After a series of murders of gynaecologists, CID suspects enigmatic triplets, Spencer, Bruce, and William Costello. DS Amy Hornby becomes romantically involved with Spencer, but inwardly suspects he may be a serial killer. Her estranged father, a notorious London crime lord complicates matters by becoming embroiled in a personal vendetta against the brothers. This psychological thriller journeys to London, Gambia, Mauritius, Algarve, the Caribbean, and Mexico, before a thrilling finale in Scotland. Frightening, absorbing, complex, and a guaranteed page-turner, this book will remain with you long after you have read it.

A renowned Harvard professor's brilliant, sweeping, inspiring account of the role of justice in our society--and of the moral dilemmas we face as citizens What are our obligations to others as people in a free society? Should government tax the rich to help the poor? Is the free market fair? Is it sometimes wrong to tell the truth? Is killing sometimes morally required? Is it possible, or desirable, to legislate morality? Do individual rights and the common good conflict? Michael J. Sandel's "Justice" course is one of the most popular and influential at Harvard. Up to a thousand students pack the campus theater to hear Sandel relate the big questions of political philosophy to the most vexing issues of the day, and this fall, public television will air a series based on the course. Justice offers readers the same exhilarating journey that captivates Harvard students. This book is a searching, lyrical exploration of the meaning of justice, one that invites readers of all political persuasions to consider familiar controversies in fresh and illuminating ways. Affirmative action, same-sex marriage, physician-assisted suicide, abortion, national service, patriotism and dissent, the moral limits of markets—Sandel dramatizes the challenge of thinking through these con?icts, and shows how a surer grasp of philosophy can help us make sense of politics, morality, and our own convictions as well. Justice is lively, thought-provoking, and wise—an essential new addition to the small shelf of books that speak convincingly to the hard questions of our civic life.

The murder mysteries that make up this unusual anthology all have one thing in common: the hero or heroine who solves the crime is a Catholic cleric. Perhaps that should not be surprising, for since the time of G. K. Chesterton those who have explored stories with a religious belief or background have tended to place them in the Middle Ages. And during that time most Christians were in one way or another connected to the Catholic church. From Chesterton's classic priest-turned-detective Father Brown to Peter Tremayne's historical Celtic nun and lawyer, Sister Fidelma, religious men and women put aside their professional duties for a moment to take up an altogether different vocation for a short time -- that of detective and solver of crimes unspeakable.

All is far from quiet on the home front in USA Today bestselling author Anna Lee Huber’s captivating mystery series, in which former Secret Service agent Verity Kent receives a visitor—who is being trailed by a killer . . . November 1919.A relaxing few weeks by the seaside with her husband, Sidney, could almost convince Verity Kent that life has returned to the pleasant rhythm of pre-war days. Then Verity’s beloved Great-Aunt Ilse lands on their doorstep. After years in war-ravaged Germany, Ilse has returned to England to repair her fragile health—and to escape trouble. Someone has been sending her anonymous threats, and Verity’s Secret Service contacts can only provide unsettling answers. Even deep in the Yorkshire Dales, where she joins Verity’s family for the holidays, Ilse encounters difficulties. Normally peaceful neighbors are hostile, seeking someone to blame for the losses they’ve endured. When Ilse’s maid is found dead, Verity must uncover whether this is anti-German sentiment taken to murderous lengths, or whether there is a more personal motive at work. Could Verity’s shadowy nemesis, Lord Ardmore, be involved? And if so, how much closer to home will the blow land when he inevitably strikes again? “…A treat for WWI buffs and the legion of fans who have grown fond of Verity.” —Publishers Weekly Praise for Anna Lee Huber’s Penny for Your Secrets “A historical mystery to delight fans of Agatha Christie or Daphne du Maurier.” —Bookpage “Stellar mystery . . . a great read for fans of the series and all who enjoyDownton Abbey-era fiction.” —Booklist

