The Origins and Legends of Lord Muruga Embark on a captivating journey into the world of Murugan, a multifaceted Hindu deity revered for his courage, wisdom, and unwavering devotion to justice. This comprehensive exploration delves into his legendary battles, unveils the symbolism behind his iconic weapons and imagery, and sheds light on his diverse roles as a god of war, love, prosperity, and knowledge. Discover how Murugan's legacy continues to resonate in the modern world, inspiring devotees through vibrant festivals, magnificent temples, and artistic expressions. Whether you're a seasoned scholar or a curious newcomer, this exploration of Murugan offers a deeper understanding of his enduring significance and the profound impact he continues to have on believers across the globe. Murugan, Hindu God, Warrior God, Lord Murugan, Hinduism, Mythology, Festivals, Temples, Symbolism, Modern Hinduism

A comprehensive understanding of the glory of the infinite Lord Muruga. The spectacular legend of his birth. The battle with Tarakasuran and Surapadman. Various names of Murugan i.e. Shanmukha, Subrahmanya, Karthikeya, Guha Velayudha, Swaminatha and their meaning. Short stories and great saints of Murugan tradition. Aaru-padai Veedu, six abodes, various temples and their history, festivals, rituals, worship and importance of various symbols of Lord Murugan. Esoteric meaning behind Murugan worship and a spiritual view in everyday life.

Lord Murugan is known with various names across various parts of Asia like Subramanyam, Kumara, Skanda, Kartikeya and many more. Born for a reason and raised to the level of Commander-in-Chief of army of Gods.. Many of the major events in Murugan's life took place when he was a young boy. This has encouraged the worship of Murugan as a child god, very similar to the worship of child Krishna in North India.This book is a small effort to bring back the lost glory of Lord Murugan. His grace on his disciples is expressed in various chapters of this book. Reading the glory of Lord Murugan mentioned in this book or narrating these stories on auspicious days will bring enormous grace of Lord Murugan on his disciples.

‘Pyre glows with as much power as [One Part Woman] did, and adds immeasurable value to contemporary Indian literature’—The Hindu Saroja and Kumaresan are in love. After a hasty wedding, they arrive in Kumaresan’s village, harboring a dangerous secret: their marriage is an inter-caste one, likely to upset the village elders should they get to know of it. Kumaresan is naively confident that all will be well. But nothing is further from the truth. Despite the strident denials of the young couple, the villagers strongly suspect that Saroja must belong to a different caste. It is only a matter of time before their suspicions harden into certainty and, outraged, they set about exacting their revenge. A devastating tale of innocent young love pitted against chilling savagery, Pyre conjures a terrifying vision of intolerance.

The “intimate and affecting” novel of an Indian couple’s quest for a child that sparked national conversations about caste and female empowerment (Laila Lalami, New York Times Book Review). Set in South India during the British colonial period, One Part Woman tells the story of Kali and Ponna, a married couple unable to conceive. The predicament is of major concern for their families—and the crowing amusement of Kali’s male friends. From making offerings at different temples to circumambulating a mountain supposed to cure barren women, Kali and Ponna try everything to solve the problem. But a more radical plan is required. The annual chariot festival, a celebration of the god Maadhorubaagan, who is part male and part female, may provide the answer. On the eighteenth night of the festival, the rules of marriage are relaxed, and consensual sex between unmarried men and women is overlooked, for all men are considered gods. The festival may be the solution to Kali and Ponna’s problem, but it soon threatens to drive the couple apart as much as to bring them together. Wryly amusing and deeply poignant, One Part Woman is a powerful exploration of a loving marriage strained by the expectations of others, and an attack on the rigid rules of caste and tradition that continue to constrict opportunity and happiness. Longlisted for the National Book Award

This book is a thematic extraction from a larger research work “Kim tat Brahma (What is That Brahman)?” which is roughly around 4000+ pages (split across multiple volumes) is honestly speaking, a humble yet sincere attempt on an unbiased holistic inter-disciplinary research involving traditional schools of philosophies (oriental and occidental) and modern science in unravelling the mysteries of nature and discovering the supreme divinity which is the infinite dimensional pure absolute non-dualistic singularity that underlies the infinite varieties observed not only in the phenomenal world, but is also the ultimate truth hidden behind all the philosophical perspectives. The present volume provides a detailed inquiry into the spiritual significance of the legends around Lord Murugan, His incarnation, birth and festivals analyzing it from various original sources ancient Tamil and Sanskrit scriptures including Vedas, Agamas/Agamas, Epics, Puranas, Tamil Sangam Literature, Tamil Bhakti Literature, Siddha Literature, Saiva Siddhanta as well ascomparative analysis from modern science and other religions as well. Wherever possible there is a very comprehensive quotation from these sources in its original language as well as an English transliteration and translation (from scholars) of the same. I strongly believe this book will greatly help for Indology research scholars and Murugan devotees.

“Fantastical . . . Through the thoughts of a rare black goat and the couple who adopt it, readers witness famines, death, and moments of beauty.” —National Geographic Longlisted for the National Book Award for Translated Literature As he did in the award-winning One Part Woman, Perumal Murugan explores a side of India that is rarely considered in the West: the rural lives of the country’s farming community. He paints a bucolic yet sometimes menacing portrait, showing movingly how danger and deception can threaten the lives of the weakest through the story of a helpless young animal lost in a world it naively misunderstands. As the novel opens, a mysterious stranger offers a farmer in Tamil Nadu a black goat kid who is the runt of the litter, surely too frail to survive. The farmer and his wife take care of the young she-goat, whom they name Poonachi, and soon the little goat is bounding with joy and growing at a rate they think miraculous for such a small animal. Intoxicating passages from the goat’s perspective offer a bawdy and earthy view of what it means to be an animal and a refreshing portrayal of the natural world. But Poonachi’s life is not destined to be a rural idyll—dangers can lurk around every corner, and may sometimes come from surprising places, including a government that is supposed to protect the weak and needy. Is this little goat too humble a creature to survive such a hostile world? “The title character of Murugan’s elegant new novel is indeed a joy . . . through Poonachi’s tale we are reminded how much bonds us with the animal world.” —USA Today

KALA KRISHNAN’S MURUGAN TRILOGY DELVES RIGHT INTO THE HEART OF WHAT IT IS ABOUT THIS GOD THAT’S SO COMPELLING, WHY HE ELICITS NOT JUST DEVOTION BUT ALSO LOVE. The Vast: a still, dark, endless field of nothing, in which something broods and gathers, rising and billowing into waves. Everything emerges from these waves of the Vast, including Time, Creation, and the woman and two men known as The Three. From the waves come multitudes of beings, including the Asura, those of untiring breath who seek knowledge, and the Sura, the bright ones who keep order. The greatest of all the Sura and Asura is Surapadman, who will embody inventiveness, wisdom and statecraft for all time to come. The only one who can counter his might and his challenge to the rules of creation is Karthikeya, child of Shambhu and Uma, and brother to Ganesha, the all-seeing elephant-headed god. Kala Krishnan has been exploring the Murugan universe for years now. In this first volume of a planned trilogy, she expands the mythologies of the god. Kumara, Karthikeya, Kandhan, Velan, he is the god of Tamizh, the patron of the Great Assembly of poets in Madurai, friend and mentor to the hot-headed and fiercely loyal Aambal, who is known to all as ‘Murugan’s poet’. A reimagining of the life and exploits of the magnificent young god, Mahasena is resonant with the stories that were, as well as vividly original.