"Bonnie Jo Campbell is a master of rural America’s postindustrial landscape." —Boston Globe Named by the Guardian as one of our top ten writers of rural noir, Bonnie Jo Campbell is a keen observer of life and trouble in rural America, and her working-class protagonists can be at once vulnerable, wise, cruel, and funny. The strong but flawed women of Mothers, Tell Your Daughters must negotiate a sexually charged atmosphere as they love, honor, and betray one another against the backdrop of all the men in their world. Such richly fraught mother-daughter relationships can be lifelines, anchors, or they can sink a woman like a stone. In "My Dog Roscoe," a new bride becomes obsessed with the notion that her dead ex-boyfriend has returned to her in the form of a mongrel. In "Blood Work, 1999," a phlebotomist's desire to give away everything to the needy awakens her own sensuality. In "Home to Die," an abused woman takes revenge on her bedridden husband. In these fearless and darkly funny tales about women and those they love, Campbell’s spirited American voice is at its most powerful.

A Message from Mike Rowe, the Dirty Jobs Guy: Just to be clear, About My Mother is a book about my grandmother, written by my mother. That’s not to say it’s not about my mother—it is. In fact, About My Mother is as much about my mother as it is about my grandmother. In that sense, it’s really a book about “mothers.” …It is not, however, a book written by me. True, I did write the foreword. But it doesn’t mean I’ve written a book about my mother. I haven’t. Nor does it mean my mother’s book is about her son. It isn’t. It’s about my grandmother. And my mother. Just to be clear.—Mike A love letter to mothers everywhere, About My Mother will make you laugh and cry—and see yourself in its reflection. Peggy Rowe’s story of growing up as the daughter of Thelma Knobel is filled with warmth and humor. But Thelma could be your mother—there’s a Thelma in everyone’s life. She’s the person taking charge—the one who knows instinctively how things should be. Today, Thelma would be described as an alpha personality, but while growing up, her daughter Peggy saw her as a dictator—albeit a benevolent, loving one. They clashed from the beginning—Peggy, the horse-crazy tomboy, and Thelma, the genteel-yet-still-controlling mother, committed to raising two refined, ladylike daughters. Good luck. When major league baseball came to town in the early 1950s and turned sophisticated Thelma into a crazed Baltimore Orioles groupie, nobody was more surprised and embarrassed than Peggy. Life became a series of compromises—Thelma tolerating a daughter who pitched manure and galloped the countryside, while Peggy learned to tolerate the whacky Orioles fan who threw her underwear at the television, shouted insults at umpires, and lived by the orange-and-black schedule taped to the refrigerator door. Sometimes it takes a little distance to appreciate the people we love.

A rich and luminous novel about three generations of women in one family: the love they share, the dreams they refuse to surrender, and the secrets they hold Samantha is lost in the joys of new motherhood—the softness of her eight-month-old daughter's skin, the lovely weight of her child in her arms—but in trading her artistic dreams to care for her child, Sam worries she's lost something of herself. And she is still mourning another loss: her mother, Iris, died just one year ago. When a box of Iris's belongings arrives on Sam's doorstep, she discovers links to pieces of her family history but is puzzled by much of the information the box contains. She learns that her grandmother Violet left New York City as an eleven-year-old girl, traveling by herself to the Midwest in search of a better life. But what was Violet's real reason for leaving? And how could she have made that trip alone at such a tender age? In confronting secrets from her family's past, Sam comes to terms with deep secrets from her own. Moving back and forth in time between the stories of Sam, Violet, and Iris, Mothers and Daughters is the spellbinding tale of three remarkable women connected across a century by the complex wonder of motherhood. This book was later published under the title Mercy Train.