For some atheists, it's enough to simply not believe in God. Some people believe, but you don't. And that's OK.Other atheists, however, find themselves constantly being asked to justify why they don't believe in God, to explain how they can possibly have morals without believing in God, to respond to various arguments that supposedly prove the existence of God, to acknowledge that America was founded as a "Christian" nation, etc. And if you don't have a background in philosophy, formal logic, comparative religions, ancient history, and various scientific fields, it can be a bit daunting to attempt to respond to questions and assertions like these.Well, fear not! "Common Sense Atheism" is a collection of original essays that address these issues and many others in clear and easy to understand language, with just a dollop of humor to make it all go down smoothly. These essays will help you understand and explain to others why a lack of belief in God really is the only rational choice.After all, you shouldn't need a PhD to defend your lack of belief.

How a society defines crimes and prosecutes criminals illuminates its cultural values, social norms, and political expectations. In Murder Most Russian, Louise McReynolds uses a fascinating series of murders and subsequent trials that took place in the wake of the 1864 legal reforms enacted by Tsar Alexander II to understand the impact of these reforms on Russian society before the Revolution of 1917. For the first time in Russian history, the accused were placed in the hands of juries of common citizens in courtrooms that were open to the press. Drawing on a wide array of sources, McReynolds reconstructs murders that gripped Russian society, from the case of Andrei Gilevich, who advertised for a personal secretary and beheaded the respondent as a way of perpetrating insurance fraud, to the beating death of Marianna Time at the hands of two young aristocrats who hoped to steal her diamond earrings. As McReynolds shows, newspapers covered such trials extensively, transforming the courtroom into the most public site in Russia for deliberation about legality and justice. To understand the cultural and social consequences of murder in late imperial Russia, she analyzes the discussions that arose among the emergent professional criminologists, defense attorneys, and expert forensic witnesses about what made a defendant's behavior "criminal." She also deftly connects real criminal trials to the burgeoning literary genre of crime fiction and fruitfully compares the Russian case to examples of crimes both from Western Europe and the United States in this period. Murder Most Russian will appeal not only to readers interested in Russian culture and true crime but also to historians who study criminology, urbanization, the role of the social sciences in forging the modern state, evolving notions of the self and the psyche, the instability of gender norms, and sensationalism in the modern media.

The “villainous homosexual” has long stalked America’s cultural imagination, most explicitly in the figure of the queer murderer, a character in dozens of plays. But as society’s understanding of homosexuality has changed, so has the significance of these controversial characters, especially when employed by LGBT theater artists themselves to explore darker fears and desires. Murder Most Queer examines the shifting meanings of murderous LGBT characters in American theater over a century, showing how these representations wrestle with and ultimately subvert notions of gay villainy. Murder Most Queer works to expose the forces that create the homophobic paradigm that imagines sexual and gender nonconformity as dangerous and destructive and to show how theater artists—and for the most part LGBT theater artists—have rewritten and radically altered the significance of the homicidal homosexual. Jordan Schildcrout argues that these figures, far from being simple reiterations of a homophobic archetype, are complex and challenging characters who enact trenchant fantasies of empowerment, replacing the shame and stigma of the abject with the defiance and freedom of the outlaw, giving voice to rage and resistance. These bold characters also probe the darker anxieties and fears that can affect queer lives and relationships. Instead of sentencing them to the prison of negative representations, this book analyzes the meanings in their acts of murder, confronting the real fears and desires condensed in those dramatic acts.

DC Vicky Smullen's CID team investigate a series of child abductions in Cornwall. Her obsession with the case intensifies with the abduction of her five-year old son. Ben Orton, an ex-SAS soldier metes out revenge on former members of the IRA who murdered his brother and are released as part of the Good Friday agreement. Living in a secluded location in Scotland, a stranger approaches Orton and blackmails him into joining The Disciples of Retribution, a select band of vigilantes. The abductors of the children share an unusual fantasy, their frightening and abnormal behaviour provoking punishment for the youngsters. Hush Little Children, a tale of revenge and indignity, will frighten and captivate you.