Thomas Jefferson considered the University of Virginia to be among his finest achievements--a living monument to his artistic and intellectual ambitions. Now, on the occasion of the University's bicentennial, Brendan Wolfe has assembled one hundred objects that, brought together in one fascinating book, offer a new, sometimes surprising history of Jefferson's favorite project. Mr. Jefferson's Telescope begins with the years leading up to the University's 1819 founding and continues to the triumphs and challenges of the present day, each entry joining a full-color image with an engaging description that both stands alone and contributes to an engrossing larger narrative about how the school has evolved over time. Considering an orange and blue silk handkerchief, Wolfe reveals that the University's school colors were originally cardinal red and gray--calling to mind a Confederate soldier's blood-stained uniform but ultimately deemed not bright enough to stand out on muddy football fields. The record of an overdue book checked out by a young Edgar Allan Poe speaks to a long literary tradition. On the subject of a key to the Rotunda's doors, Wolfe introduces us to its keeper, the Monticello-born ex-slave who rang the hourly bells on Grounds into the early twentieth century. Beautifully illustrated with over one hundred new and archival images, this book brings to life a remarkable array of significant objects while offering to the reader the best introduction available to the history of Jefferson's great institution.

In Charlottesville, Virginia, at the University of Virginia, there is today an expression of the Enlightenment, a philosophy concretized in brick and timber. This is the story of Jefferson's last but not his least achievement, and one of the three things that he put on his own tombstone to be remembered by. 22 photos.

Bix Beiderbecke was one of the first great legends of jazz. Among the most innovative cornet soloists of the 1920s and the first important white player, he invented the jazz ballad and pointed the way to “cool” jazz. But his recording career lasted just six years; he drank himself to death in 1931—at the age of twenty-eight. It was this meteoric rise and fall, combined with the searing originality of his playing and the mystery of his character—who was Bix? not even his friends or family seemed to know—that inspired subsequent generations to imitate him, worship him, and write about him. It also provoked Brendan Wolfe’s Finding Bix a personal and often surprising attempt to connect music, history, and legend. A native of Beiderbecke’s hometown of Davenport, Iowa, Wolfe grew up seeing Bix’s iconic portrait on everything from posters to parking garages. He never heard his music, though, until cast to play a bit part in an Italian biopic filmed in Davenport. Then, after writing a newspaper review of a book about Beiderbecke, Wolfe unexpectedly received a letter from the late musician's nephew scolding him for getting a number of facts wrong. This is where Finding Bix begins: in Wolfe's good-faith attempt to get the facts right. What follows, though, is anything but straightforward, as Wolfe discovers Bix Beiderbecke to be at the heart of furious and ever-timely disputes over addiction, race and the origins of jazz, sex, and the influence of commerce on art. He also uncovers proof that the only newspaper interview Bix gave in his lifetime was a fraud, almost entirely plagiarized from several different sources. In fact, Wolfe comes to realize that the closer he seems to get to Bix, the more the legend retreats.

Banneker, a free black mathematician and astronomer, takes a stand against slavery and writes Secretary of State Thomas Jefferson about his slave-owning policies.

David Eicher reveals the story of the political conspiracy, discord and dysfunction in Richmond that cost the South the Civil War. He shows how President Jefferson Davis fought not only with the Confederate House and Senate and with State Governers but also with his own vice-president and secretary of state.

As the first president to occupy the White House for an entire term, Thomas Jefferson shaped the president’s residence, literally and figuratively, more than any of its other occupants. Remarkably enough, however, though many books have immortalized Jefferson’s Monticello, none has been devoted to the vibrant look, feel, and energy of his still more famous and consequential home from 1801 to 1809. In Monticello on the Potomac, James B. Conroy, author of the award-winning Lincoln’s White House offers a vivid, highly readable account of how life was lived in Jefferson’s White House and the young nation’s rustic capital.

“[A] monumental dual biography . . . a distinguished work, combining deep research, a pleasing narrative style and an abundance of fresh insights, a rare combination.”—The Dallas Morning News The third and fourth presidents have long been considered proper gentlemen, with Thomas Jefferson’s genius overshadowing James Madison’s judgment and common sense. But in this revelatory book about their crucial partnership, both are seen as men of their times, hardboiled operatives in a gritty world of primal politics where they struggled for supremacy for more than fifty years. With a thrilling and unprecedented account of early America as its backdrop, Madison and Jefferson reveals these founding fathers as privileged young men in a land marked by tribal identities rather than a united national personality. Esteemed historians Andrew Burstein and Nancy Isenberg capture Madison’s hidden role—he acted in effect as a campaign manager—in Jefferson’s career. In riveting detail, the authors chart the courses of two very different presidencies: Jefferson’s driven by force of personality, Madison’s sustained by a militancy that history has been reluctant to ascribe to him. Supported by a wealth of original sources—newspapers, letters, diaries, pamphlets—Madison and Jefferson is a watershed account of the most important political friendship in American history. “Enough colorful characters for a miniseries, loaded with backstabbing (and frontstabbing too).”—Newsday “An important, thoughtful, and gracefully written political history.”—Publishers Weekly (starred review)

Twilight at Monticello is something entirely new: an unprecedented and engrossing personal look at the intimate Jefferson in his final years that will change the way readers think about this true American icon. It was during these years–from his return to Monticello in 1809 after two terms as president until his death in 1826–that Jefferson’s idealism would be most severely, and heartbreakingly, tested. Based on new research and documents culled from the Library of Congress, the Virginia Historical Society, and other special collections, including hitherto unexamined letters from family, friends, and Monticello neighbors, Alan Pell Crawford paints an authoritative and deeply moving portrait of Thomas Jefferson as private citizen–the first original depiction of the man in more than a generation.

In this volume, Kevin J. Hayes collects thirty accounts of Thomas Jefferson written by his granddaughters, visiting dignitaries, fellow politicians, and others who knew him as a family man, public servant, intellectual, and institution builder. The letters and reminiscences of those who knew Jefferson personally reveal him to be a warm, funny man, quite unlike the solemn statesman so often limned in biographies. To friends and enemies alike he was the model of a republican gentleman, profoundly knowledgeable in philosophy and natural history, able to converse in several languages, and capable of great wit but contemptuous of ceremony and fancy dress. Through these excerpts, we can see the nation’s third president as his family knew him—a loving husband, father, and grandfather—and as his peers did, as a tireless public servant with a fondness for tall tales.