Indiana often calls itself the Crossroads of the Nation. It's not also perhaps the very nexus of US weirdness. Armed with Oddball Indiana, you'll soon discover the strange underbelly of the Hoosier State, from brain sandwiches to square donuts. Indiana has monuments to Michael Jackson, the comic strip character Joe Palooka, and the World's Largest Egg. It's where Alka-Seltzer and Wonder Bread were invented, where A Christmas Story actually took place, and where the good but angry citizens of Plainfield conspired to dump President Martin Van Buren in a mud puddle. Along with humorous histories and offbeat observations, Oddball Indiana provides addresses, websites, hours, fees, and driving directions for each of its 350+ entries.

Italian film star Bartolomeo Pagano's "Maciste" played a key role in his nation's narratives of identity during World War I and after. Jacqueline Reich traces the racial, class, and national transformations undergone by this Italian strongman from African slave in Cabiria (1914), his first film, to bourgeois gentleman, to Alpine soldier of the Great War, to colonial officer in Italy's African adventures. Reich reveals Maciste as a figure who both reflected classical ideals of masculine beauty and virility (later taken up by Mussolini and used for political purposes) and embodied the model Italian citizen. The 12 films at the center of the book, recently restored and newly accessible to a wider public, together with relevant extra-cinematic materials, provide a rich resource for understanding the spread of discourses on masculinity, and national and racial identities during a turbulent period in Italian history. The volume includes an illustrated appendix documenting the restoration and preservation of these cinematic treasures.

From bestselling author Gary Krist, the story of the metropolis that never should have been and the visionaries who dreamed it into reality Little more than a century ago, the southern coast of California—bone-dry, harbor-less, isolated by deserts and mountain ranges—seemed destined to remain scrappy farmland. Then, as if overnight, one of the world’s iconic cities emerged. At the heart of Los Angeles’ meteoric rise were three flawed visionaries: William Mulholland, an immigrant ditch-digger turned self-taught engineer, designed the massive aqueduct that would make urban life here possible. D.W. Griffith, who transformed the motion picture from a vaudeville-house novelty into a cornerstone of American culture, gave L.A. its signature industry. And Aimee Semple McPherson, a charismatic evangelist who founded a religion, cemented the city’s identity as a center for spiritual exploration. All were masters of their craft, but also illusionists, of a kind. The images they conjured up—of a blossoming city in the desert, of a factory of celluloid dreamworks, of a community of seekers finding personal salvation under the California sun—were like mirages liable to evaporate on closer inspection. All three would pay a steep price to realize these dreams, in a crescendo of hubris, scandal, and catastrophic failure of design that threatened to topple each of their personal empires. Yet when the dust settled, the mirage that was LA remained. Spanning the years from 1900 to 1930, The Mirage Factory is the enthralling tale of an improbable city and the people who willed it into existence by pushing the limits of human engineering and imagination.

Butler (1894-1979) directed over a hundred theatrical and television films, and such popular TV shows as Wagon Train and Leave it to Beaver. In this oral history, he reflects on his life and work.

Frankie Horvath is not happy. He's almost forty. He's fat. His wife is dead. He designs forks for a living. And his son might just be the Antichrist. Frankie is about to meet with Satanists to find out the truth once and for all. Taking into account Frankie's lifelong delusions of grandeur, and the gun stuffed down the front of his pants, a bloody showdown for the fate of mankind is not out of the question.

The author takes you through the Great Depression growing up as the son of migrant farm workers. Fly with him as the pilot of a B-17 Flying Fortress over Germany in 1944.

One of the most popular Hollywood child stars of the late 1910s, Virginia Lee Corbin was well known to fans worldwide. With her mother as her manager, Corbin retained her popularity as she grew older. She performed in vaudeville for a couple of years before continuing her film career. Corbin fit well into the flapper mold of the Jazz Age and appeared in many films throughout the 1920s. As she matured, her mother found it ever more difficult to control her. Corbin led a difficult life. After her mother's suicide attempt, she found that all the money she had earned was gone. Her marriage (at age 18) failed and she was eventually separated from her children. The flapper struggled to remain relevant in the sound era and was trying to make a comeback when she died at 31 in 1942.