In Musing the Mosaic prominent critics of postmodern and contemporary fiction and culture discuss the fictional and theoretical works of Ronald Sukenick, one of the most important American writers to emerge from the late 1960s. Sukenick has been a prolific participant in reshaping the American literary tradition for two generations and played a pivotal role in the creation and growth of the Fiction Collective and FC2 publishing houses, as well as the journals American Book Review and Black Ice Magazine. In his work he argues that contemporary fiction can neither perform traditional functions nor rely on any conventions in an ever-more dynamic world. Staying true to Sukenick's own creative style, one that takes the seams out of writing before re-stitching it in ways that are truly novel, the contributors examine how and why his writing comes closer to the dissolving, fragmentary nature of reality and its lack of closure than perhaps anything written before it.

This book emerged from an extended seminar series held in Edinburgh Law School which sought to explore the complex constitutional arrangements of the European legal space as an inter-connected mosaic. There has been much recent debate concerning the constitutional future of Europe, focusing almost exclusively upon the EU in the context of the (failed) Constitutional Treaty of 2003-5 and the subsequent Treatyof Lisbon. The premise of the book is that this focus, while indispensable, offers only a partial vision of the complex constitutional terrain of contemporary Europe. In addition, it is essential to explore other threads of normative authority within and across states, embracing internal challenges to state-level constitutional regimes; the growing jurisprudential assertiveness of the Council of Europe regime through the ECHR and various democracy-building measures; as well as Europe's ever thicker relations, both with its border regions and with broader international institutions, especially those of the United Nations. Together these developments create increasingly dense networks of constitutional authority within the European space. This fluid and multi-dimensional dynamic is difficult to classify, and indeed may seem in many ways impenetrable, but that makes the explanatory challenge all the more important and pressing. Without this fuller picture it becomes impossible to understand the legal context of Europe today or the prospects of ongoing changes. The book brings together a range of experts in law, legal theory and political science from across Europe in order to address these complex issues and to supply illustrative case-studies in the topical areas of the constitutionalisation of European labour law and European criminal law.

Painting Shawls is a collection of thirteen knitted shawl patterns designed by Stephen West. Each pattern features Westknits' signature architectural style and bold graphic color combinations. The instructions are easy to follow and appropriate for adventurous beginners and advanced knitters alike. This hardcover book is filled with inspirational photos, showing multiple samples of each design to inspire your own color interpretations. In addition to patterns, this book includes several technique chapters like how to substitute yarns and customize the size of each shawl along with how to swatch and weave in your ends. There are also several cast on photo tutorials and video links throughout the book to teach and guide you through the artistic shawl knitting process. Each book includes a free download code, so you can access individual PDFs of all thirteen shawl patterns. Dive into the woolly world of Westknits and use these playful shawl designs as landscapes to paint with yarn. If you're going to make it by hand, make it grand!

The Avant-Postman explores a broad range of innovative postwar writing in France, Britain, and the United States. Taking James Joyce’s "revolution of the word" in Ulysses and Finnegans Wake as a joint starting point, David Vichnar draws genealogical lines through the work of more than fifty writers up to the present, including Alain Robbe-Grillet, B. S. Johnson, William Burroughs, Christine Brooke-Rose, Georges Perec, Kathy Acker, Iain Sinclair, Hélène Cixous, Alan Moore, David Foster Wallace, and many others. Centering the exploration around five writing strategies employed by Joyce—narrative parallax, stylistic metempsychosis, concrete writing, forgery, and neologising the logos—the book reveals the striking continuities and developments from Joyce’s day to our own.

Fractured Mosaic is yet another kaleidoscope from Sabarna Roy’s arsenal that will take the readers to a mesmerizing whirlpool. Most of the works published in this book have been earlier published in reputed media houses as musings of an author; in this book they have been brought together for the benefit of all the readers. After the smashing hit of his earlier six master pieces since 2010, Sabarna has been constantly writing in the format of a journal to imitate how the mind works in real life. Sabarna Roy has covered all genres in his literary works: short stories, novella, ballads, narrative poetry, plays, conversations, non-fictional writing, critical analysis of ideas and events, etcetera. He specializes in post-modern urban milieu which delightfully bridges the gap between the mundane and arcane writings of today and provides an interesting, yet intellectually stimulating, treat for the discerning reader. - Hindustan Times A unique matrix of dialogues and conversations between the characters in most of his novels and novellas, and even within his poems, certainly marks the beginning of a new era in English literature. Another significant thing is the easy way in which he flips genres in the same book or within one genre is revolutionary. The Last Plunge in Frosted Glass is a brilliant example. The Prank is a black comedy to its core and Instantaneous Death is an outrageous piece of prose writing. - Deccan Herald The dialogue that motivates Sabarna the most is from Inception by Christopher Nolan. It is – “What is the most resilient parasite? Bacteria? A virus? An intestinal worm? An idea. Resilient… highly contagious. Once an idea has taken hold of the brain it’s almost impossible to eradicate. An idea that is fully formed-fully understood-that sticks.” - The Dispatch Sabarna Roy has been awarded the Literoma Laureate Award in 2019, Literoma Star Achiever Award 2020, Random Subterranean Mosaic: 2012 – 2018 won the best book of the year 2019, the A List Award for excellence in fiction by the NewsX Media House, Certificate for The Real Super Heroes for spreading a spirit of positivity and hope during the COVID-19 Pandemic from Forever Star India Award 2020, the Certificate for Participation in the Indo Russian Friendship Celebration 2020, and the Literoma Golden Star Award 2020: Lifetime Achievement.

