This oversized book of photography and verse reflects many aspects of the highly emotional, uncommonly eventful life of the author: the confusion and poverty he experienced as a child growing up in Fort Scott, Kansas; the bigotry, drug addiction, terror, chaos and blatant inhumanity to which he was exposed as a rising journalist and photographer; the beauty and sophistication with which his professional career is associated today.

I couldn't get enough of this delectable stuff--there is nothing else like it anywhere.--Al Young

Acclaimed photographer, filmmaker, composer, and author Gordon Parks reflects on his life achievements and the social and political events he has witnessed.

From radical abolitionist John Brown to presidential candidate Bob Dole to visionary environmentalist Wes Jackson, Kansas history is bursting with fascinating stories of individuals who made a difference to the nation and whose lives reveal much about our collective past. Prominent Kansas historian Virgil Dean has gathered a distinguished team of writers-Thomas Isern, Craig Miner, and others-who have crafted incisive portraits of 27 notable men and women, covering 150 years of Kansas and American history. Here are agitators who moved their fellow citizens to action over political, social, and economic problems: not only John Brown, but also proslavery agitator William H. Russell; Mary Elizabeth Lease, lecturer for the Farmers' Alliance and Populist Party; Gerald B. Winrod, a.k.a. the "Jayhawk Hitler"; and Esther Brown, who challenged segregation in public schools. Here, too, are motivators, like women's rights activist Clarina I. H. Nichols; William Allen White, the "Sage of Emporia"; and favorite sons Dwight D. Eisenhower and Bob Dole. Then there are the innovators, from trailblazers like Joseph G. McCoy, who changed the face of the cattle industry, and wheat king Theodore C. Henry to Wes Jackson, a pioneer in the sustainable agriculture movement, and the multitalented Gordon Parks, photographer, filmmaker, and author of The Learning Tree. Reformers and preachers, publishers and artists, these fascinating personalities are brought vividly back to life by Dean and his fellow authors. They offer a fresh and engaging look at many of the important themes of Kansas history-especially the state's identification with some of the great radical movements, including abolitionism, populism, and civil rights--and ultimately recapture the true spirit of Kansas and its meaning for the rest of the nation.

The weekly source of African American political and entertainment news.

Struggles for Representation examines over 300 non-fiction films by more than 150 African American film/videomakers and includes an extensive filmography, bibliography, and excerpts from interviews with film/videomakers. In eleven original essays, contributors explore the extraordinary scope of these aesthetic and social documents and chart a previously undiscovered territory: documentaries that examine the aesthetic, economic, historical, political, and social forces that shape the lives of black Americans, as seen from their perspectives. Until now, scholars and critics have concentrated on black fiction film and on mainstream non-fiction films, neglecting the groundbreaking body of black non-fiction productions that offer privileged views of American life. Yet, these rich and varied works in film, video, and new electronic media, convey vast stores of knowledge and experience. Although most documentary cannot hope to match fiction film's mass appeal, it is unrivaled in its ability to portray searing, indelible impressions of black life, including concrete views of significant events and moving portraits of charismatic individuals. Documentary footage brings audiences the moments when civil rights protestors were attacked by state troopers; it provides the sights and sounds of Malcom X delivering an electrifying speech, Betty Carter performing a heart-wrenching song, and Langston Hughes strolling on a beach. Uniting all of this work is the "struggle for representation" that characterizes each film–an urgent desire to convey black life in ways that counter the uninformed and often distorted representations of mass media film and television productions. African American documentaries have long been associated with struggles for social and political empowerment; for many film/videomakers, documentary is a compelling mode with which to present an alternative, more authentic narrative of black experiences and an effective critique of mainstream discourse. Thus, many socially and politically committed film/videomakers view documentary as a tool with which to interrogate and reinvent history; their works fill gaps, correct errors, and expose distortions in order to provide counter-narratives of African American experience. Contributors include Paul Arthur, Houston A. Baker, Jr., Mark F. Baker, Pearl Bowser, Janet K. Cutler Manthia Diawara, Elizabeth Amelia Hadley, Phyllis R. Klotman, Tommy Lee Lott, Erika Muhammad, Valerie Smith, and Clyde Taylor.

Advancing the Civil Rights Movement: Race and Geography of Life Magazine's Visual Representation, 1954–1965 examines the way Life Magazine covered the civil rights movement visually and geographically. Michael Dibari addresses Life's visual impact and representation in the struggle for equal rights.