A memoir of the Jazz Age and a life profoundly influenced by it My Life in E-flat is the remarkable memoir of a woman who witnessed some of the most important movements in the history of jazz. Through her autobiography, Chan Parker provides intimate insights into the music and into life with Charlie Parker, the key figure in the development of bebop and one of the most important of all jazz musicians. Born Beverly Dolores Berg in New York City at the height of the Jazz Age, Parker's father was a producer of vaudeville shows and her mother was a dancer in Florenz Ziegfeld's Midnight Frolic. Parker became part of the jazz culture as a nightclub dancer and later as the wife of jazz saxophonists Charlie Parker and then Phil Woods. In a moving and candid portrait of Charlie Parker, the author describes in harrowing detail a man of incredible talent besieged with addictions and self-destructiveness. She painfully recounts his death at the age of 35 while married to her and its effect on her life as well as on the musical world. Parker's honest portrait of one of the most gifted musicians in jazz provides unique insight into the history of the music and the difficulties faced by African American performers during the 1940s. Parker also reflects on her struggle to find her own voice and on her work with Clint Eastwood on the film biography of Charlie Parker, Bird (1988).

The locations on which the Nature Viewing Guide focuses were nominated by people from across the state, and final selections, along with technical support in the research and development of the guide, were responsibility of a panel of natural resources experts.

Phil Woods was an American original. One of the greatest saxophonists of all time, he was the first call for Quincy Jones, Dizzy Gillespie, Thelonious Monk, and Oliver Nelson. His iconic improvisation on Billy Joel's hit song "Just the Way You Are" is quite likely the most played instrumental solo in the world. His popularity soared while an expat in Europe during the cultural revolution of the late sixties and early seventies. Upon his return to the States, Woods formed a band that would perform together for four decades. Grammy Awards, dozens of DownBeat Readers Poll victories, and designation as a National Endowment of the Arts Jazz Master would follow. Life in E Flat is the unvarnished self-portrait of an artist who loved and lived a life of bebop. "I would have to give Phil Woods' sax solo on "Just The Way You Are" credit for making that a hit record." - Billy Joel "Life in E Flat is a gift, a compelling and entertaining memoir by one of the leading alto saxophonists in jazz for 60 years. Woods is a charismatic storyteller-literate, funny, insightful, self-aware, with a keen eye and ear for details that reveal character and wise observations about the music business and the jazz life laced with sardonic wit." - Mark Stryker, author of Jazz From Detroit ""Someone spotted me fondling the saxophone and misinterpreted my avaricious intent as musical interest..." So Phil Wood's lifelong journey began-a saga he relates with an irreverent, self-deprecating wit, from his earliest days in Western Massachusetts to recording timeless music and traveling the world with jazz legends. Time and again, he sets up a story like a punchline's coming, and often they do. What you always get is history rich in detail and long in feeling and self-honesty - the personal stumbles and the musical triumphs. Phil left us in 2015; this book he left us is a gift that shows how so much of him is still here." - Ashley Kahn, music historian and author of A Love Supreme: The Story of John Coltrane's Signature Album & Kind of Blue: The Making of the Miles Davis Masterpiece "Growing up a New York jazz fan, Phil Woods was always a favorite. He was straight ahead, personal but in control, brimming with ideas: solid in every way. This account of the late jazz man's American journey, assembled with a loving, light touch by the always discerning critic Ted Panken, is like a Woods' gig. Full of the right information, things you thought you knew but didn't (the stories of often being the only white man in the room especially after marrying Charlie Parker's widow are instructive), heartbreaking and triumphant, Life in E-Flat is 100% solid." - Mark Jacobson, author of The Lampshade and Pale Horse Rider, former staff writer of the Village Voice and New York Magazine, and contributing editor for Rolling Stone and Esquire

Legendary percussionist Pete Escovedo is a world-renowned artist who has helped to elevate Latin jazz while breaking down barriers among a wide variety of musical genres. He's known for his dynamic, soulful, and utterly unique live performances, solo albums, session work, and fine-art paintings. In his memoir, My Life in the Key of E, Escovedo describes the ups and downs of his extraordinary life and career, starting with his early years navigating family disconnection and poverty. He then artfully narrates his more than six decades as a devoted family-man nurturing his musical progeny, while he also chronicles key moments in his own groundbreaking musical career. And along the way, he provides a fascinating depiction of his collaborative adventures with some of the very best in musical history. It's a thoughtful and revealing look into the life of a musical icon, as well as a vulnerable exploration of the private questions, yearnings, costs, and victories that can accompany the passionate pursuit of an artist's dreams.

The autobiography of the early radical leader and her participation in communist, anarchist, and feminist activities

Other men made fabulous careers out of the opportunities Noel Coward declined. But Coward's inner compass charted him on his own course to greatness. And when he couldn't find the destination on his maps, he invented Samolo, his own South Sea island complete with its own indigenous rituals and customs. And of course, we revisit Coward's worlds constantly in revivals of his classic plays, Hay Fever, Private Lives, Tonight at 8:30, Design for Living and Blithe Spirit. This is the definitive memoir of the private Noel Coward by the only man with the compassionate insight and first-hand experience to write it. Graham Payn, star of many of Coward's shows, shared the Master's professional and private life for thirty years. When Coward kept the rest of the world at bay, Payn remained at his side as confidant and friend. No one else was as privy to Coward's doubts and dreams.

In his first and only official autobiography, music icon Elton John reveals the truth about his extraordinary life. Me is the joyously funny, honest and moving story of the most enduringly successful singer/songwriter of all time. The Sunday Times bestseller with a new chapter bringing the story up to date. 'The rock memoir of the decade' – Daily Mail 'The rock star's gloriously entertaining and candid memoir is a gift to the reader' – Sunday Times ______________ Christened Reginald Dwight was a shy boy with Buddy Holly glasses who grew up in the London suburb of Pinner and dreamed of becoming a pop star. By the age of twenty-three, he was performing his first gig in America, facing an astonished audience in his bright yellow dungarees, a star-spangled T-shirt and boots with wings. Elton John had arrived and the music world would never be the same again. His life has been full of drama, from the early rejection of his work with songwriting partner Bernie Taupin to spinning out of control as a chart-topping superstar; from half-heartedly trying to drown himself in his LA swimming pool to disco-dancing with the Queen; from friendships with John Lennon, Freddie Mercury and George Michael to setting up his AIDS Foundation. All the while, Elton was hiding a drug addiction that would grip him for over a decade. In Me Elton also writes powerfully about getting clean and changing his life, about finding love with David Furnish and becoming a father. In a voice that is warm, humble and open, this is Elton on his music and his relationships, his passions and his mistakes. This is a story that will stay with you, by a living legend. ______________ 'Self-deprecating, funny . . . You cannot help but enjoy his company throughout, temper tantrums and all' – The Times 'Racy, pacy and crammed with scurrilous anecdotes - what more could you ask from the rocket man' – Guardian (Book of the Week) 'Chatty, gossipy, amusing and at times brutally candid' – Telegraph

The String Quartet in E flat major (1834) by Fanny Hensel, née Mendelssohn, is one of the most important works by a female composer written in the nineteenth century. Composed at a turning point in her life (as Hensel was not only grappling with her own creative voice but also coming to terms with her identity as a married woman, and the role her family expected of her), the quartet is significant in showing a woman composing in a genre that was then almost exclusively the domain of male artists. Benedict Taylor's illuminating book situates itself within developing scholarly discourse on the music of women composers, going beyond apologetics – or condemnation of those who hindered their development – to examine the strength and qualities of the music and how it responded to the most progressive works of the period.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.