The 1990s was an amazing decade for movies, witnessing the release of dozens of incredible films, including The Matrix, The Shawshank Redemption, Pulp Fiction, Goodfellas, Fargo, Jurassic Park, and so many more. Despite this embarrassment of riches, author Riley Webster believes this decade has never received as much praise or as many kudos as it deserves—until now. Whether you’re a serious cinephile, a casual viewer, or merely seeking a heavy dose of 1990s nostalgia, this is the book for you.

Films discussed include Terminator 2, The matrix, Home alone, Jurassic Park, Pulp fiction, Boys don't cry, Toy story and Clueless.

This book's 140 A-Z entries include synopses, film stills, and production photos.

This work examines major box office hits like 'The Full Monty' as well as critically acclaimed films like 'Under the Skin'. It explores the role of distribution and exhibition, the Americanisation of British film culture, Hollywood and Europe, changing representations of sexuality and ethnicity.

Part of the classic Fudge series from Judy Blume, bestselling author of Tales of a Fourth Grade Nothing! Peter Hatcher can’t catch a break. His little brother, Fudge—the five-year-old human hurricane—has big plans to marry Peter’s sworn enemy, Sheila Tubman. That alone would be enough to ruin Peter’s summer, but now his parents have decided to rent a summer home next door to Sheila the Cootie Queen’s house. Peter will be trapped with Fudge and Sheila for three whole weeks! “As a kid, Judy Blume was my favorite author, and Tales of a Fourth Grade Nothing was my favorite book.”—Jeff Kinney, author of the bestselling Wimpy Kid series Love Fudge, Peter, and Sheila? Read all the books featuring your favorite characters: Tales of a Fourth Grade Nothing Otherwise Known as Sheila the Great Superfudge Double Fudge

From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).

Jürgen Müller's overview of the films of the 1960s has over a hundred A to Z entries that include synopses, film stills, cast and crew listings, box office figures, trivia and actor and director biographies. The book covers examples of Italian, French, German and American movies that strongly characterized the 1960s.

The hilarious tale of a family coming to terms with its ghosts - literally. Greta Woebegone did not believe in ghosts until the day she was knocked over by a car and almost died. Then everything changed... Now Greta can not only see the spirits that haunt her ancestral home, she can talk to them too - from her grumpy Grandpa Woebegone and Percy the poo-pushing plague victim to the sinister spook in the cellar. Can Greta help the ghosts avoid being exorcised (a fate worse than undeath)? Can the ghosts help Greta stop her beloved Grandma being put in a home? And can they all help each other overcome the pain in their past that's holding them back from the future? From the acclaimed author of Charlie Changes Into a Chicken comes a touching and side-splitting new story guaranteed to delight readers of nine and up. 'Hilarious, fast-paced and full of heart' - Sunday Express 'Funny, engaging and utterly heartfelt' - LD Lapinski, author of The Strangeworlds Travel Agency

A novel about a former soldier in Big Sky Country whose life is spiraling out of control, from the acclaimed author of Ninety-two in the Shade and Cloudbursts, who is "among the most arresting and fascinating [writers] of his generation" (San Francisco Chronicle). In McGuane's first novel set in his famed American West, Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana. Nowhere has McGuane mapped that territory more precisely—or with such tenderhearted lunacy—than in Nobody's Angel, a novel that places him in a genre of his own.