James Lowen narrates a year-long quest to see Britain's rarest and more remarkable moths. Although mostly unseen by us, moths are everywhere. And their capacity to delight astounds. Inspired by a revelatory encounter with a Poplar Hawk-moth – a huge, velvety-winged wonder wrapped in silver – James Lowen embarks on a year-long quest to celebrate the joy of Britain's rarest and most remarkable moths. By hiking up mountains, wading through marshes and roaming by night amid ancient woodlands, James follows the trails of both Victorian collectors and present-day conservationists. Seeking to understand why they and many ordinary folk love what the general public purports to hate, his investigations reveal a heady world of criminality and controversy, derring-do and determination. From Cornwall to the Cairngorms, James explores British landscapes to coax these much-maligned creatures out from the cover of darkness and into the light. Moths are revealed to be attractive, astonishing and approachable; capable of migratory feats and camouflage mastery, moths have much to tell us on the state of the nation's wild and not-so-wild habitats. As a counterweight to his travels, James and his young daughter track the seasons through a kaleidoscope of moth species living innocently yet covertly in their suburban garden. Without even leaving home, they bond over a shared joy in the uncommon beauty of common creatures, for perhaps the greatest virtue of moths, we learn, is their accessibility. Moths may be everywhere, but above all, they are here. Quite unexpectedly, no animals may be better placed to inspire the environmentalists of the future.

The cozy comforts of an English village bookstore open up a world of new possibilities for Evie Starling in this charming new romantic comedy from New York Times bestselling author Samantha Young. At thirty-three-years old Evangeline Starling’s life in Chicago is missing that special something. And when she’s passed over for promotion at work, Evie realizes she needs to make a change. Some time away to regain perspective might be just the thing. In a burst of impulsivity, she plans a holiday in a quaint English village. The holiday package comes with a temporary position at Much Ado About Books, the bookstore located beneath her rental apartment. There’s no better dream vacation for the bookish Evie, a life-long Shakespeare lover. Not only is Evie swept up in running the delightful store as soon as she arrives, she’s drawn into the lives, loves and drama of the friendly villagers. Including Roane Robson, the charismatic and sexy farmer who tempts Evie every day with his friendly flirtations. Evie is determined to keep him at bay because a holiday romance can only end in heartbreak, right? But Evie can’t deny their connection and longs to trust in her handsome farmer that their whirlwind romance could turn in to the forever kind of love.

Shakespeare's In Love At the royal command of Queen Elizabeth, Sir Ian Terrance has sought out a popular local playwright named William Shakespeare-only to discover that "he" is a "she."..and a most desirable and delectable she indeed! And now that the remarkable Olivia is his prisoner, Sir Ian is the one in chains-bewitched by the singular young woman's irrestible beauty, deliciously sharp wit, and innocent sensuality. Olivia's secret life was well hidden, until Ian burst through her wall of pretense. There is much the devilishly handsome man can teach an imaginative, if inexperienced, maid, with his tender caresses and intoxicating kisses. But how long will the exquisite writer be able to remain aloof from the passionate attentions of her bold kidnapper? And can a breathtaking romance turn Ian form his duty-and ensure a happy ending?

The moms have invited Becca Chadwick and her mother to join the club--and their daughters are devastated. Meanwhile, Jess finds out that her family may lose Half Moon Farm.

There's never been a period when Shakespeare was out of fashion. In his lifetime he was incredibly successful, and soon after his death his works were published to the world. Within these pages you'll find a new interpretation of Shakespeare's stages, a play on words, which sheds light on the colorful and exuberant world of Shakespeare's life and times. You won't find the sainted genius--solemn with quill and ink-stained hand. High of brow he may have been, but never high-brow. Never the snooty artist, locked away from the world, Shakespeare was in the thick of it. Much Ado About Shakespeare brings you the highs and lows, the tongue in cheek, the truth and imagination . . . the fantastical world of William Shakespeare in his own words and through the magnificent art of Donovan Bixley.

A history of electricity and electronics, and how the electron at first bothered mankind, then gradually became useful, and now dominates our lives.

Much Ado About Nothing is a comedy by William Shakespeare. First published in 1600, it is likely to have been first performed in the autumn or winter of 1598-1599, and it remains one of Shakespeare's most enduring and exhilarating plays on stage. Stylistically, it shares numerous characteristics with modern romantic comedies including the two pairs of lovers, in this case the romantic leads, Claudio and Hero, and their comic counterparts, Benedick and Beatrice.

This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare’s comedies contains original essays on every comedy from The Two Gentlemen of Verona to Twelfth Night as well as twelve additional articles on such topics as the humoral body in Shakespearean comedy, Shakespeare’s comedies on film, Shakespeare’s relation to other comic writers of his time, Shakespeare’s cross-dressing comedies, and the geographies of Shakespearean comedy.