"Tender and unsparing, this is a novel to hold onto." —Crystal Hana Kim, author of If You Leave Me “A masterfully written novel, alive and lyrical, a hypnotic rendering of the mess and the tenderness of family life.” —Claire Lombardo, author of The Most Fun We Ever Had A novel about family secrets and a volatile relationship between a mother and her daughters. When Anna’s sister calls with an urgent message, Anna doesn’t return the call. She knows it’s about their mother. Growing up in an Italian American family in working-class Boston, Anna lives a simple but comfortable childhood--filled with homemade meals and front-porch gatherings in a close-knit neighborhood. She and her sisters are devoted to their mother, orbiting her like the sun, trying to keep up with her loving but mercurial nature. When their father gets a new job outside the city, the family is tossed unceremoniously into a middle-class suburban existence. Anna's mother is suddenly adrift, and the darkness lurking inside her ignites. Her daughters, isolated and trapped with her in their new house, do everything they can to keep her from unraveling. Alternating between Anna's childhood and her twenties, when she receives a shattering call about her mother that threatens to blow up her precariously constructed life in New York, Mother in the Dark asks whether we can ever return home when the idea of home is fraught with instability. This story about sisterhood, the complications of class, and the chains of inheritance between mothers and daughters delivers an unvarnished portrayal of the fragile horrors of domestic life and a young woman consumed by her past.

In the late nineteenth and early twentieth centuries, indigenous communities in the United States and Australia suffered a common experience at the hands of state authorities: the removal of their children to institutions in the name of assimilating American Indians and protecting Aboriginal people. Although officially characterized as benevolent, these government policies often inflicted great trauma on indigenous families and ultimately served the settler nations? larger goals of consolidating control over indigenous peoples and their lands. White Mother to a Dark Racetakes the study of indigenous education and acculturation in new directions in its examination of the key roles white women played in these policies of indigenous child-removal. Government officials, missionaries, and reformers justified the removal of indigenous children in particularly gendered ways by focusing on the supposed deficiencies of indigenous mothers, the alleged barbarity of indigenous men, and the lack of a patriarchal nuclear family. Often they deemed white women the most appropriate agents to carry out these child-removal policies. Inspired by the maternalist movement of the era, many white women were eager to serve as surrogate mothers to indigenous children and maneuvered to influence public policy affecting indigenous people. Although some white women developed caring relationships with indigenous children and others became critical of government policies, many became hopelessly ensnared in this insidious colonial policy.

An amnesiac writer's life of lies and false memories reaches a breaking point in this stunning English-language debut from an award-winning Croatian author. As a novelist, Matija makes things up for a living. Not yet thirty, he's written two well-received books. It's his third that is as big a failure as his private life. Unable to confine his fabrications to fiction, he's been abandoned by his girlfriend over his lies. But all Matija has is invention. Especially when it comes to his childhood and the death of his father. Whatever happened to Matija as a young boy, he can't remember. He feels frightened, angry, and responsible... Now, after years of burying and reinventing his past, Matija must confront it. Longing for connection, he might even win back the love of his life. But discovering the profound fears he has suppressed has its risks. Finally seeing the real world he emerged from could upend it all over again.

“We speak of a mother’s love, but we forget her power.” Civilization has come to the alien, sunless planet its inhabitants call Eden. Just a few generations ago, the planet’s five hundred inhabitants huddled together in the light and warmth of the Forest’s lantern trees, afraid to venture out into the cold darkness around them. Now, humanity has spread across Eden, and two kingdoms have emerged. Both are sustained by violence and dominated by men – and both claim to be the favored children of Gela, the woman who came to Eden long ago on a boat that could cross the stars, and became the mother of them all. When young Starlight Brooking meets a handsome and powerful man from across Worldpool, she believes he will offer an outlet for her ambition and energy. But she has no inkling that she will become a stand-in for Gela herself, and wear Gela’s fabled ring on her own finger—or that in this role, powerful and powerless all at once, she will try to change the course of Eden’s history.

Bringing a feminist perspective to contemporary findings of geneticists and archeologists, Lucia Chiavola Birnbaum, cultural historian, points out that the oldest veneration we know is of a dark mother of central and south Africa, whose signs-ochre red and the pubic V-were taken by african migrants after 50,000 BCE to caves and cliffs of all continents. The oldest sanctuary in the world was created in 40,000 BCE by african migrants in Har Karkom, later called Mt. Sinai, foundation place of judaism, christianity, and islam.Lucia documents the continuing memory of the dark mother and her values in prehistoric images of the dark mother, in historic black madonnas and in other dark women divinities whose sanctuaries are on african paths. She tracks the memory in rituals and stories of her sicilian grandmothers, in persecution of dark others in patriarchal Europe and the United States, in the rise of nonviolent dark others since the 1960s,in the banners of the 1995 world conference of women at Beijing, and in art. She finds the dark mother's values-justice with compassion, equality, and transformation-in everyday and celebratory rituals of the world's subaltern cultures-and suggests that the image and values are in the submerged memories of everyone.

