Little Miss Somersault is staging a Ballet Show and lots of the Mr Men are taking part. Little Miss Whoops wants to be a Prima Ballerina, but she is not elegant or graceful. Will she learn to pirouette in time for the performance in front of Little Miss Princess? The Mr Men and Little Miss Every Day series takes Roger Hargreaves' beloved characters on trips and activities that children will recognise from their own lives. All the Every Day Adventures have a 'Where's Walter' feature with Walter the worm hiding in every story making for a fun and interactive reading experience for children aged two years and up.

They're back! Rediscover the zaniest characters you've ever met in this best-selling series which has sold millions worldwide. Bright and charming, with easily recognizable characters and a small take-along format, Mr. Men and Little Miss books are easy enough for young readers, witty enough for humor-prone adults, and highly collectible for one and all. Also check your local listings to view the Mr. Men & Little Miss TV show. Back to the Mr. Men & Little Miss microsite.

Mr. Rude is the rudest man you'll ever meet. When Mr. Happy notices how awful Mr. Rude is being, he sets out to teach him a lesson in etiquette.

"Behind the glitter and illusions of the ballet world lie the poignant, often shocking realities of a dancer's life. A borderline anorexic dances seven hours a day and completes high school through correspondence courses; she is fifteen years old. A New York dancer performs despite agonizing pain in his shins until a doctor tells him he has eight stress fractures; he is twenty-five. After ten years of professional dancing and twelve years of training at a cost of nearly $75,000, a dancer is told that she's too old for the company; she is thirty. They love to dance and have made unimaginable sacrifices to achieve what they have. But after two years of intimate conversations with dozens of dancers like these, Suzanne Gordon wonders whether their sacrifices are really necessary. From New York to San Fransisco, from Houston to Chicago, in Europe and in Scandinavia, Gordon explores the inner lives of dancers, revealing for the first time the dreams and realities of the young men and women ballet audiences so admire. .."--Jacket.

All theater romances are tragedies. Ella Blythe knows this. Still, she cannot help but hope her own story may turn out different than most--and certainly different than the tragic story of the Ghost of Craven Street Theater. Yet as she struggles to maintain her tenuous place in the ever-shrinking ballet company, win the attentions of principal dancer Philippe, and avoid company flirt Jack, Ella cannot deny the uncanny feeling that her life is mirroring that of the dead ballerina. Is she dancing ever closer to the edge of her own tragic end? Or will the secrets that are about to come to light offer release from the past? Mystery and romance make the perfect dance partners in this evocative story from fan-favorite Joanna Davidson Politano.

NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”

Mr. Quiet is afraid of loud noises. This is a big problem for him, since he lives in Loudland. But one day he gets a letter from Mr. Happy inviting him to Happyland, where he finds?what else happiness

Dance. That was their instruction. But fate tripped them up, and they fell in love. Under the fluorescent sun of '80s Hollywood, aging ballerina Peridot "Peri" Jones and her new partner, seventeen-year-old Mark Maroulis, Jr., ignite a chemistry onstage that brings a dying ballet company back to life. Although wary of their age difference, they begin a highly charged love affair offstage. They keep the romance a secret because artistic director Mr. D considers Peri to be his. When Mr. D discovers their relationship, he wrenches Mark and Peri far apart. Will they be able to dance themselves back together? Lyrical and poignant, the story unfolds through the structure of a classical ballet grand pas de deux. It delves into themes of toxic masculinity, the sacrifices that art exacts from its practitioners, and the challenges of an inverse May/December relationship. The Pas de Deux combines the classical ballet setting of Billy Elliot and Astonish Me (Maggie Shipstead) with the upside-down romance of On the Island (Tracey Garvis-Graves). It draws parallels among three genocides of the 20th century-Armenia, AIDS, and the Holocaust-and a suggestion rooted in dance practices to address intolerance. Author Interview What draws you to this genre? Romance embodies the Hegelian dialectic, which is a super fancy way of saying the genre presents two contradictory worldviews (the hero and heroine's) and then unifies them. This is why some of my favorite novels (from Pride and Prejudice to A Knight in Shining Armor) are romances. What was the hardest part of writing this book? Accurately portraying the '80s. While the decade isn't that far away, it took tons of research to ensure everything from clothing to a Guns N' Roses show that occurs at a climactic moment was period appropriate. Why do you write? Fiction offers access to another person's headspace, which can broaden our understanding of what makes somebody tick. I consider dance to be my genre, and that allows me enormous leeway in tone, content, and style in all my books.