Explore the real-life triumphs and tragedies of single-parent mothers! Unbroken Homes is a “story quilt” of personal narratives constructed from in-depth, case study interviews of five single-parent mothers. The book chronicles their journeys as mothers, daughters, and women, in relationships and in solitude, displaying their stories in their own words like the squares of a multicolored quilt. Unbroken Homes breaks through the stigma associated with “broken homes” and provides a new perspective on the reorganization of American families. Unbroken Homes encourages you to rethink some damaging stereotypical assumptions about children from single-mother headed homes. Drawing information from family research, counseling, and a cross-section of social sciences, this book is pertinent to any professional who works with single parents or their children. Unbroken Homes does not deal with what is “typical” in the single-parenting experience, nor does it give advice or proselytize. Rather, its purpose is to discover the meaning that single-parent mothers bring to their own lives, helping you to understand the dynamics of single-parent families from a uniquely personal perspective. In Unbroken Homes you will witness the ways that these women: experience the ill effects of gender role socialization work to overcome stigma redefine ideals for family life and gender expectations balance responsibilities in and outside of their homes stretch finances to meet the needs of their families regain strength and self-confidence encourage their children's development affirm the strength of their families cope with depression develop networks of support This intensely personal collection of women's stories and reflections is a must read for everyone who seeks a better understanding of divorce, single-parenting, and being alone, from an insider's perspective.

New from award-winning Michigan writer Bonnie Jo Campbell, American Salvage is rich with local color and peopled with rural characters who love and hate extravagantly. They know how to fix cars and washing machines, how to shoot and clean game, and how to cook up methamphetamine, but they have not figured out how to prosper in the twenty-first century. Through the complex inner lives of working-class characters, Campbell illustrates the desperation of post-industrial America, where wildlife, jobs, and whole ways of life go extinct and the people have no choice but to live off what is left behind. The harsh Michigan winter is the backdrop for many of the tales, which are at turns sad, brutal, and oddly funny. One man prepares for the end of the world--scheduled for midnight December 31, 1999--in a pole barn with chickens and survival manuals. An excruciating burn causes a man to transcend his racist and sexist worldview. Another must decide what to do about his meth-addicted wife, who is shooting up on the other side of the bathroom door. A teenaged sharpshooter must devise a revenge that will make her feel whole again. Though her characters are vulnerable, confused, and sometimes angry, they are also resolute. Campbell follows them as they rebuild their lives, continue to hope and dream, and love in the face of loneliness. Fellow Michiganders, fans of short fiction, and general readers will enjoy this poignant and affecting collection of tales.

“Blackness is an art, not a science. It is a paradox: intangible and visceral; a situation and a story. It is the thread that connects these essays, but its significance as an experience emerges randomly, unpredictably. . . . Race is the story of my life, and therefore black is the body of this book.” In these twelve deeply personal, connected essays, Bernard details the experience of growing up black in the south with a family name inherited from a white man, surviving a random stabbing at a New Haven coffee shop, marrying a white man from the North and bringing him home to her family, adopting two children from Ethiopia, and living and teaching in a primarily white New England college town. Each of these essays sets out to discover a new way of talking about race and of telling the truth as the author has lived it. "Black Is the Body is one of the most beautiful, elegant memoirs I've ever read. It's about race, it's about womanhood, it's about friendship, it's about a life of the mind, and also a life of the body. But more than anything, it's about love. I can't praise Emily Bernard enough for what she has created in these pages." --Elizabeth Gilbert WINNER OF THE CHRISTOPHER ISHERWOOD PRIZE FOR AUTOBIOGRAPHICAL PROSE NAMED A BEST BOOK OF THE YEAR BY NPR AND KIRKUS REVIEWS ONE OF MAUREEN CORRIGAN'S 10 UNPUTDOWNABLE READS OF THE YEAR

Winner of the Women in Psychology Jewish Caucus Award for 2000! Jewish Mothers Tell Their Stories: Acts of Love and Courage contains touching and personal essays written by contemporary Jewish mothers from different parts of the globe. Their stories reveal the choices that Jewish mothers make in our post-Holocaust, non-Jewish worldthe many ways of being Jewish, the acts of loving, of preserving and celebrating Jewish traditions and spirituality, and of transmitting them to their children and families. The reader, Jewish or not, mother or not, will be drawn into an appreciation of the cultural, ethnic, and spiritual aspects of mothering. Jewish mothers will find a loving celebration of the many ways of being who they are. Rabbis and educators will also gain a deeper understanding of what it means to be a Jewish mother today.

