A full, frank and controversial account of five years fighting the EU from within the castle walls. The first ever blow-by-blow memoirs of a British MEP.Sensational new evidence wrung out of the EU reveals, claims the author, industrial-scale institutionalised looting of British taxpayers' money; indisputable evidence of endemic EU corruption and fraud; huge hidden cash piles as the EU demands more; uncontrolled migration across EU's eastern borders totally ignored. Illegal seizure of power and control from nation states; dilution of national identities by mass migration and imported criminality; secret committees endlessly planning new EU 'law'; refusals by the Serious Fraud Office and Scotland Yard to examine unequivocal evidence of illegal payments to Brussels; EU officials deliberately misleading the House of Lords; millions in soft loans to the BBC to buy editorial support; and the European Central Bank authorising a flood of new 500-euro banknotes, used mainly by drug barons for money laundering. There is also author's full story of the UK/EU's connivance to throw him out of the European Parliament. It failed, but cost the British taxpayer over million: "e;Brussels was no gravy train. This was politics with a passion. This was kill or be killed - and I almost was. I was also a known guerrilla inside the gates of the citadel. That's what truly frightened them."e;

New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.

A comprehensive look at an important member of the artistic vanguard of late 19th- and early 20th-century Europe In this beautifully illustrated book, Michel Draguet, an internationally recognized authority on fin-de-siècle art, offers an enlightening examination of the life and art of Belgian Symbolist painter Fernand Khnopff (1858-1921). Khnopff achieved widespread acclaim during his lifetime for his moody, dreamlike paintings, as well as his numerous commissioned portraits, designs for costumes and sets for the theater and opera, photography, sculpture, book illustrations, and writings. Khnopff was a reclusive personality, and in 1900 he focused his attention on the design and construction of a lavish, secluded home and studio in Brussels, a structure that became deeply entwined with the artist's work and sense of self. Although the house was demolished in 1936, Draguet uses new archival research to reconstruct its spaces and explore the home as emblematic of the artist, guiding the reader through Khnopff's very personal world and analyzing his art in the context of its generative surroundings. Distributed for Mercatorfonds

Cataclysm 1914 brings together a number of leftist scholars from a variety of fields to explore the many different aspects of the origins, trajectories and consequences of the First World War. The collection not only aims to examine the war itself, but seeks to visualise the conflict and all its immediate consequences (such as the Bolshevik Revolution and ascendency of US hegemony) as a defining moment—perhaps the defining moment—in 20th century world politics rupturing and reconstituting the ‘modern’ epoch in its many instantiations. In doing so, the collection takes up a variety of different topics of interest to both a general reader, those focused on Marxian theory and strategy, and leftist and socialist histories of the war. Contributors are: Alexander Anievas, Shelley Baranowski, Neil Davidson, Geoff Eley, Sandra Halperin, Esther Leslie, Lars T. Lih, Domenico Losurdo, Wendy Matsumura, Peter D. Thomas, Adam Tooze, Alberto Toscano, and Enzo Traverso.

In 2017, Donald Trump ascended to the highest political position in the United States amid cries that Russia had meddled in the presidential elections. Evidence that Russian operatives had hacked the email accounts of various U.S. political organizations only caused these cries to grow louder. As the relationship between the United States and Russia, along with other big players, such as China, has deteriorated, experts are stating that this constitutes a "new Cold War." In this text, political analysts, government officials, and advocates weigh in on the issue to allow readers to reach their own conclusions about these important political issues.