In this star-studded sequel to Murder at the Universe, Daniel Edward Craig pokes good-humored fun at the celebrity-crazed Los Angeles culture. Dedicated hotelier Trevor Lambert takes a job at Hotel Cinema, a multi-million dollar rejuvenation of an Old Hollywood motor inn. It's a fabulous opening party until Tinseltown's hottest star, Chelsea Fricks, takes a fatal dive from her penthouse balcony. Was it a reckless publicity stunt or did fame drive her to suicide? Chelsea's stab wounds tell another story. Suddenly Hotel Cinema is the setting of a hilarious Hollywood murder mystery, starring Chelsea's former pit bull publicist; a star-struck detective; tasteless tabloid reporters; and Trevor's incompetent boss, who breaks every rule in the hotel handbook. Cristal champagne is flowing. Business is booming. But when the hotel staff are targeted as murder suspects, the party turns into a publicity nightmare.

In a grand Chicago hotel, a mysterious death sets a puzzling whodunnit in motion When a New York banker is discovered dead from an apparent morphine overdose in a Chicago hotel, the circumstances surrounding his untimely end are suspicious to say the least. The dead man had switched rooms the night before with a stranger he met and drank with in the hotel bar. And before that, he’d registered under a fake name at the hotel, told his drinking companion a fake story about his visit to the Windy City, and seemingly made no effort to contact the actress, performing in a local show, to whom he was married. All of which is more than enough to raise eyebrows among those who discovered the body. Enter theatre critic and amateur sleuth Riley Blackwood, a friend of the hotel’s owner, who endeavors to untangle this puzzling tale as discreetly as possible. But when another detective working the case, whose patron is unknown, is thrown from a yacht deck during a party by an equally unknown assailant, the investigation makes a splash among Chicago society. And then several of the possible suspects skip town, leaving Blackwood struggling to determine their guilt or innocence—and their whereabouts. Reissued for the first time in over eighty years, The Great Hotel Murder is a devilishly complex whodunnit with a classical aristocratic setting, sure to please Golden Age mystery fans of all stripes. In 1935, the story was adapted for a film of the same name.

The year is 1940, and Los Angeles-based private eye Toby Peters has been called before the real-life Wizard of Oz himself -- Louis B. Mayer, legendary studio head of Metro-Goldwyn Mayer. His job: to track down a murderer stalking the back lots of one of Hollywood's most powerful movie companies. It's a treacherous trail of clues that Peters must follow -- one as winding as the Yellow Brick Road, and deadlier than a field of poppies. But does Toby Peters possess enough brains, heart, and courage to solve this bizarre case before he becomes the latest victim of Hollywood's new Wicked Witch of the West . . . ?

The bestselling author of The Hot House once again combines the facts, the real people, and the location itself into this true story, a wide-ranging portrait of the interplay of race, sex, and justice in the American South, made all the more real because it takes place in the same small Alabama town that was the fictional "Maycomb" in Harper Lee's To Kill a Mockingbird. Optioned for film by MGM. Photos.

The official companion book, edited by director Terry George, including essays on the history of the genocide, the complete screenplay written by Keir Pearson & Terry George, and more than 70 photographs. A Story That Had to Be Told: In 1994, as his country descended into madness, Paul Rusesabagina, the hotel manager of a Belgian-owned luxury hotel in Kigali, the capital of Rwanda, used cunning and courage to save 1,268 people from certain death while the rest of the world closed its eyes. His real-life story inspired the Oscar® -nominated writer of In the Name of the Father, Terry George, to make the extraordinary film, Hotel Rwanda, starring Don Cheadle, Sophie Okonedo, Joaquin Phoenix, and Nick Nolte, which has received accolades from critics and moviegoers alike, winning numerous awards. Now, in the only official companion book, comes the fascinating filmmaking story, with first-person pieces by Terry George and co-screenwriter Keir Pearson about their three-year struggle to gain support and financing, as well as a brief history of Rwanda with details on the actual events portrayed in the movie. Illustrated with more than 70 historical and contemporary photos and movie stills, the book also includes journalist Nicola Graydon's report on joining Paul Rusesabagina when he first returned to Rwanda on the tenth anniversary of the genocide; writer Anne Thompson's personal journal of her visit to the set in Africa during production in February 2004; and a compelling transcript of the PBS Frontline documentary revealing the afterthoughts of officials who chose not to listen to the cries for help. In addition there is a timeline of the crisis, a further reading and viewing list, and the complete screenplay.