“Vonnegut is George Orwell, Dr. Caligari and Flash Gordon compounded into one writer . . . a zany but moral mad scientist.”—Time Mother Night is a daring challenge to our moral sense. American Howard W. Campbell, Jr., a spy during World War II, is now on trial in Israel as a Nazi war criminal. But is he really guilty? In this brilliant book rife with true gallows humor, Vonnegut turns black and white into a chilling shade of gray with a verdict that will haunt us all. “A great artist.”—Cincinnati Enquirer “A shaking up in the kaleidoscope of laughter . . . Reading Vonnegut is addictive!”—Commonweal

On the alien, sunless planet they call Eden, the 532 members of the Family shelter beneath the light and warmth of the Forest’s lantern trees. Beyond the Forest lie the mountains of the Snowy Dark and a cold so bitter and a night so profound that no man has ever crossed it. The Oldest among the Family recount legends of a world where light came from the sky, where men and women made boats that could cross the stars. These ships brought us here, the Oldest say—and the Family must only wait for the travelers to return. But young John Redlantern will break the laws of Eden, shatter the Family and change history. He will abandon the old ways, venture into the Dark…and discover the truth about their world. Already remarkably acclaimed in the UK, Dark Eden is science fiction as literature; part parable, part powerful coming-of-age story, set in a truly original alien world of dark, sinister beauty--rendered in prose that is at once strikingly simple and stunningly inventive.

A New York Times Notable Book A Library Journal Best Book of 2021 A “marvelous…superbly effective” (The New Yorker) debut novel about a young woman coming of age with a dazzling yet damaged mother who lived and loved in extremes. Met by rave reviews in The New Yorker, The New York Times, and more, this stunning translation of Violaine Huisman’s “witty, immersive autofiction showcases a Parisian childhood with a charismatic, depressed parent” (Oprah Daily). Beautiful and magnetic, Catherine, a.k.a. “Maman,” smokes too much, drives too fast, laughs too hard, and loves too extravagantly, and her daughter Violaine wouldn’t have it any other way. But when Maman is hospitalized after a third divorce and a breakdown, everything changes. Even as Violaine and her sister long for their mother’s return, once she’s back Maman’s violent mood swings and flagrant disregard for personal boundaries soon turn their home into an emotional landmine. As the story of Catherine’s own traumatic childhood and adolescence unfolds, the pieces come together to form an indelible portrait of a mother as irresistible as she is impossible, as triumphant as she is transgressive. With spectacular ferocity of language, a streak of dark humor, and stunning emotional bravery, The Book of Mother is an exquisitely wrought story of a mother’s dizzying heights and devastating lows, and a daughter who must hold her memory close in order to surrender, and finally move on.

It was supposed to be a new beginning for Elaine Davis. Returning to her childhood home in North Yorkshire, she hopes to move on from a devastating past and rebuild her life with the help of her mother and children. Sometimes though, new beginnings in familiar surroundings can come with the stirrings of memories long forgotten. As Elaine’s mind begins to unravel, discoveries of deceit and betrayal reveal themselves and circumstances spiral beyond her control. Elaine must fight to hold on to her sanity; unless of course, she has already lost it? Approximately 93,000 words

A fun exploration of the darker side of the natural world reveals the fascinating, weird, often perverted ways that Mother Nature fends only for herself. It may be a wonderful world, but as Dan Riskin (cohost of Discovery Canada’s Daily Planet) explains, it’s also a dangerous, disturbing, and disgusting one. At every turn, it seems, living things are trying to eat us, poison us, use our bodies as their homes, or have us spread their eggs. In Mother Nature Is Trying to Kill You, Riskin is our guide through the natural world at its most gloriously ruthless. Using the seven deadly sins as a road map, Riskin offers dozens of jaw-dropping examples that illuminate how brutal nature can truly be. From slothful worms that hide in your body for up to thirty years to wrathful snails with poisonous harpoons that can kill you in less than five minutes to lustful ducks that have orgasms faster than you can blink, these fascinating accounts reveal the candid truth about “gentle” Mother Nature’s true colors. Riskin’s passion for the strange and his enthusiastic expertise bring Earth’s most fascinating flora and fauna into vivid focus. Through his adventures— which include sliding on his back through a thick soup of bat guano just to get face-to-face with a vampire bat, befriending a parasitic maggot that has taken root on his head, and coming to grips with having offspring of his own—Riskin makes unexpected discoveries not just about the world all around us but also about the ways this brutal world has shaped us as humans and what our responsibilities are to this terrible, wonderful planet we call home.