The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim’s point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film. Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene’s intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.

With themes ranging from passion and romance to murder and psychological disturbance, popular British film in the 1940s found little favour with the critics, but provided thrills and entertainment for millions of people during a time of austerity and danger. Realism and Tinsel looks beyond the established histories of Ealing Comedies and realist classics to excavate a rich but neglected tradition of melodrama, gangster films, morbid thrillers, and costume pictures. Discussing cinema in the context of the major social, economic, and political changes that were taking place, Robert Murphy examines the period's most popular films, including Madonna of the Seven Moons, The Way Ahead, and The Wicked Lady. The picture that emerges challenges the reassuring, cosy view of Britain presented in realist cinema, and throws new light on the British film industry of the time, and on our idea of the war era itself.

The search for a serial killer during Sigmund Freud's 1909 visit to New York City, his one visit to the U.S., propels the plot of Yale law professor Rubenfeld's ambitious debut in this well-researched and thought-provoking novel.

Profiles the 1975 murder of Martha Moxley, presents new evidence that points the finger of suspicion to Martha's neighbors, and discusses how the police mishandled the case and may have prevented the crime from being solved.

A major collection of short fiction from Peter F. Hamilton, New York Times bestselling author of Pandora’s Star, The Dreaming Void, and many other epic science fiction novels—including a brand-new novella starring detective Paula Myo Fans of the Commonwealth Saga will enjoy the return of Paula Myo, the genetically engineered police investigator whose single-minded pursuit of justice runs up against a postwar citizenry eager to forget old crimes. In the all-new novella “Manhattan in Reverse,” Paula is dispatched to the backwoods planet of Menard after a docile, supposedly nonintelligent alien species attacks peaceful human settlers. Menard may have to be evacuated—something the planet’s corporate owners and human populace are prepared to resist . . . perhaps with targeted aggression. Violence hits closer to home in “The Demon Trap” in which Paula’s investigation of a gruesome act of terrorism leads into unexpected political, technological, and philosophical waters, threatening the course of human evolution. Time travel has never been so tricky—or so deadly—as it is in “If at First . . .,” in which Metropolitan Police detective David Lanson finds himself matching wits with a sociopath who might very well be from the future . . . or, at least, a future. “Blessed by an Angel” is set in the Commonwealth Universe of the Void trilogy and features an alien visitor who offers the local human population a chance at paradise. But one species’ paradise may be another’s hell. Three other thrilling pieces round out the collection—and showcase Peter F. Hamilton’s ability to weave scientific speculation into very human storytelling.

Scott Maybank had achieved his life's dream by founding and becoming president of the very successful Best Bodies Super Gym. Then he and his VP for finance were both shot dead while in Scott's office for a private meeting after closing time. Scott's friend Paul hired sexy supersleuth Amy Bell to solve the murders. Amy discovered that while many people had reasons to be jealous of or dislike Scott, no one seemed to have a strong enough motive to kill him. Or maybe was the killer's intended victim actually the VP? To solve these murders, Amy would have to think way outside the box. Author David Schwinger, when not writing Amy Bell mysteries--there are now sixteen--enjoys composing songs, playing pickleball, and traveling the world with his wife, Sherryl. David first met Sherryl when she was his student in a mathematics class he taught at City College of New York. Their secret romance became the inspiration for his first Amy Bell mystery, The Teacher's Pet Murders.

Written in 1974 Murder From Within will show what actually happened to President Kennedy, the consequences of his murder, and what action Americans can take to protect their institutions from further internal assault. The problem of usurpation from within and illegitimate and bloody transfer of power is as old as political history itself. Betrayal from within from the leaders own inner circle dates all the way back to Julius Caesar and Jesus Christ. Centuries ago, several Roman Emperors were killed by their own Praetorian guards. This plot, which involved only a handful of high officials and a few Secret Service Agents, called for President Kennedy to be maneuvered to Dallas and executed in public. His body was then forcibly removed from the control of the Dallas Coroner and flown to Washingon, D.C., to a military hospital. There, autopsy findings were supervised to foil a later investigation and implicate a scapegoat. The plot required a high probability of success. Therefore, it was self-contained: carefully recruited members of the Secret Service- the Presidents guards- murdered him. The portability of a motorcade allowed the assassins to escape and the evidence to remain under their control. With their obvious cover as guards, the Secret Service could ensure that the planning would result in the replacement of one chief executive with another who now had the power to cover the crime up. The scapegoat for the crime was placed near the motorcade by being told to look for work at locations on one of two likely parade routes. Once he had a job, the motorcade was planned to pass in front of where he worked. In this way, it would appear that he had found his position by accident. To plan the route first and then place the scapegoat in position would raise serious questions in an investigation about his prior knowledge. Seven years in the making Murder From Within shows exactly and in detail how a small high level group within Kennedys own Cabinet betrayed him and killed him to benefit an ambitious Vice President determined to become President no matter what.

Det. Roland March is a homicide cop on his way out. But when he's the only one at a crime scene to find evidence of a missing female victim, he's given one last chance to prove himself. Before he can crack the case, he's transferred to a new one that has grabbed the spotlight--the disappearance of a famous Houston evangelist's teen daughter. With the help of a youth pastor with a guilty conscience who navigates the world of church and faith, March is determined to find the missing girls while proving he's still one of Houston's best detectives.

This fascinating and gripping portrayal is the only book-length account ever written about the illicit career of Clarence Ray Allen, one of the most sinister criminal masterminds and mass murderers in American history. Even hardened detectives were shaken by the scene at Fran's Market in rural Fresno County that night in 1980: four young people lay on the market's concrete floor, bloodily murdered by a killer without mercy or remorse. Then a grim investigation became even grimmer when the evidence led to the prime suspect--a convicted murderer already behind the stone walls of Folsom. A true crime story that reads like an intricately woven mystery, the book depicts the chilling scenes of murder, a dogged investigation, and the true story behind the Fran's Market murders and their psychopathic mastermind. Written by former prosecutor James Ardaiz, who was one of the first investigators on the scene at Fran's Market, ""Hands Through Stone"" provides an insider's view of the tortuous, multiyear investigation that brought a killer to justice.

This work presents 369 British films produced between 1937 and 1964 that embody many of the same filmic qualities as those "black films" made in the United States during the classic film noir era. This reference work makes a case for the inclusion of the British films in the film noir canon, which is still considered by some to be an exclusively American inventory. In the book's main section, the following information is presented for each film: a quote from the film; the title and release date; a rating based on the five-star system; the production company, director, cinematographer, screenwriter, and main performers; and a plot synopsis with author commentary. Appendices categorize films by rating, release date, director and cinematographer and also provide a noir and non-noir breakdown of the 47 films presented on the Edgar Wallace Mystery Theatre, a 1960s British television series that was also shown in the United States.