The book is a manifesto or apologia for Chinese Christians. It seeks to articulate how it is possible to maintain a Chinese identity and a Christian identity at the same time without capitulating to some western or other cultural model of Christian identity. To be a Chinese Christian is to adopt a distinctive, unique identity that owes much to both traditions but is sui generis. Providing great resources for the construction of a Chinese Christian theology, Confucius and Paul converge across a surprisingly broad front. Yet, the Christ of the Cross completes or extends what is merely implicit or absent in Confucius; and Confucius amplifies various elements of Christian faith (e.g., community, virtues) that are underplayed in western Christianity. The Christ of God as found in Paul's letter to the Galatians brings Confucian ethics in the Analects to its fulfillment while protecting the church from the aberrations of Chinese history and while protecting China against the aberrations of Christian history in the west. Chinese Christianity has something to give the church that needs to be heard. China can develop its distinctive vision of Christianity for the sake of the church universal. Chinese Christianity will have its global mission if it can find its own authentic Chinese-Christian identity. Insofar as that identity brings the best of the Confucian tradition into the Christian story, it will help revivify global Christianity.

In times of war and in peace, from the earliest days of the Roman Empire to our own, Westerners have journeyed to the lands of the middle east, bringing back accounts of their adventures and impressions. Yet it was never a one way exchange. From the first Arab embassy to the Vikings in the 9th century to the internet musings of the Taliban, A Middle East Mosaic collects a rich, boisterous literature of cultural exchange. We see the American Revolution through the eyes of a Moroccan Ambassador and the French Revolution through a series of Imperial Ottoman proclamations. We find surprising portraits of Napoleon ("a brigand chief"), TE Lawrence and Ataturk. We learn what George Washington and Machiavelli through t of Turkish politics and hear Flaubert and Thackeray rail against eastern crime and punishment. We peer into Voltaire's business correspondence and follow the footsteps of Mark Twain, Richard Burton, Gertrude Bell and Ibn Battutta, the Marco Polo of the east. Great discoveries are recorded - an Egyptian Ambassador is introduced to electricity and dismisses the spectacle as "frankish trickery;" another pronounces the invention of a secure mail system most useful for assignations. We enter the harem with a 16th century organ maker and emerge with Ottoman reform. It was not until the sixteenth century that the first middle eastern rulers entered into diplomatic relations with European rulers, but trade often precede diplomatic relations. Business men from the days of the crusades against Saladin to the oil prospecting of Samuel Cox and his descendents have seen great possibilities in the markets of the middle east. And throughout the centuries we have been united by war. We witness the outbreak of the Crimean war with Karl Marx and enter Egypt with Napoleon. We observe Arab customs with George Patton and visit Baghdad and Cairo with George F. Kennan in the second world war. When Usama bin Ladin rails against "Jews and crusaders" occupying the holy land, he is rehearsing a grievance with a long history. This symphony of voices, full of wit and wisdom, spite and wonder, suspicion, befuddlement and occasional insight, is ordered and explained by our foremost living historian of the middle east. The fruit of a lifetime of scholarship and erudition, A Middle East Mosaic is a dazzling capstone to a brilliant career. In a spirited reappraisal of western views of the east and eastern views of the west over the last two thousand years, Bernard Lewis gives us a brilliant over-view of 2,000 years of commerce, diplomacy, war and exploration. This book is a delight, a treasury of stories drawn from letters, diaries and histories, but also from unpublished archives and previously untranslated accounts. Diplomats and interpreters, slaves, soldiers, pilgrims and missionaries, princes and spies, businessmen, doctors and priests all pour forth their stories of the people and events that shaped history. A Middle East Mosaic cannot fail to appeal to anyone with an appetite for history and a curiosity about the vagaries of cultural exchange.

Musings of a Persecuted Soul is a story about spiritual catharsis, a search for answers to questions often avoided by Christians and rarely discussed from church pulpits. The author presents his lifelong quest to find spiritual equilibrium between his Christian beliefs and his secular education and personal observations in the natural world. Grounded in the Berean example of Acts 17:11, "to search the scriptures for truth," the author will take you on a thought-provoking journey, investigating topics guaranteed to provoke spiritual debate. Whether you are a strict traditionalist or a scriptural freethinker, Musings of a Persecuted Soul will challenge your established beliefs and breathe new spiritual life into your soul.

Literary Nonfiction. Art. Poetry. Italian Studies. Haunted by three thousand years of artists who made pilgrimage to the Eternal City, collaborators Elizabeth Cooperman and Thomas Walton gather impressions from the ruinous streets in and around Rome. The result is a literary mosaic that aligns itself with the ecstatic baroque of Bernini, the concentrated vision of Caravaggio, and the sublime uncertainty of Keats, as it resists the forces of "another dark age." Dazzling with image and anecdote, with comedy and cobblestones, with headless statues and the bright robes of street performers, with shadow and cicada and shock of light, THE LAST MOSAIC is an aesthetic call to arms to "listen," a battle cry to "be impressed," and a plea to "get lost."