Explores the social significance of representation of the human body in Preclassic Mesoamerica.

In a profusely illustrated work, art historian Robert J. Mullen provides an overview of Mexican colonial architecture and its attendant sculpture. Writing both for students and general readers, he places the architecture in its social and economic context, showing buildings in the larger cities closer to European designs, while those in pueblos often included prehispanic indigenous elements. 172 photos. 20 line drawings. 5 maps.

This reference is devoted to the pre-Columbian archaeology of the Mesoamerican culture area, one of the six cradles of early civilization. It features in-depth articles on the major cultural areas of ancient Mexico and Central America; coverage of important sites, including the world-renowned discoveries as well as many lesser-known locations; articles on day-to-day life of ancient peoples in these regions; and several bandw regional and site maps and photographs. Entries are arranged alphabetically and cover introductory archaeological facts (flora, fauna, human growth and development, nonorganic resources), chronologies of various periods (Paleoindian, Archaic, Formative, Classic and Postclassic, and Colonial), cultural features, Maya, regional summaries, research methods and resources, ethnohistorical methods and sources, and scholars and research history. Edited by archaeologists Evans and Webster, both of whom are associated with Pennsylvania State University. c. Book News Inc.

This authoritative volume has been revised throughout and expanded, with stunning new images and accounts of the major discoveries of recent years. Recent findings have been added to expand our understanding of the Olmecs outside of their heartland, and new research on the legacy of the Maya offers a wider and more cohesive narrative of Mexicos history. New co-author Javier Urcid has added greater coverage of Oaxaca and of Monté Alban, one of the earliest cities in Mesoamerica and the center of the Zapotec civilization, and a fully revised Epilogue discusses the survival of indigenous populations in Mexico from the Conquest up to the present. This longstanding classic now features full-colour photos of the vibrant art and architecture of ancient Mesoamerica throughout.

Townsend offers an interpretation of Mexica monumental art by identifying three interrelated themes: the conception of the universe as sacred structure, the correspondence of the social order and the territory of the nation with the cosmic structure, and the representation of Tenochtitlan as historically legitimate successor to past civilization.