A hotel clerk prone to panic attacks turns amateur sleuth when one of her guests drop dead—an atmospheric murder mystery with all the trappings of an Agatha Christie classic. If you want to spend a night amid the luxury and charm of the early 20th century, book a room at Hotel 1911. You’ll find 28-year-old Ivy Nichols behind the reception desk. The hotel is Ivy’s only link to the family that abandoned her when she was a small child. Now, plagued by panic attacks, she pedals her sea-green Schwinn bicycle to work every evening, hoping desperately to hold on to her job. When wealthy, imperious Ms. Swain arrives at the hotel and belittles Ivy, the young woman seeks consolation in the welcoming kitchen of George, the hotel’s chef. Despite her tormentor's barbs, she dutifully informs George that Ms. Swain has a deadly allergy to shellfish. So, when Ms. Swain collapses at dinner and dies, the police suspect that the chef made a tragic, inexcusable error. Desperate to save George’s career, Ivy sets out sleuthing. She learns that numerous people in and around the hotel had motives to contaminate Ms. Swain’s plate. Among them are Jeffrey Swain, the victim’s son and heir; painter Rose Jewett; and British expat Hemal Sandeep. Even after the police find traces of shellfish in George's kitchen, Ivy is determined to clear her friend’s name. But the stress of the investigation, in a hotel filled with suspects, threatens to precipitate another terrifying panic attack . . . or something more deadly.

Special Detective Constable Adamat may be the most capable young investigator in all of Adopest. He's sharp, thoughtful, and his particular sorcery gives him a flawless memory. A transfer to the First Precinct seems like the perfect opportunity to showcase his abilities and advance his career. But things work differently in the First Precinct. The murder of a businessman's mistress quickly pulls Adamat into an unexpected world of conspiracy and politics where he's forced to use all his wits to stay one step ahead of unseen enemies and keep his friends—and himself—from the guillotine. Occurs twenty-two years before the events in Promise of Blood.

Murder: Live and in Technicolor Working undercover gives FBI Art Crime Team agent Jason West the illusion that he’s safe from his stalker, Dr. Jeremy Kyser. Though film history and preservation are not Jason’s area of expertise, he’s intrigued by the case of a well-connected UCLA film studies professor whose family believes she may have been murdered after discovering a legendary lost 1950s PI film. Meanwhile, on the other side of the country, BAU Chief Sam Kennedy gets disturbing news: the Roadside Ripper, the serial killer Sam believes murdered his college boyfriend, may not have been working alone.

It was the most fashionable place to stay in London, until murder made a reservation. Solve the puzzle in this new cozy historical mystery from USA Today bestselling author of the Glass and Steele series. December 1899. After the death of her beloved grandmother, Cleopatra Fox moves into the luxury hotel owned by her estranged uncle in the hopes of putting hardship and loneliness behind her. But the poisoning of a guest on Christmas eve throws her new life, and the hotel, into chaos. Cleo quickly realizes no one can be trusted, not Scotland Yard and especially not the hotel’s charming assistant manager. With the New Year’s Eve ball approaching fast and the hotel’s reputation hanging by a thread, Cleo must find the killer before the ball, and the hotel itself, are ruined. But catching a murderer proves just as difficult as navigating the hotel’s hierarchy and the peculiarities of her family. Can Cleo find the killer before the new century begins? Or will someone get away with murder?

For thirty-six-year-old Trevor Lambert, life revolves around work. As Director of Rooms at the luxurious and ultra-modern Universe Hotel in New York, he radiates dignified professionalism and high-end hospitality. When Trevor inadvertently escorts VIP guest Brenda Rathberger–the cantankerous executive director of the Victims of Impaired Drivers conference–past the dead body of the hotel's owner, Trevor's perfect world implodes. Police believe a hotel executive may be responsible and their suggestion that alcohol may have been involved encourages Brenda to use the controversy to grandstand her cause. She joins forces with celebrated TV anchor Honica Winters, who exposes the sordid details on national television. With his dear coworkers under suspicion and his treasured guests turning on him, it's all Trevor can do to protect everyone, particularly his sweet and lovely duty manager, Nancy. In the resulting clash among pampered guests, harried employees, and militant protesters, Trevor struggles to find the killer and to preserve the dignity of the Universe.