One of Kabbalah's most distinctive images of the feminine divine is that of a motherly, breastfeeding God. Suckling at My Mother's Breasts traces this idea from its origins in ancient rabbinic literature through its flourishing in the medieval classic Sefer ha-Zohar (The Book of Splendor). Taking the position that kabbalistic images provide specific, detailed models for understanding the relationship between God and human beings, Ellen Davina Haskell connects divine nursing theology to Jewish ideals regarding motherhood, breastfeeding, and family life from medieval France and Spain, where Kabbalah originated. Haskell's approach allows for a new evaluation of Kabbalah's feminine divine, one centered on culture and context, rather than gender philosophy or psychoanalysis. As this work demonstrates, the image of the nursing divine is intended to cultivate a direct emotional response to God rooted in nurture, love, and reliance, rather than knowledge, sexuality, or authority.

Focusing on the unique psychological needs of women who must deal with the pain and devastation of a mother's breast cancer while repressing their fears for their own health, Tarkan profiles a wide range of women who have witnessed the effects of breast cancer.

A New York Times Book Review Notable Book “Whom to marry, and when will it happen—these two questions define every woman’s existence.” So begins Spinster, a revelatory and slyly erudite look at the pleasures and possibilities of remaining single. Using her own experiences as a starting point, journalist and cultural critic Kate Bolick invites us into her carefully considered, passionately lived life, weaving together the past and present to examine why­ she—along with over 100 million American women, whose ranks keep growing—remains unmarried. This unprecedented demographic shift, Bolick explains, is the logical outcome of hundreds of years of change that has neither been fully understood, nor appreciated. Spinster introduces a cast of pioneering women from the last century whose genius, tenacity, and flair for drama have emboldened Bolick to fashion her life on her own terms: columnist Neith Boyce, essayist Maeve Brennan, social visionary Charlotte Perkins Gilman, poet Edna St. Vincent Millay, and novelist Edith Wharton. By animating their unconventional ideas and choices, Bolick shows us that contemporary debates about settling down, and having it all, are timeless—the crucible upon which all thoughtful women have tried for centuries to forge a good life. Intellectually substantial and deeply personal, Spinster is both an unreservedly inquisitive memoir and a broader cultural exploration that asks us to acknowledge the opportunities within ourselves to live authentically. Bolick offers us a way back into our own lives—a chance to see those splendid years when we were young and unencumbered, or middle-aged and finally left to our own devices, for what they really are: unbounded and our own to savor.

Good for you and your baby . . . now and forever Sheila Kippley shows that not only is breastfeeding the best care you can give your baby, it's also good for you as a Catholic woman. Learn how nursing will deepen your love and develop your habits of meditation and prayer.

A child narrates the story to explain the stages of his mother's breast cancer treatment to help the reader understand what their mother may encounter during her breast cancer treatment. "My Warrior Mommy: Our Breast Cancer Journey" is the perfect book for mothers who have to share their medical diagnosis of breast cancer with their children. This book will help parents explain the stages of mommy's treatment to their children in a heartfelt, open, honest, and child-friendly manner. "My Warrior Mommy: Our Breast Cancer Journey" will help families navigate through breast cancer together.

My Mother's Body, Marge Piercy's tenth book of poetry, takes its title from one of her strongest and most moving poems, the climax of a powerful sequence of Poems to her mother. Rooted in an honest, harrowing, but ally ecstatic confrontation of the mother / daughter relationship in all its complexity and intimacy, it is at the same time an affirmation of continuity and identification. "The Chuppah" comprises poems actually used in her wedding ceremony with Ira Wood. This section sings with powerfully female love poetry. There is also a sustained and direct use of her Jewish identity and faith in these poems, as there is in a number of other poems throughout the volume. Readers of Piercy's previous collections will not be surprised to encounter her mixture of the personal and the political, her love of animals and the Cape landscape. There are poems about doing housework, about accidents, about dreaming, about bag ladies, about luggage, about children's fears of nuclear holocaust; about tomcats, insects in the rafters, the influence of a name, appleblossoms and blackberries, pollution, and some of the ways women objectify one another. In "Does the light fail us, or do we fail the light?" Piercy writes with lacerating honesty about our relationships with the elderly and about hers with her father. Some of the most moving poems are domestic, as in the final sequence, "Six underrated pleasures," which finds in daily women's tasks both pleasure and mystery, affirmation of serf and connection with the mother. In all, My Mother's Body is one of Piercy's most powerful and balanced collections.

Breasts are integral to mothers' bodies; over the life course, they can swell, droop, be judged, be aroused, lactate, be altered, be removed. A woman's own breasts may be foremost in her mind during some life events, only to recede into the background at other times. Breasts are complex; they are enveloped by larger cultural meanings that go far beyond their mammary gland function, and we cannot fully understand breasts without examining the myriad discourses surrounding them. Social policies, cultural norms, and interpersonal interactions all help construct localized breast discourses which,

Advice on feeding and exercises to assist the development of babies' mouth and facial muscles to ensure language development, good mouth structure and movement.

The New York Times–bestselling graphic memoir about Alison Bechdel, author of Fun Home, becoming the artist her mother wanted to be. Alison Bechdel’s Fun Home was a pop culture and literary phenomenon. Now, a second thrilling tale of filial sleuthery, this time about her mother: voracious reader, music lover, passionate amateur actor. Also a woman, unhappily married to a closeted gay man, whose artistic aspirations simmered under the surface of Bechdel's childhood…and who stopped touching or kissing her daughter good night, forever, when she was seven. Poignantly, hilariously, Bechdel embarks on a quest for answers concerning the mother-daughter gulf. It's a richly layered search that leads readers from the fascinating life and work of the iconic twentieth-century psychoanalyst Donald Winnicott, to one explosively illuminating Dr. Seuss illustration, to Bechdel’s own (serially monogamous) adult love life. And, finally, back to Mother—to a truce, fragile and real-time, that will move and astonish all adult children of gifted mothers. A New York Times, USA Today, Time, Slate, and Barnes & Noble Best Book of the Year “As complicated, brainy, inventive and satisfying as the finest prose memoirs.”—New York Times Book Review “A work of the most humane kind of genius, bravely going right to the heart of things: why we are who we are. It's also incredibly funny. And visually stunning. And page-turningly addictive. And heartbreaking.”—Jonathan Safran Foer “Many of us are living out the unlived lives of our mothers. Alison Bechdel has written a graphic novel about this; sort of like a comic book by Virginia Woolf. You won't believe it until you read it—and you must!”—Gloria Steinem

In 2012, Jerry Pinto published his debut novel, 'Em and the Big Hoom', which drew upon his experience of living with a mother who was bipolar. It touched thousands of readers, among them many who had similar experiences-of living with someone with a mental illness or infirmity. Some of these readers shared their stories with him, and agreed to share them with the world. 'A Book of Light' collects these harrowing yet moving, even empowering, stories-about the terror and majesty of love; the bleakness and unexpected grace of life; the fragility and immense strength of the human mind.