His connection at age fifteen with L.A.'s most notorious gangster, his sinister lifestyle while working for a renowned private investigator, Johnny Ortiz's exciting life involved close friendships with Hollywood superstars and sports champions. In Palm Springs he mingled with the Rat Pack; in Las Vegas he attended celebrity-ridden parties; in Los Angeles the saloons he owned became a hangout for sports figures and famous actors. Champions worked out at his legendary Main St. Gym and most of Hollywood's top boxing movie gym scenes were filmed there including the first three Rocky movies. In his revealing reminiscences Ortiz fondly relates previously untold stories of celebrities including Frank Sinatra, Elvis Presley, Jim Morrison, Henry Fonda, Antonio Banderas, Woody Harrelson, Robert Mitchum, Lynda Carter, Olivia De Havilland, Bette Davis, Jackie Gleason, Ben Johnson, Dorothy Lamour, Milton Berle, Mickey Rooney, Lenny Bruce, Cliff Gorman, Phil Crosby, and John Drew Barrymore, along with sports icons like Muhammad Ali, O.J. Simpson, Sugar Ray Robinson, Henry Armstrong, Rocky Marciano, and Joe Louis. Johnny Ortiz has been a fighter, trainer, manager, boxing historian and a twelve year host of his own radio show. He is a longtime member of the Screen Actors Guild, has numerous TV and film credits, and is also an accomplished stage actor. In 1999, he completed his role opposite Antonio Banderas and Woody Harrelson in the film, Play It To The Bone. In 2001, director Michael Mann cast him in the Will Smith movie, Ali.

Psychotherapist & author Gary Vitacco-Robles reframes & redefines the fascinating woman behind the iconic image through an analysis of her psyche and an appreciation of her film & stage performances.

Beyond biography: a legendary performer's legacy of symbolism

'An excellent, brisk guide to what is likely to happen as opposed to the fantastically remote.' - Los Angeles Review of Books In 2018 the world woke up to gene editing with a storm of controversy over twin girls born in China with genetic changes deliberately introduced by scientists - changes they will pass on to their own offspring. Genetic modification (GM) has been with us for 45 years now, but the new system known as CRISPR or gene editing can manipulate the genes of almost any organism with a degree of precision, ease and speed that we could only dream of ten years ago. But is it ethical to change the genetic material of organisms in a way that might be passed on to future generations? If a person is suffering from a lethal genetic disease, is it unethical to deny them this option? Who controls the application of this technology, when it makes 'biohacking' - perhaps of one's own genome - a real possibility? Nessa Carey's book is a thrilling and timely snapshot of a cutting-edge technology that will radically alter our futures and the way we prevent disease. 'A focused snapshot of a brave new world.' - Nature 'A brisk, accessible primer on the fast-moving field, a clear-eyed look at a technology that is already driving major scientific advances - and raising complex ethical questions.' - Emily Anthes, Undark

Nico was revered as ‘the most beautiful creature who ever lived’. She was Andy Warhol’s femme fatale and the High Preistess of Weird, yet few knew her real name or her wretched origins. When she called herself ‘a Nazi anarchist junkie’, they thought she was joking. Bob Dylan wrote a song about her, Jim Morrison a poem, Jean Baudrillard an essay, Andy Warhol a film, Ernest Hemingway a story – yet she fought against the idolatry of men to assert her independence as a composer of dissident songs. Nico’s contribution as an artist (17 films and 7 LPs) was smothered by gossip of her alleged affairs with men and women, whether Jimi Hendrix or Jeanne Moreau, Brian Jones of the Rolling Stones or Coco Chanel. She drifted through society like a phantom. Each era celebrated a different Nico – the top covergirl of the Fifties, the Siren of the Sixties (as The Times acclaimed her), the Moon Goddess of the Seventies, and the High Priestess of Punk when rock stars like Siouxsie Sioux and Pattie Smith acknowledged her pre-eminence. Ironically, they did so at the lowest point in her life. For behind the Garbo-esque veneer lived a lonely woman trying to stand autonomous in a fast-changing world, seeking to survive her heroin addiction and to cope with her tormented mother and her troubled son, his existence denied by his film-star father. In this pioneer biography, which Nico asked the author to write shortly before her outlandish death in 1988, Richard Witts uncovers the reasons for her subterfuge, and examines the facts surrounding her encounters with terrorist Andreas Baader, the Black Panthers, and the Society for Cutting Up Men. Exclusive contributions from artists such as Jackson Browne, Iggy Pop, Viva, John Cale, David Bailey, Siouxsie Sioux – and many others including her relatives, friends and enemies – make this the definitive biography of an icon who was not only a testament to an era but hitherto unrecognised influence on popular music and style.

