Val and Julian’s love for one another has grown so strong over the years that the time has come for them to take the next step. Val is sure that this time nothing will come between them, until a secret from Julian’s past comes back to haunt her and forces her heart to open up to another. Dean is saved, thoughtful, and understanding to Olivia’s need to remain celibate until she’s married. Finally Dean pops the question and Olivia feels obligated to say yes because of a terminal illness. When the wedding day comes, will she marry him or leave him at the altar? Danyelle is determined to find out why her sister is planning to marry a man she doesn’t love while finding love of her own. Share in the journey of love, lust, self-doubt, and Drama in the Church.

Practical help for church drama directors is only one of the features of this book. The text also includes: directing procedures, advice on building a drama team, actor training tips, script writing, and more, as well as a CD-ROM of staging examples.

Written by a spiritual master this is an important Lent title that examines what it means to celebrate the Eucharist, and in turn reminds us of our capacity for love, hope and faith.

"All the World's a Stage"— What Part Will You Play? You know what drama is...in your circle of friends, your workplace, your extended family, and in the unexpected circumstances of life. But has it gotten to be too much? Truth is, we've all been both actor and audience when it comes to life's dramas. But here's another truth: You don't have to let it sweep you away. Discover a biblical script for a more peaceful life as you learn how to... dial down the drama in your own life respond appropriately to situations that would otherwise escalate incorporate "scene changes" to eliminate inevitable drama view high-maintenance individuals through the eyes of Christ become an anchor in the storms that swirl around you The world may be a stage—but you can find freedom from the drama.

Drama ensues when the chaos of the world enters the doors of First Nazareth A.M.E. Church. Tressie faithfully prays every night that God will send her a thug. It isn’t long before her prayers are answered and she meets a handsome ex-convict named Payce Boyd. He is a fine roughneck, everything Tressie imagined and more—that is, until Tressie experiences firsthand the reality of being a thug’s girl. Seeking solace and comfort in the sanctuary, Tressie soon learns valuable lessons and shocking truths about herself and others. Val and Julian’s love for one another has grown so strong over the years that the time has come for them to take the next step. Val is sure that this time nothing will come between them, until a secret from Julian’s past comes back to haunt her and forces her heart to open up to another. Dean is saved, thoughtful, and understanding to Olivia’s need to remain celibate until she’s married. Finally Dean pops the question and Olivia wonders why the sudden rush to get married. When the wedding day comes, will the marriage be consummated? Danyelle has plans that don’t include a man, until one enters her life and shows her what it means to be in love. Share in the journey of love, lust, self-doubt, and Drama in the Church.

Originally published in 1965. The European dramatic tradition rests on a group of religious dramas that appeared between the tenth and twelfth centuries. These dramas, of interest in themselves, are also important for the light they shed on three historical and critical problems: the relation of drama to ritual, the nature of dramatic form, and the development of representational techniques. Hardison's approach is based on the history of the Christian liturgy, on critical theories concerning the kinship of ritual and drama, and on close analysis of the chronology and content of the texts themselves. Beginning with liturgical commentaries of the ninth century, Hardison shows that writers of the period consciously interpreted the Mass and cycle of the church year in dramatic terms. By reconstructing the services themselves, he shows that they had an emphatic dramatic structure that reached its climax with the celebration of the Resurrection. Turning to the history of the Latin Resurrection play, Hardison suggests that the famous Quem quaeritis—the earliest of all medieval dramas—is best understood in relation to the baptismal rites of the Easter Vigil service. He sets forth a theory of the original form and function of the play based on the content of the earliest manuscripts as well as on vestigial ceremonial elements that survive in the later ones. Three texts from the eleventh and twelfth centuries are analyzed with emphasis on the change from ritual to representational modes. Hardison discusses why the form inherited from ritual remained unchanged, while the technique became increasingly representational. In studying the earliest vernacular dramas, Hardison examines the use of nonritual materials as sources of dramatic form, the influence of representational concepts of space and time on staging, and the development of nonceremonial techniques for composition of dialogue. The sudden appearance of these elements in vernacular drama suggests the existence of a hitherto unsuspected vernacular tradition considerably older than the earliest surviving vernacular plays.

