Zoey Mathers was a witch. Not on purpose. It had happened accidently. But as Zoey was finding out, maybe this had been her fate all along. Luckily the potential witch hunter, Slade, had turned out to be on her side and had found a place in her heart. With the War of the Witches heating up, it’s not just Zoey’s life on the line, but all the witches fighting for good. But fate wasn’t done with Zoey yet. There was a reason she’d become a witch when others wouldn’t have. And that answer was going to change her life even more. Now Zoey was falling in love, fighting for good, and defending the sweet small town of Moonshine Hollow. All while the humans were completely unaware of a war around them. But that was nothing compared to the fight to end the war—the one the prophecy said was up to her. Only one witch was going to survive and she just hoped fate knew what she was doing because Zoey’s life was in the balance.

Ira Jackson Seay talks about growing up during the Great Depression, making moonshine, military days in WWII, racing, playing poker, and finally--getting modernized. This is the author's story of surviving poverty and hardships, being chased by revenuers, close calls, sharing his past and lessons learned with a new generation. One of the few old-timers left to tell his experiences during the moonshine-making days.

This historical novel is the result of many years of study into family history and American history of the period that is often called the Great Depression, but should also be called the Great Prohibition. Both of these national calamities collaborated to shape the lives depicted in the present work of historical fiction. It is inspired by the struggle of a real life family in northern Minnesota. It describes what they went through to survive in a country racked by poverty and moralistic values. "Moonshine, Murder and Mayhem's" climactic moment is described as follows: "As Katie stood up to face her jealous lover, she knew she had never seen him in such a state of rage and she began to wonder whether she could control the situation. "I told you many times, that if I caught you with another man, I would kill you!" Big Al said spitting out the words one at a time and emphasizing that final expression, kill you." The thirteen years that Prohibition held the country hostage to its morality has been called, a period of Mayhem. History has judged the country harshly over this curtailing of human rights. But while it was illegal to sell alcohol openly, moonshiners thrived and prospered. The story of the Shea family is a saga interwoven with the struggles over "White Lightning" and the ominous and pervasive poverty of the Depression. It takes place in northern Minnesota and finds its terrible peak on a cold March night in the year 1930. Katie Shea Gendreau, full of life at 33 years old, looses the struggle with Poverty and Prohibition. This is her story.

Accounts of bizarre, grisly and breath-taking incidents which have occurred in Georgia over the past 200 years. All of the accounts are true and factual. Information collected by reliable researchers from historic newspaper articles, court records, legal documents, personal interviews and first-person accounts. Includes over 400 amazing period photographs. Includes full-name and subject indexes for reference purposes.

Citizens of Two Moon, Texas have seen it all. A town in the Old West, rich in both scientific discovery and natural (somewhat mysterious) resources, they are unfazed when a masked hero appears, brandishing wild steampunk inventions and dispensing vigilante justice to lawbreakers. Who is this dark figure? No one knows, as there is only a fiery star brand left behind.

Murder, Mayhem and Whitecapping is set in northwest Georgia 1894. It is the story of two men who were attacked by a group of whitecappers, men sworn by a blood oath to protect moonshiners, remove immoral people from their communities, but most of all to protect their own. The area of northwest Georgia had a membership of 800-1000 men. Henry Worley, a whitecapper himself, turns on his brotherhood, and manages to survive the hangman's noose but a week later is shot and killed by men he once called friends. A few months later, William Roper, who has been turning in moonshiners for a profit, finds himself a target as well. He is attacked in the middle of the night by whitecappers, who shoot him and leave him for dead in an abandoned copper pit. After six days, he is rescued from the pit and eventually testifies in federal court against his attackers. The federal government would eventually charge 30+ men, many of them prominent individuals in the county, with conspiracy. These two trials, as well as subsequent pleas, would eventually lead to the demise of the whitecappers in northwest Georgia. The trials would be covered extensively by The Atlanta Constitution. It along with federal court transcripts, essays on moonshining and whitecapping, and other historical references, serve as sources for this historical, nonfiction book.

Uncle Dave Macon, made the county of Cannon quite famous when he sang about those Cannon County Hills from the Grand Ole Opry stage. Later on, it was Porter Wagoner who recorded the King of the Cannon County Hills song and even Grandpa Jones sang about being the King of the Cannon County Hills on the Hee Haw show in 1969. Maybe the tale of Al Capone supplying his speakeasies with Cooper Melton's moonshine from Short Mountain gained the county it's notoriety or it could be the county's nickname of Shotgun County. No matter which claim you are taken by, you'll find murder, moonshine and other general mayhem aplenty. Read through newspaper articles and old court documents that take you through a timeline of the stories of convicted murderers John Hollandsworth, Dillard Warren, Albert Jetton; the first county lynching of Tom Lillard, the death of moonshiner Cooper Melton or the robbing of the Bank of Auburn...all three attempts. Scan through old sworn testimonies where neighbors swear to the illegal activities of each other involving Lewdness, Carrying a Pistol, Selling Liquor and Disturbing Public Worship to Running a House of Ill Fame or read about the Cannon County son who became Sheriff and then on to U. S. Deputy Marshal and was called 'one of the most successful officers in the country.' These were the times when words like desperado and assassin were frequently used and it all happened in those Cannon County Hills. A few of the more notable stories and various court documents are compiled here in Murder, Moonshine and General Mayhem in Shotgun County.

Nothing but clear, 100-proof American history. Hooch. White lightning. White whiskey. Mountain dew. Moonshine goes by many names. So what is it, really? Technically speaking, “moonshine” refers to untaxed liquor made in an unlicensed still. In the United States, it’s typically corn that’s used to make the clear, unaged beverage, and it’s the mountain people of the American South who are most closely associated with the image of making and selling backwoods booze at night—by the light of the moon—to avoid detection by law enforcement. In Moonshine: A Cultural History of America’s Infamous Liquor, writer Jaime Joyce explores America’s centuries-old relationship with moonshine through fact, folklore, and fiction. From the country’s early adoption of Scottish and Irish home distilling techniques and traditions to the Whiskey Rebellion of the late 1700s to a comparison of the moonshine industry pre- and post-Prohibition, plus a look at modern-day craft distilling, Joyce examines the historical context that gave rise to moonshining in America and explores its continued appeal. But even more fascinating is Joyce’s entertaining and eye-opening analysis of moonshine’s widespread effect on U.S. pop culture: she illuminates the fact that moonshine runners were NASCAR’s first marquee drivers; explores the status of white whiskey as the unspoken star of countless Hollywood film and television productions, including The Dukes of Hazzard, Thunder Road, and Gator; and the numerous songs inspired by making ’shine from such folk and country artists as Joan Baez, Bob Dylan, Alan Jackson, and Dolly Parton. So while we can’t condone making your own illegal liquor, reading Moonshine will give you a new perspective on the profound implications that underground moonshine-making has had on life in America.