This specialized guide explores the latest developments in lathe centers, original jig and chucking systems, and safe, novel turning techniques that are impossible with between-centers turning. Safety procedures, finishing methods, and ways to mark out and set up multi- and off-center turned work are all fully explained. The 26 original and challenging projects, ranging from a practical walking stick to imaginative bowls.

Master the art of multi-axis spindle turning! This book offers a strategy for understanding multi-axis turning and the many options available to create unique forms. Dill, a self-professed "experimental turner," takes readers step by step through this complex area of turning. Working in multiple axes on a spindle can be confusing, but as Dill teaches the "hows" of turning spindles as systematic building blocks for future work, turners can finally make this skill their own. Hundreds of photos and diagrams offer detailed guidance, and explain the variables--axis placement, profile, orientation of the new axis to the center axis, and so on--and how they apply to each "quadrant" of multi-axis work. Split and thermed turning methods, planning tips, tricks of the trade, and a three-sided cup or vase project help you succeed. Concepts come to life as Dill shows examples of not only her work, but the work of other expert turners.

A book for the serious woodturner, which concentrates on the quality of turning designs whilst retaining the element of sheer enjoyment that is at the heart of the craft. Lavishly illustrated with full and clear line drawings. Awarded the Certificate of Excellence by the British Crafts Guild.

Workshop Practices.

Recoge: 1. What is European about vocational education and training in Europe?

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.