From his debut as a novelist, Mordecai Richler challenged, provoked, enraged, entertained, and surprised readers. Criticizing him for his portrayals of Canada and accusing him of being anti-Jewish, many found his mix of progressive sympathies and illiberal satire confounding but hard to ignore. His novels were too engaging: their subjects crackled with contemporary relevance, and their humour was irresistible. Mordecai Richler’s Imperfect Search for Moral Values is an investigation into Richler’s novels and the conflicting reactions they provoked. Taking into consideration the most prevalent and voluble responses to his novels, Shana Mauer examines the texts themselves and assesses how they stand up to these reactions. She asks whether the backlash was justified, and whether these novels savaged Canada, maligned the Jewish community, disparaged women, mocked gays, and generally despaired of modern life and contemporary culture. As the first study of Richler’s entire corpus, this book considers these issues in the context of a long career – one as consistent as it was varied – in which an ideological discourse often, but not always, evolved. Turning away from impressions, assumptions, and generalizations, many informed by Richler’s non-fiction and on-record comments, Mauer focuses instead on the substance of the novels themselves, finding there a restless search for lasting moral value. Mordecai Richler’s Imperfect Search for Moral Values explores the construction of literary texts that have made Richler one of the most intriguing and successful modern writers, as well as an essential voice in Canadian and Jewish literature in the second half of the twentieth century.

Bobby Clark is just sixteen when he drops out of school to follow his big brother, Jim, into the jewelry business. Bobby idolizes Jim and is in awe of Jim's girlfriend, Lisa, the best saleswoman at the Fort Worth Deluxe Diamond Exchange. What follows is the story of a young man's education in two of the oldest human passions, love and money. Through a dark, sharp lens, Clancy Martin captures the luxury business in all its exquisite vulgarity and outrageous fraud, finding in the diamond-and-watch trade a metaphor for the American soul at work.

A haunting and powerful collection of stories from one of America's finest writers.

Discusses the subjects antisemitism and the Holocaust in Richler's works. The tension between Jew and Gentile is a constant theme, giving the perspectives of both sides. States Richler's belief that antisemitism is used today by Jews and Gentiles as an instrument for political power. Describes Richler's own experiences of antisemitism, the profound effect of the Holocaust on his consciousness, and the place of Israel in the post-Holocaust world. Points out his parody of antisemitism through role reversal, where the Jew becomes the aggressor. Compares Richler's work to that of other contemporary Canadian Jewish writers.

Sexual anti-Semitism and pornotopia: Theodore Dreiser, Ludwig Lewisohn, and the Harrad experiment -- The prestige of dirty words and pictures: Horace Liveright, Henry Roth, and the graphic novel -- Otherfuckers and motherfuckers: reproduction and allegory in Philip Roth and Adele Wiseman -- Seductive modesty: censorship vs. Yiddish and Orthodox tsnies -- Conclusion: Dirty Jews and the Christian right: Larry David and FCC v. Fox.

A New York Times Notable Book, and a “chaotic, laugh riot” (San Francisco Chronicle) of a memoir. Shalom Auslander was raised with a terrified respect for God. Even as he grew up and was estranged from his community, his religion and its traditions, he could not find the path to a life where he didn’t struggle daily with the fear of God’s formidable wrath. Foreskin’s Lament reveals Auslander’s “painfully, cripplingly, incurably, miserably religious” youth in a strict, socially isolated Orthodox Jewish community, and recounts his rebellion and efforts to make a new life apart from it. His combination of unrelenting humor and anger renders a rich and fascinating portrait of a man grappling with his faith and family.

The book is intended to provide a definitive view of the field of humor research for both beginning and established scholars in a variety of fields who are developing an interest in humor and need to familiarize themselves with the available body of knowledge. Each chapter of the book is devoted to an important aspect of humor research or to a disciplinary approach to the field, and each is written by the leading expert or emerging scholar in that area. There are two primary motivations for the book. The positive one is to collect and summarize the impressive body of knowledge accumulated in humor research in and around Humor: The International Journal of Humor Research. The negative motivation is to prevent the embarrassment to and from the "first-timers," often established experts in their own field, who venture into humor research without any notion that there already exists a body of knowledge they need to acquire before publishing anything on the subject-unless they are in the business of reinventing the wheel and have serious doubts about its being round! The organization of the book reflects the main groups of scholars participating in the increasingly popular and high-powered humor research movement throughout the world, an 800 to 1,000-strong contingent, and growing. The chapters are organized along the same lines: History, Research Issues, Main Directions, Current Situation, Possible Future, Bibliography-and use the authors' definitive credentials not to promote an individual view, but rather to give the reader a good comprehensive and condensed view of the area.

Jews and humor is, for most people, a natural and felicitous collocation. In spite of, or perhaps because of, a history of crises and living on the edge, Jews have often created or resorted to humor. But what is humor? And what makes certain types, instances, or performances of humor "Jewish"? These are among the myriad queries addressed by the fourteen authors whose essays are collected in this volume. And, thankfully, their observations, always apt and often witty, are expressed with a lightness of style and a depth of analysis that are appropriate to the many topics they cover. The scholars who contributed to this collection allow readers both to discern the common features that make up "Jewish humor" and to delight in the individualism and eccentricities of the many figures whose lives and accomplishments are narrated here. Because these essays are written in a clear, jargon-free style, they will appeal to everyone—even those who don't usually crack a smile!