark lively conversations about womanhood, parenthood, and about how—and for whom—to live.

"Analyzing this narrative practice, Malin examines ten texts by women who seem particularly compelled to tell their mothers' stories. Each author is, in fact, able to write her own autobiography only by using a narrative form that contains her mother's story at its core. These texts raise interesting questions about autobiography as a genre and about a feminist writing practice that resists and subverts the dominant literary tradition.".

On a hot July night on Cape Cod, at the age of 14, Brodeur became a confidante to her mother's affair with her husband's closest friend. Malabar came to rely on her daughter to help, but when the affair had calamitous consequences for everyone involved, Brodeau was driven into a precarious marriage of her own, and then into a deep depression. In her memoir she examines how the people close to us can break our hearts simply because they have access to them, and the lies we tell in order to justify the choices we make. -- adapted from jacket

"Thirty years ago, I lay in the womb of a woman, conceived in a sexual act of rape, being carried during the prenatal period by an unwilling and rebellious mother, finally bursting from the womb only to be tormented in a family whose members I despised or pitied, and brought into association with people whom I should never have chosen." Shortly after its 1925 publication, Gertrude Beasley's ferociously eloquent feminist memoir was banned and she herself disappeared under mysterious circumstances. Though British Nobel Prize winner Bertrand Russell called My First Thirty Years "truthful, which is illegal" and Larry McMurtry pronounced it the finest Texas book of its era, Beasley's words have been all but inaccessible for almost a century—until now. Beasley penned one of the most brutally honest coming-of-age historical memoirs ever written, one which strips away romantic notions about frontier women's lives at the turn of the 20th century. Her mother and sisters braved male objectification and the indignities of poverty, with little if any control over their futures. With characteristic ferocity, Beasley rejected a life of dependence, persisting in her studies and becoming first a teacher, then a principal, then a college instructor, and finally a foreign correspondent. Along the way, Beasley becomes a strident activist for women's rights, socialism, and sex education, which she sees as key to restoring bodily autonomy to women like those she grew up with. She is undaunted by authority figures but secretly ashamed of her origins and yearns to be loved. My First Thirty Years is profoundly human and shockingly candid, a rallying cry that cost its author her career and her freedom. Her story deserves to be heard. Praise for My First Thirty Years: "For almost a century in Texas literary circles, Gertrude Beasley's 1925 memoir has been more a legend than a book... The tangled history of My First Thirty Years, and Beasley's horrific personal fate, are case studies in society's merciless treatment of women of her era who gave voice to socially unspeakable truths. The memoir's republication this month, which makes it widely available for the first time in 96 years, is a long-overdue moment of reckoning. It's also a rich gift to the Texas literary canon."—Texas Monthly "We should all be as fierce, loud, and convinced of our own self-worth as Gertrude Beasley was. This story of a justifiably angry woman living ahead of the world she lived in will resonate deeply today."—Soraya Chemaly, activist and award-winning author of Rage Becomes Her: The Power of Women's Anger "Gertrude Beasley's 1925 memoir grabs the reader by the arm and holds tight, speaking with a voice as compelling as if she had just put down her pen this morning. Feminist, socialist, and acute observer of both herself and the world around her, Beasley gives us stories that illuminate the costs of poverty and of being a woman. To read My First Thirty Years is to be in conversation with an extraordinary mind."—Anne Gardiner Perkins, author of Yale Needs Women