The southern Oregon coast provides great recreational activities, unless you go diving with someone who doesn't want you to surface. There are witnesses but no one can say "Who?" or "How?". Their search leads Detectives Patty O'Toole and Rick Starker on a path of lies, deceit, and mortal fear among those who'll say and do anything to save themselves. Fifth book in the O'Toole/Starker Oregon Coast murder mystery series. The characters and crimes are fictitious, however the places are real; many of which have historical significance. The O'Toole/Starker Oregon Coast murder mystery series was featured in Who's Who/What's What Book Picks for Southern Oregon Magazine. G A Cockerham lives on the southern Oregon coast, the setting for her Oregon Coast murder mystery series. She is a retired financial advisor. Her husband Bruce is a thirty-year law enforcement veteran and consultant for all police procedures within the series. Additional consultants include Forensic DNA expert, Camilla (Cami) Green. Cami's expertise has placed her in several television shows including Cold Justice, Cold Justice: Sex Crimes, On the Case with Paula Zahn and Murder Decoded.

The normally peaceful southern Oregon coast has its tranquility shattered by more than winter storms - in this case murder. In these first three short stories of the series, Police Detectives O'Toole and Starker use their intellect, experience and drive to bring more than one killer to justice. O'Toole's relatives and Starker's haunted past present life problems and tragedies that make the characters real, leaving the reader with a desire to follow their lives beyond the book's cover. Whether it's the discovery of a dead medical doctor on the bank of the Chetco River, or an unexpected witness that turns a previously closed case of suicide into a current murder investigation, the reader will find it hard to put this book down.

Acclaimed crime writer Carol Anne Davis explores the minds of sadistic killers: their childhoods, their growing pathology and horrific crimes. Knowing what some of these killers endured doesn’t even begin to excuse their crimes – but it does explain them. Davis delineates the different subgroups of sadists – for example, those who kill indiscriminately – in Britain, the US and Australia. There are also chapters on: • female sadists, who tend to be overlooked by the media. • consensual sadomasochism – including a rare interview with a well-known female practitioner, Lynn Paula Russell. • input from a psychologist who has helped rehabilitate some of Britain’s most violent men. Sadistic Killers is a compelling look at the formative influences of a sadist and at his or her crimes. Unflinching in detail but never gratuitous, this is an informative read with a hopeful ending.

In the tranquil setting of the South Downs a killer is at large as a young girl suffers a cruel death, the second such death in the area. Law enforcement officers are under extreme pressure to apprehend the culprit and suspicion falls on a mild-mannered music teacher who is wholly innocent of the crime. Lies are told in open court that ensures his conviction and he is sentenced to life imprisonment. Young Detective Sergeant Josie Prentiss is deeply suspicious of the verdict and she will ensure that some form of justice prevails and the blame is attributed to the real killer.

Takes both subject and style seriously. This title features the locations, characters, plot and epigrams transposed from the 1890s to the 1990s.

Yellow Woman and a Beauty of the Spirit is a collection of twenty-two powerful and indispensable essays on Native American life, written by one of America's foremost literary voices. Bold and impassioned, sharp and defiant, Leslie Marmon Silko's essays evoke the spirit and voice of Native Americans. Whether she is exploring the vital importance literature and language play in Native American heritage, illuminating the inseparability of the land and the Native American people, enlivening the ways and wisdom of the old-time people, or exploding in outrage over the government's long-standing, racist treatment of Native Americans, Silko does so with eloquence and power, born from her profound devotion to all that is Native American. Yellow Woman and a Beauty of the Spirit is written with the fire of necessity. Silko's call to be heard is unmistakable—there are stories to remember, injustices to redress, ways of life to preserve. It is a work of major importance, filled with indispensable truths—a work by an author with an original voice and a unique access to both worlds.