More American Photographs
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Author |
: CCA Wattis Institute for Contemporary Arts |
Publisher |
: California College of the Arts |
Total Pages |
: 0 |
Release |
: 2011 |
ISBN-10 |
: 0980205581 |
ISBN-13 |
: 9780980205589 |
Rating |
: 4/5 (81 Downloads) |
Synopsis More American Photographs by : CCA Wattis Institute for Contemporary Arts
"12 contemporary photographers were commissioned to travel the United States and document its land and people. Selections from the bodies of work they created were presented at the Wattis Institute alongside a number of photographs from the Farm Security Administration, whose photographers had, some 80 years earlier, received similar instructions to travel the country and document the America they saw"--P. 11.
Author |
: Therese Thau Heyman |
Publisher |
: |
Total Pages |
: 192 |
Release |
: 1994 |
ISBN-10 |
: 0918471303 |
ISBN-13 |
: 9780918471307 |
Rating |
: 4/5 (03 Downloads) |
Synopsis Dorothea Lange by : Therese Thau Heyman
Chronicles Lange's career with over 150 photographs, from her early work documenting the Depression to her photo-essays of the 1940s and 1950s depicting a changing American society--Cover.
Author |
: Alan Trachtenberg |
Publisher |
: Macmillan |
Total Pages |
: 356 |
Release |
: 1990-11 |
ISBN-10 |
: 0374522499 |
ISBN-13 |
: 9780374522490 |
Rating |
: 4/5 (99 Downloads) |
Synopsis Reading American Photographs by : Alan Trachtenberg
Considers five documentary sequences or narratives: the antebellum portraits of Mathew Brady and others; the Civil War albums of Alexander Gardner, George Barnard and A.J. Russell; the Western survey and landscape photographs of Timothy O'Sullivan, A.J. Russell, and Carleton Watkins; and social photographs and texts by Alfred Stieglitz and Lewis Hine; as well as documentaries inspired by the Depression, esp. Walker Evans's American Photographs.
Author |
: Walker Evans |
Publisher |
: |
Total Pages |
: 208 |
Release |
: 2006-09-01 |
ISBN-10 |
: 0870702688 |
ISBN-13 |
: 9780870702686 |
Rating |
: 4/5 (88 Downloads) |
Synopsis Walker Evans by : Walker Evans
The use of the visual arts to show us our own moral and economic situation has today fallen almost completely into the hands of the photographer. It is for him to fix and to reveal the whole aspect of our society: to record for use in the future our disasters and our claims to divinity. Walker Evans, photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers. His photographs are the records of contemporary civilization in eastern American.~In the reproductions presented here, two large divisions have been made. The photographs are arranged to be seen in their given sequence. In the first part, which might be labeled "People by Photography," we have an aspect of America for which it would be difficult to claim too much. The physiognomy of a nation is laid on your table. In the second part are pictures which refer to the continuous fact of an indigenous American expression, whatever its source, whatever form it has taken, whether in sculpture, paint, or architecture: that native accent we find again in Kentucky mountain and cowboy ballads and in contemporary swing-music. --from the jacket of the 1938 edition~More than any other artist, Walker Evans invented the image of essential America that we have long since accepted as fact. His work, presented in stark and prototypical form in American Photographs, has made its impact not only on photography but also on modern literature, film, and the traditional visual arts. First published in 1938 by The Museum of Modern Art, American Photographs has often been out of print. This edition uses duotone plates made for the 1988 edition from original prints, and makes Evans' landmark book available again. The design and typography have been recreated as precisely as possible.
Author |
: James Guimond |
Publisher |
: UNC Press Books |
Total Pages |
: 368 |
Release |
: 1991 |
ISBN-10 |
: 0807843083 |
ISBN-13 |
: 9780807843086 |
Rating |
: 4/5 (83 Downloads) |
Synopsis American Photography and the American Dream by : James Guimond
Looks at how documentary photographers have contested the idea of the American dream, and discusses the work of Francis Benjamin Johnston, Lewis Hine, Walker Evans, Dorothea Lange, William Klein, Diane Arbus, and Robert Frank
Author |
: James Danziger |
Publisher |
: Assouline |
Total Pages |
: 0 |
Release |
: 2005 |
ISBN-10 |
: 2843236991 |
ISBN-13 |
: 9782843236990 |
Rating |
: 4/5 (91 Downloads) |
Synopsis American Photographs by : James Danziger
Author |
: Walter Dean Myers |
Publisher |
: |
Total Pages |
: 0 |
Release |
: 1999-10 |
ISBN-10 |
: 0756907241 |
ISBN-13 |
: 9780756907242 |
Rating |
: 4/5 (41 Downloads) |
Synopsis One More River to Cross: An African American Photograph Album by : Walter Dean Myers
This intimate collection of photographs documents the African-American experience and celebrates the courageous achievements of men and women whose defiant rejection of inequality and subjugation put their own lives at risk.
Author |
: Museum of Modern Art (New York, N.Y.) |
Publisher |
: Bulfinch Press |
Total Pages |
: 216 |
Release |
: 1973 |
ISBN-10 |
: 0821226231 |
ISBN-13 |
: 9780821226230 |
Rating |
: 4/5 (31 Downloads) |
Synopsis Looking at Photographs by : Museum of Modern Art (New York, N.Y.)
Features new duotone reproductions of one hundred landmark photographs from the collection of The Museum of Modern Art that chronicle the historical evolution of the photographic arts in works by Adams, Weston, Stieglitz, Steichen, and other notable photographers. Reprint. 10,000 first printing.
Author |
: Sharon Corwin |
Publisher |
: Univ of California Press |
Total Pages |
: 212 |
Release |
: 2010 |
ISBN-10 |
: 9780520265622 |
ISBN-13 |
: 0520265629 |
Rating |
: 4/5 (22 Downloads) |
Synopsis American Modern by : Sharon Corwin
This volume, a companion to the exhibition of the same name, explores the reinvention of documentary photography in the 1930s, focusing on the work of three iconic figures: Berenice Abbott, Walker Evans, and Margaret Bourke-White.
Author |
: Joel Snyder |
Publisher |
: Smart Museum of Art, the University of C |
Total Pages |
: 122 |
Release |
: 2006 |
ISBN-10 |
: UOM:39015063353240 |
ISBN-13 |
: |
Rating |
: 4/5 (40 Downloads) |
Synopsis One/many by : Joel Snyder
Some of the most celebrated images of nineteenth-century American photography emerged from government-sponsored geological surveys whose purpose was to study and document western territories. Timothy H. O'Sullivan and William Bell, two survey photographers who joined expeditions in the 1860s and 1870s, opened the eyes of nineteenth-century Americans to the western frontier. Highlighting a recent Smart Museum of Art acquisition, One/Many brings together an exquisite group of photographs by Bell and O'Sullivan. Particularly noteworthy are their photographic panoramas, assemblages of individual images joined together to form a continuous, horizontal landscape view. These panoramas have not been exhibited in well over a century and have never before been published. For the first time, One/Many investigates their role and purpose both within and outside of the surveys, taking into account the larger context of nineteenth-century modes of viewing. The volume also allows the little-known Bell's work to be better understood next to that of his more famous colleague.