Images of monstrosities pervade art and culture in the Middle Ages, and for medieval people they must have been a tantalizing suggestion of unknown worlds and unthinkable dangers.

From satyrs and sea creatures to griffins and dragons, monsters lay at the heart of the medieval world. Believed to dwell in exotic, remote areas, these inexplicable parts of God's creation aroused fear, curiosity, and wonder in equal measure. Powerfully captured in the illustrations of manuscripts, such as bestiaries, travel books, and devotional works, they continue to delight audiences today with their vitality and humor. Medieval Monsters shows how strange creatures sparked artists' imaginations to remarkable heights. Half-human hybrids of land and sea mingle with bewitching demons, blemmyae, cyclops, and multi-headed beasts of nightmare and comic grotesques. Over 100 wondrous and terrifying images offer a fascinating insight into the medieval mind.

Gargoyles are an architectural feature designed to throw rainwater clear of the walls of a building. Widely used on medieval churches, these water spouts were often richly decorated, and fashioned as serpents' heads and other fanciful shapes. Today, the term gargoyle is also popularly applied to any carved decorative head or creature high up on a building and this book is an exploration of all of these enchanting features. Written by an academic and stonecarver, it is the perfect introduction to this fascinating subject. Gargoyles aims to provide a concise introduction to the stone carvings often found on religious and secular buildings in Britain from the medieval period to the modern. It will explore the typical imagery, some of the theories put forward to explain them, as well as consider the carvings within their architectural and social contexts. Incorporating recent and current research, the book will nevertheless be accessible to the general reader.

Holy Monsters, Sacred Grotesques examines the intersection of religion and monstrosity in a variety of different time periods in the hopes of addressing two gaps in scholarship within the field of monster studies. The first part of the volume—running from the medieval to the Early Modern period—focuses upon the view of the monster through non-majority voices and accounts from those who were themselves branded as monsters. Overlapping partially with the Early Modern and proceeding to the present day, the contributions of the second part of the volume attempt to problematize the dichotomy of secular/religious through a close look at the monsters this period has wrought.

Dragons, winged dogs, demons, lions, griffins, a bull, unicorn, eagle, various other grotesques from The Book of Kells, medieval architecture, other sources. Detailed black-and-white illustrations of 45 mythical animals. Captions.

This is the first study of monstrosity in Jewish history from the Middle Ages to modernity. Drawing on Jewish history, literary studies, folklore, art history and the history of science, it examines both the historical depiction of Jews as monsters and the creative use of monstrous beings in Jewish culture. Jews have occupied a liminal position within European society and culture, being deeply immersed yet outsiders to it. For this reason, they were perceived in terms of otherness and were often represented as monstrous beings. However, at the same time, European Jews invoked, with tantalizing ubiquity, images of magical, terrifying and hybrid beings in their texts, art and folktales. These images were used by Jewish authors and artists to push back against their own identification as monstrous or diabolical and to tackle concerns about religious persecution, assimilation and acculturation, gender and sexuality, science and technology and the rise of antisemitism. Bringing together an impressive cast of contributors from around the world, this fascinating volume is an invaluable resource for academics, postgraduates and advanced undergraduates interested in Jewish studies, as well as the history of monsters.

Attractive marginal illustrations in this celebrated psalter show scenes of life in medieval England: the annual cycle of growing crops, domestic animals, sports, pastimes, entertainers and musicians.

"Featuring incredible creatures and grotesque gargoyles, "The Medieval Menagerie" takes us from the improbable to the impossible as it traces the depiction and the meaning of real and imaginary animals in medieval art. From unicorns and dragons to elephants, lions, and monkeys, medieval society was fascinated with animals, whether they actually existed or not. The more fantastic the creature, the greater its hold seems to have been on the fertile imaginations of the Middle Ages. Both art and literature abound with vividly concocted examples of Gothic monsters (gargoyles and griffins), bizarre ideas about real if exotic beasts (lions were believed to be born dead and resurrected by the father lion three days later), and strange visions of composite creatures (such as a widely accepted animal believed to be a cross between an ant and a lion). Featuring the celebrated collections of the Metropolitan Museum of Art in New York, "The Medieval Menagerie" is illustrated with the splendid and amusing beasts found in medieval painting, sculpture, architecture and decorative arts, as wello as in bestiaries and manuscripts. The text explores the depiction and the meaning of real and imaginary animals in medieval art. Elegant, lively and intelligent, "The Medieval Managerie" captures some of the wildest creatures ever to grace a Gothic cathedral."--Amazon.ca product desc.