This bestselling textbook surveys the grand narrative of the Bible, demonstrating how the biblical story forms the foundation of a Christian worldview. The second edition has been thoroughly revised. Additional material is available online through Baker Academic's Textbook eSources, offering course help for professors and study aids for students. Resources include discussion questions, a Bible reading schedule, an adult Bible class schedule, and a course syllabus.

Drama Ministry: A Guidebook is a one-stop manual for starting, directing, and managing a drama ministry. Lay leaders who have no formal drama training will glean from the authors 25+ years of drama training and experience. Even those leaders who are experienced in drama will benefit from the practical insights in managing and leading a team, including how to organize a practice and how to ensure team members regularly attend rehearsals and memorize their lines. In addition to drama technique, you will also gain valuable leadership tools for managing your ministry. Ten original sketches are also included to get you started.

This introductory textbook establishes theatrical improvisation as a model for Christian ethics, helping Christians embody their faith in the practices of discipleship. Clearly, accessibly, and creatively written, it has been well received as a text for courses in Christian ethics. The repackaged edition has updated language and recent relevant resources, and it includes a new afterword by Wesley Vander Lugt and Benjamin D. Wayman that explores the reception and ongoing significance of the text.

Special Offer! Order now to take advantage of the special price.Do you want drama without the, well, drama? Need something awesome for all-age worship, sketches for schools or just want to bring a well-known Bible story alive with the smack-between-the-eyes relevance it got from Jesus?Fresh scripts launch God's timeless word like a rocket. "Parables as Jesus would have told them - witty, punchy and thought-provoking." Christmas and Easter? Sorted. Some quiet and meditative, some a-pun-a-minute - there's a script for every occasion. Meet Elijah's ravens on holiday. Meet texting angels. Meet the Big Bad Cat. Then slow down and relive Good Friday through the eyes of one who was there - Jesus, remember me. Using puppets to express our doubts and confusions is a great way to address the unasked questions. A grandma confessed after one puppet show that she had never understood that Bible story, until now - Click!Drama isn't just for kids. We take a sideways look at our grown-up busyness with the gameshow 'Real Christian', and perhaps in the laughter we can find a truth. Limited resources? No problem. Based on many years' experience with drama and puppetry for schools, churches and community groups, these scripts are immensely practical to suit your room, rehearsals and recruits. Each script has suggestions for characters and props, and the hands-on hints for staging make drama a 'can-do' option, so you can concentrate on the message.To complete the package, the final chapters outline methods for working with puppets and give pointers for using drama outdoors. There are lots of ideas for constructing your own puppet theatre, with designs from small, roll-away up versions to folding, semi-permanent ones.This is the first in the 'A Bucketful of Ideas' series. It is based on the international blog of church resources, The Reflectionary, written by Fay Rowland - lecturer, writer and, as it so happens, puppeteer.Ever wondered what you need to be a *Real* Christian?Click the 'Buy' button, and find out ...Reviewers say: "A Bucketful of Ideas - ideas to educate, entertain and evangelise.""The whole book covers a good range of topics, themes, and styles; together a great variety.""The scripts are funny, punny, expository and engaging.""Creativity in this book in not just in the directions and dialogues it's in the accessible pragmatism as well." "Time-Travel TV is my favourite script ... I always enjoying routine time travel and 'wiggling'!""The introductions to each script are the keys to their convenience, it was good to know which props to expect, which items were optional and some scripts even gave clear permission to improvise and paraphrase.""Very thankful for the puppet theatres section at the back." "30 Pieces of Chocolate is a fine pun-run."Remember to click 'Buy'!