What happens when two different sets of identical twins fall in love with the other? Growing up gay in a small town with no mother, Evan Savage learned the hard way to cherish his secrets above all else. Now he's eighteen, not even his father can hurt him anymore. When his long-lost twin brother Brennan shows up out of nowhere looking for a new home, Evan's world, and his very identity, comes crashing down around him all over again. Evan's twin, Brennan, is searching for sense of connection after their mother's death. Together, frustrated and reckless, anonymous sexual encounters are just the first step on a journey of self-discovery for both Evan and Brennan, when the two meet Alek and Luka, another set of twins whose love leads them find in each other things they never knew they had lost...and lures them all into danger. (M/M)

Fifty years after Where the Wild Things Are was published comes the last book Maurice Sendak completed before his death in May 2012, My Brother's Book. With influences from Shakespeare and William Blake, Sendak pays homage to his late brother, Jack, whom he credited for his passion for writing and drawing. Pairing Sendak's poignant poetry with his exquisite and dramatic artwork, this book redefines what mature readers expect from Maurice Sendak while continuing the lasting legacy he created over his long, illustrious career. Sendak's tribute to his brother is an expression of both grief and love and will resonate with his lifelong fans who may have read his children's books and will be ecstatic to discover something for them now. Pulitzer Prize–winning literary critic and Shakespearean scholar Stephen Greenblatt contributes a moving introduction.

"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

Jarvis Cocker is widely regarded as one of the most original and memorable lyricists and performers of the last three decades. Here, for the first time, is a selection of sixty-six lyrics, presented with commentary and an introduction by the man himself. In this volume, readers (and Pulp fans) will find such classic Jarvis lyrics as 'Common People', 'Disco 2000', 'Babies', 'This is Hardcore' and 'Do You Remember the First Time?' The selection, assembled by the author, reveals a sensibility that is unmistakeably Jarvis: a sometimes visceral, sometimes everyday take on love, relationships and the things we do to each other when the lights get low. Mother, Brother, Lover takes the reader on a thirty-year tour into the life, art and preoccupations of one of the great British artists of the late twentieth century. Shocking, sharp, clever and funny, it is a beautiful collection of lyrics and commentary.

Against easy framings of hijras that render them marginalized, Saria shows how hijras makes the normative Indian family possible. The book also shows that particular practices of hijras, such as refusing to use condoms or comply with retroviral regimes, reflect not ignorance or irresponsibility but rather a specific idiom of erotic asceticism arising in both Hindu and Islamic traditions. This idiom suffuses the densely intertwined registers of erotics, economics, and kinship that inform the everyday lives of hijras and offer a repertoire of self-fashioning distinct from the secularized accounts within the horizon of public health programmes and queer theory. Engrossingly written and full of keen insights, the book moves from the small pleasures of the everyday laughter, flirting, and teasing to impossible longings, kinship networks, and economies of property and of substance in order to give a fuller account of trans lives and of Indian society today.

WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY “Full of…lively insights and lucid prose” (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States—from before the arrival of Columbus to the present day—written by one of the world’s leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued—through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country’s future. Meanwhile, politics in Washington—Barack Obama’s opening to the island, Donald Trump’s reversal of that policy, and the election of Joe Biden—have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an “important” (The Guardian) and moving chronicle that demands a new reckoning with both the island’s past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; “readers will close [this] fascinating book with a sense of hope” (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States—as well as the author’s own extensive travel to the island over the same period—this is a stunning and monumental account like no other.

The death of a sibling is unlike any other. Gloria Reuben’s little brother died just before his twenty-second birthday. Two decades later, her oldest brother Denis died two weeks short of his sixtieth birthday. Just as Gloria felt like she was finally healing from David’s death, the shock of Denis’ unexpected death was almost too much to take. In My Brothers’ Keeper, Gloria bares her soul as she reveals the intimate details of her life at home as a young girl. How the death of her father when she was twelve shaped her view of love and life. How David’s death was the impetus for her move from Canada to the United States. And how her brother Denis was her heart’s twin in a multitude of ways. Gloria, most well known as an actress, debuts her talent as a writer in My Brothers’ Keeper, an intimate and honest tribute to David and Denis. Their lives. Their deaths. And the hope that awaits. “Gloria has written a truly wonderful and inspirational tribute to her brothers and to life. Helpful to all of us who have suffered losses.”—Pete Earley

I lucked into the perfect roommate this year: pretty to look at, eager to please, happy to do any and every damn thing I want, sometimes even before I know I want it. And even though I'm here on a football scholarship, not some kind of brainiac academic one like he is, I'm still smart enough to know I shouldn't mess with a good thing. It's why I gave myself one rule: hands off pretty little Sean Cabot. I mean, shouldn't be too hard, right? There are plenty of other willing twinks available to keep me happy this year, so there's no need to obsess about the only one I told myself I can't touch... CAN'T TOUCH is a 54,000 word gay college romance between a cocky jock and the sweet, sheltered boy who just wants to be good for him. Read it if you like bossy jocks, boys who like it that way, unapologetic power imbalances, and a hefty dose of praise kink. Pass if that's not your jam or you're looking for something deep, dark, or angsty. TRIGGER WARNING: See the look inside if you want it, skip straight to Chapter One if you'd rather avoid the spoiler.

Angela Cartwright, a beautiful, young woman whose family returns to Lake Mont, Texas, becomes embroiled in a battle between good and evil. Angela becomes possessed by the ghost of Lizzy Trahan, Travis' lascivious sister who compels Angela to do things she never would have dreamed of doing . . . until she did. The first young man Angela falls in love with is Travis who has a secret past. Through his own guilt and depression from his sister's death, he lacks the urgency to consummate their love. Getting no satisfaction, she begins passionate love affairs with two brothers, Jarrod and Jason Marziotti. Unaware their father is a member of the Web, she is marked for assassination. Fleeing from her assassin, Angela falls into the strong arms of Cody Chilton who has returned to Lake Mont to solve the mystery of his missing brother. These men did not envision the hell they would endure, but were all certain that Angela was worth the price they would pay to have her in whatever way they could. Wealthy people and well-bred racehorses add a touch of southern-style and a feeling that dreams still come true and the good guy (or girl) can win against all odds.

All Evan Savage wanted was a quiet night at the bar, waiting for his boyfriend to finish his shift; what he gets instead is a nightmare. Things were complex enough when his biggest problem was the tangled sex life he and his brother Brennan share with twin lovers Alek and Luka. When a selfless act ending in terrible violence lands Evan in the hospital, Brennan and Evan's father returns to loom over their lives, asking questions none of the four want to answer. The young men's relationships to each other begin to unravel as carefully drawn boundary lines are blurred and crossed. The four must question the nature of their commitments to each other, what they each want, and what to say to those relentlessly demanding the truth. When the most dangerous thing you can do is admit to who you love, and jealousy is a luxury you can no longer afford, brutal honesty is the only remaining key to salvation... ...or damnation. (M/M+)