I Am Her Daughter - The Healing Path to A Woman's Power by Licia Berry addresses the unhealed Mother Wound in women, in culture, and in the world. The author shares her personal healing and offers strategies for women to reclaim their birthright of love and acceptance, with an eye on healing the global Mother Wound. Are you a woman who: has difficulty trusting yourself, is often called "overly sensitive," has difficulty setting firm boundaries, doubts that you are loved and lovable, rejects the wonder of your woman's body, feels you must earn your right to voice your opinion, knows there is something wrong but can't seem to name it, avoids intimacy with other women, having few close friends, is struggling to find your place and permission to be in the world, doubts your unique brilliance and suffers from a lack of confidence, has disturbing memories of your mother but is afraid to talk about it, mistrusts and has difficulty with other women, even though you seek their approval, has or had a challenging relationship with your mother (or even no relationship at all?) "For many of us, especially women, the first wound - the Mother Wound -is the one that shapes our lives. It is a wound to every part of our being - physical, mental, emotional and spiritual - and it must be healed at all of these levels. It is a wound so profound that its healing can only be accomplished with the Divine Healer, the Divine Mother. "Many among us have earthly flesh-and-blood mothers who do a remarkable job of embodying the Divine Mother's unconditional acceptance, deep compassion, and profound understanding. Though they may not do it perfectly, these true mothers bestow enough of that Divine Mother's essence to equip their daughters with a sense that they are worthy of being loved, that they are fundamentally good, and that their lives hold value and meaning. Armed with this conviction, those who bear no Mother Wound step into life better equipped to live into their own power. "But there are others-too many others-for whom the reflection of divine mothering is clouded, broken, or downright absent. Such an absence creates a primal wound, one that we can spend our lives trying to heal. They may struggle mightily to attain the love and acceptance that is their birthright, knocking again and again at the door of a heart that will not or cannot be opened to them. "In order to heal, the unmothered daughter must recognize that no earthly relationship has the power to fill the hole that is her first and deepest wound. Only the act of reclaiming relationship with the Divine Feminine has that power. To heal our primal wound, we must turn to the Prime Source. "This book is about that healing process. It is a testimony to possibility. I Am Her Daughter is a tale of one woman's experience and every woman's journey on that healing path. It contains profound and powerful wisdom, deep reassurance, and vibrant hope. "This book is for all of us. It is part prayer, part testimony, part spiritual teaching. But most importantly, this book shows the healing path to that joyful reunion, that precious reconnection with our original Mother, the one whose perfect love for us allows us to finally and completely love ourselves. And, being loved, to live fully in our own power." -from the Foreword"

A breathtaking novel about the ties that bind mothers and daughters together and the secrets that tear them apart. Veena, Mala and Nandini are three very different women with something in common. Out of love, each bears a secret that will haunt her life—and that of her daughter—because the risk of telling the truth is too great. But secrets have consequences. Particularly for Asha, a young woman on the cusp of adulthood, who links them together. After her eighteenth birthday, Asha is devastated to learn that she was adopted as a baby. What’s more, her birth mother died of a mysterious illness, leaving Asha with only a letter. Nandini, Asha’s adoptive mother, has always feared the truth would come between them. Veena, a recent widow, worries about her daughter Mala’s future. The shock of her husband’s sudden death leaves her shaken and convinces her that the only way to keep her daughter safe is to secure her future. Mala struggles to balance her dreams and ambition with her mother’s expectations. She must bear a secret, the burden of which threatens her very life. Three mothers—each bound by love, deceit and a young woman who connects them all. Secret Lives of Mothers & Daughters is an intergenerational novel about family, duty and the choices we make in the name of love.

She befriended the one woman she was never supposed to meet. Now she's the key suspect in her disappearance. For fans of The Perfect Mother and The Wife Between Us comes a gripping psychological suspense debut about two strangers, one incredible connection, and the steep price of obsession. Lana Stone has never considered herself a stalker--until the night she impulsively follows a familiar face through the streets of New York's Upper West Side. Her target? The "anonymous" egg donor she'd selected through an agency, the one who's making motherhood possible for her. Hungry to learn more about her, Lana plans only to watch her from a distance. But when circumstances bring them face-to-face, an unexpected friendship is born. Katya, a student at Columbia, is the yin to Lana's yang, an impulsive free spirit who lives life at the edge. And for pragmatic Lana, she's a breath of fresh air and a welcome distraction from her painful breakup with her baby's father. Then, just as suddenly as Katya entered Lana's life, she disappears--and Lana might have been the last person to see her before she went missing. Determined to find out what became of the woman to whom she owes so much, Lana digs into Katya's past, even as the police grow suspicious of her motives. But she's unprepared for the secrets she unearths, and their power to change everything she thought she knew about those she loves best...