Growing up on the west coast of Queensland's Cape York Peninsula in the 1970s and 1980s, Fiona Wirrer-George Oochunyung had an idyllic traditional life. At the age of 16, she moved to Sydney to attend the NAISDA Dance College, where she studied with the legendary Page brothers. As a young woman, she carves out a fragile relationship with her absent father, inspiring her to better understand her Austrian ancestry and how it meshes with her Indigenous identity. The model of a modern woman, the author shares the joys and challenges that come with growing up in a divided community in this powerful and candid memoir and offers a rare insight into the burgeoning years of the contemporary Indigenous dance movement.

Whilst the vast majority of recent research on identity and ethnicity amongst South Asians in Britain has focused upon younger people, this book deals with Bengali elders, the first generation of migrants from Sylhet, in Bangladesh. The book describes how many of these elders face the processes of ageing, sickness and finally death, in a country where they did not expect to stay and where they do not necessarily feel they belong. The ways in which they talk about and deal with this, and in particular, their ambivalence towards Britain and Bangladesh lies at the heart of the book. Centrally, the book is based around the men and womens life stories. In her analysis of these, Gardner shows how narratives play an important role in the formation of both collective and individual identity and are key domains for the articulation of gender and age. Underlying the stories that people tell, and sometimes hidden within their gaps and silences, are often other issues and concerns. Using particular idioms and narrative devices, the elders talk about the contradictions and disjunctions of transmigration, their relationship with and sometimes resistance to, the British State, and what they often present as the breakdown of traditional ways. In addition to this, the book shows that histories, stories and identity are not just narrated through words, but also through the body - an area rarely theorized in studies of migration.

EVERY DAY Mustara and Taj look out onto a sea of yellow-red dust and stones. The sand rolls and shifts. Taj's father says it is like the waves of the ocean and the spinifex bushes are little boats blown about by the wind. Taj longs to take his young camel into the desert to explore, but like a storm in the ocean, the desert can turn wild. Taj and Mustara must prove their strength and courage. Mustara was shortlisted for the Patricia Wrightson Prize in the 2007 NSW Premier's Literary Awards and is a CBCA Notable Book. 'Mustara shows that friendship, trust and a good camel can overcome even the pitiless outback. Highly recommended.' Adelaide's Child 'Ingpen's illustrations are outstanding...I was astounded by my need to brush the grit from the page.' Magpies

When she arrives in the desert nation of Tarakhar, volunteer teacher Cassie is abducted by evil men and offered as a dancer to a strange man. She attacks them in an attempt to escape, but they restrain her with their powerful arms. The man she was given to is Sheikh Amir, a true king! When he learns of her situation, he promises to let her go, but she must pretend to be his mistress to ensure her safety. As the two spend their nights alone together, Cassie finds herself drawn to the noble man, even though he already has a beautiful fianc?e!

A detailed account of Australian explorer Ernest Powell Giles' five expeditions in South Australia, first published in 1889.