Money Money Money Water Water Water is a poignant lyrical inquiry into crucial environmental questions of our time.

This book reveals all that can potentially happen when a private company takes over a local water supply system, both the good and the bad. Backed by real life stories of water privatization in action, author Manuel Schiffler presents a nuanced picture free of spin or fear mongering. Inside, readers will find a detailed analysis of the multiple forms of water privatization, from the outright sale of companies to various forms of public-private partnerships. After covering their respective strengths and weaknesses, it then compares them to purely publicly managed water utilities. The book examines the privatization and the public management of water and sewer utilities in twelve countries: the United States, the United Kingdom, France, Germany, the Philippines, Cambodia, Egypt, Jordan, Uganda, Bolivia, Argentina and Cuba. Readers will come to understand how and why some utilities failed while others succeeded, including some that substantially increased access, became more efficient and improved service quality even in the poorest countries of the world. It is natural that a private company taking over a local water supply system causes both fear and worry for consumers. With the aid of solid empirical evidence, this book argues that who manages the system is only half the story. Rather, it is the corporate culture of the utilities and the political culture of where they operate that more often than not determines performance and how well a community is served.

Mead’s fifth collection candidly and openly explores the long process that is death. These resonant poems discover what it means to live, die, and come home again. We’re drawn in by sorrow and grief, but also the joys of celebrating a long life and how simple it is to find laughter and light in the quietest and darkest of moments.

Jason Chin's stunning paintings bring to life a playful, imaginative book about the many forms water takes.

In this critical study of Theodore Roethke's poetry, Peter Balakian treats the evolution of the poet's work from his first book, Open House (1941), to his last, The Far Field (1964). Balakian argues that Roethke was among the most innovative poets of his time and that The Lost Son and Other Poems (1948) brought America to a new frontier in the contemporary era. Balakian maintains that Roethke combined and furthered major traditions in English and American poetry -- the formal poetics and meditative sensibility of British metaphysical and Romantic poetry, the American visionary tradition, and the innovations of modernism.The early chapters of the book explore Roethke's intellectual, religious, nd psychological development and his development as a poet. Balakian discusses the influence of William Carlos Williams on Roethke's work and claims that the relationship between the two poets provided Roethke with a sense of the American grain. Later chapters treat the shift from self-absorption to union with otherness that marks Roethke's love poems, exploring the poet's development of mysticism and a poetic persona and examining the influences of Eliot and Whitman on his work. Balakian also discusses the metaphysical language necessary for Roethke's late poems and follows Roethke's spiritual progress as he prophetically faces his final work.In presenting the evolution of Roethke's career, Balakian offers fresh and original readings of the poetry. He avoids any monolithic approach to the body of Roethke's work, employing instead various approaches to Roethke's stages of poetic evolution. Balakian makes use of the psychology of C.G. Jung and Erich Neumann, the writings of the mystics, the aesthetics of William Carlos Williams, and the myth of the American frontier. With a literary historian's concern for Roethke's place in history and a critic's eye for the sources and structures of poetry, Balakian studies the resonances of language and the inner life of this poet's craft. Theodore Roethke's Far Fields places Roethke firmly in literary and intellectual history and asserts his place as a major poet.

From the founders of nonprofits Water.org & WaterEquity Gary White and Matt Damon, the incredible true story of two unlikely allies on a mission to end the global water crisis for good On any given morning, you might wake up and shower with water, make your coffee with water, flush your toilet with water—and think nothing of it. But around the world, more than three-quarters of a billion people can’t do any of that—because they have no clean water source near their homes. And 1.7 billion don’t have access to a toilet. This crisis affects a third of the people on the planet. It keeps kids out of school and women out of work. It traps people in extreme poverty. It spreads disease. It’s also solvable. That conviction is what brought together movie actor Matt Damon and water expert and engineer Gary White. They spent years getting the answer wrong, then halfway right, then almost right. Over time, they and their organization, Water.org, have found an approach that works. Working with partners across East Africa, Latin America, South Asia, and Southeast Asia, they’ve helped over 40 million people access water and/or sanitation. In The Worth of Water, Gary and Matt take us along on the journey—telling stories as they uncover insights, try out new ideas, and travel between the communities they serve and the halls of power where decisions get made. With humor and humility, they illuminate the challenges of launching a brand-new model with extremely high stakes: better health and greater prosperity for people allover the world. The Worth of Water invites us to become a part of this effort—to match hope with resources, to empower families and communities, and to end the global water crisis for good. All the authors’ proceeds from the sale of this book will be donated to Water.org.

“What an achievement, these sixty years of poetry! In whatever terms we Americans regard the rest of our recent history, the score of things done well and done ill, this much at least we have done superlatively.”—Hayden Carruth This famous anthology includes the works of more than 130 major American poets of the modern period—Robert Frost, Paul Goodman, Carl Sandburg, T.S. Eliot, Ezra Pound, Allen Ginsberg, and Gwendolyn Brooks among them—along with short biographies of each. “Not only the best on its period, I think, but is even perhaps safe from the competition of rivals.”—Robert Lowell

This paperback edition contains the complete text of Roethke's seven published volumes in addition to sixteen previously uncollected poems. Included are his Pulitzer Prize and National Book Award winners The Walking, Words for the Wind, and The Far Field. These two hundred poems demonstrate the variety of Roethke's themes and styles, the comic and serious sides of his temperament, and his breakthroughs in the use of language. Together they document the development of an extraordinary creative source of American poetry.

In his first book of non-fiction, originally published in 1962, Herbert Gold explores some not-so-happy problems confronting people in an age of "mass destruction, mass inertia, mass everything." While acknowledging that we live in a time of utmost global significance-war on an enormous scale was a reality of the twentieth century and continues to threaten, unadulterated evil has exhibited itself in grandiose proportions-Gold tackles issues and problems which are very much of significance to the individual: teaching, writing, love, marriage, divorce, and death. In The Age of Happy Problems, Gold takes the reader through a journey of eclectic characters, situations, and locales. Part I is a selection of essays entitled "American Events." In "The Age of Happy Problems" we are presented with an analysis of the problems facing people in the middle of their lives and careers. "How to Be an Artist's Wife" explores the prospect of being married, and remaining married, to a temperamental and egotistical artist. "Divorce as a Moral Act" describes the termination of marriage as a means for renewal and the chance to start over again the search for love. "The Bachelor's Dilemma" evokes the decisions confronting the male of the "big city." And "A Dog in Brooklyn, A Girl in Detroit: A L"ife Among the Humanities" is a memoir on the paradoxes of teaching in a university. Part II is entitled "American Places." The author examines in this section various American lifestyles. In "Paris: Notes from La Vie de Boheme," Gold describes Americans abroad, why they decide to become expatriates, and how they adapt to their new surroundings. In "Greenwich Village: The Changing Village" he writes about the importance of New York City's symbol of change, experiment and nonconformity. Finally, the author meditates on "Death in Miami Beach," offering a moving account of the relationship between death and the popular Florida city. Gold writes: "How can I total it up? What is the map of the map? Well, to begin with, Plato was wrong. The life of contemplation is not sufficient...and for another thing, Plato was right. He knew that men must learn to come together in the practice of intelligence and moral privilege." Gold's essays, stemming from the author's own humanity, are just as poignant and relevant today as they were when they were first published. The Age of Happy Problems is sure to captivate, but perhaps most of all, make the reader contemplate the importance of these issues for his or her own life. Herbert Gold is a novelist, short story writer, and essayist who has made his living as a writer for over fifty years. His books include Haiti: Best Nightmare on Earth and The Magic Will, both available through Transaction Publishers.