How can we apply philosophy to our everyday lives? Can philosophy affect the way we live? This book will show how philosophy can help to improve your thinking about everyday life. And how, by improving the quality of your thinking, you can improve the quality of your life. It will make you more aware of what you think and why, and how knowing this can help you can change the way you think about your life. Full of practical examples and straightforward advice, and written by an expert in the field, this guide can help you become calmer and happier, and make better decisions.

"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.

Musician, political critic, and hedonist, international superstar Fela Anikulapo-Kuti created a sensation throughout his career. In his own country of Nigeria he was simultaneously adulated and loathed, often by the same people at the same time. His outspoken political views and advocacy of marijuana smoking and sexual promiscuity offended many, even as his musical brilliance enthralled them. In his creation of afrobeat, he melded African traditions with African American and Afro-Caribbean influences to revolutionize world music. Although harassed, beaten, and jailed by Nigerian authorities, he continued his outspoken and derisive criticism of political corruption at home and economic exploitation from abroad. A volatile mixture of personal characteristics -- charisma, musical talent, maverick lifestyle, populist ideology, and persistence in the face of persecution -- made him a legend throughout Africa and the world. Celebrated during the 1970s as a musical innovator and spokesman for the continent's oppressed masses, he enjoyed worldwide celebrity during the 1980s and was recognized in the 1990s as a major pioneer and elder statesman of African music. By the time of his death in 1997 from AIDS-related complications, Fela had become something of a Nigerian institution. In Africa, the idea of transnational alliance, once thought to be outmoded, has gained new currency. In African America, during a period of increasing social conservatism and ethnic polarization, Africa has re-emerged as a symbol of cultural affirmation. At such an historical moment, Fela's music offers a perspective on race, class, and nation on both sides of the Atlantic. As Professor Veal demonstrates, over three decades Fela synthesized a unique musical language while also clearing -- if only temporarily -- a space for popular political dissent and a type of counter-cultural expression rarely seen in West Africa. In the midst of political turmoil in Africa, as well as renewal of pro-African cultural nationalism throughout the diaspora, Fela's political music functions as a post-colonial art form that uses cross-cultural exchange to voice a unique and powerful African essentialism.

The acclaimed biographer presents “a perceptive life of the controversial political philosopher” and author of Eichmann in Jerusalem (Kirkus Reviews). Hannah Arendt was a polarizing cultural theorist—extolled by her peers as a visionary and berated by her critics as a poseur and a fraud. Born in Prussia to assimilated Jewish parents, she escaped from Hitler’s Germany in 1933. Arendt is now best remembered for the storm of controversy that surrounded her 1963 New Yorker series on the trial of Adolf Eichmann, a kidnapped Nazi war criminal. Arendt’s first book, The Origins of Totalitarianism, single-handedly altered the way generations around the world viewed fascism and genocide. Her most famous work, Eichmann in Jerusalem, created fierce debate that continues to this day, exacerbated by the posthumous discovery that she had been the lover of the philosopher and Nazi sympathizer Martin Heidegger. In this comprehensive biography, Anne C. Heller tracks the source of Arendt’s contradictions and achievements to her sense of being a “conscious pariah”—one of those rare people who doesn’t “lose confidence in ourselves if society does not approve us” and will not “pay any price” to gain the acceptance of others.