"Slater's pins have no points--don't you always find that?" said Miss Craye, turning round as the rose fell out of Fanny Wilmot's dress, and Fanny stooped, with her ears full of the music, to look for the pin on the floor.The words gave her an extraordinary shock, as Miss Craye struck the last chord of the Bach fugue. Did Miss Craye actually go to Slater's and buy pins then, Fanny Wilmot asked herself, transfixed for a moment. Did she stand at the counter waiting like anybody else, and was she given a bill with coppers wrapped in it, and did she slip them into her purse and then, an hour later, stand by her dressing table and take out the pins? What need had she of pins? For she was not so much dressed as cased, like a beetle compactly in its sheath, blue in winter, green in summer. What need had she of pins--Julia Craye--who lived, it seemed in the cool glassy world of Bach fugues, playing to herself what she liked, to take one or two pupils at the one and only consenting Archer Street College of Music (so the Principal, Miss Kingston, said) as a special favour to herself, who had "the greatest admiration for her in every way." Miss Craye was left badly off, Miss Kingston was afraid, at her brother's death. Oh, they used to have such lovely things, when they lived at Salisbury, and her brother Julius was, of course, a very well-known man: a famous archaeologist. It was a great privilege to stay with them, Miss Kingston said ("My family had always known them--they were regular Canterbury people," Miss Kingston said), but a little frightening for a child; one had to be careful not to slam the door or bounce into the room unexpectedly.

Reconsiders of Arendt's philosophy of natality in terms of biopolitical theory and feminism to defend women's reproductive choices

Analyzes scandals in high-profile institutions, from Wall Street and the Catholic Church to corporate America and Major League Baseball, while evaluating how an elite American meritocracy rose throughout the past half-century before succumbing to unprecedented levels of corruption and failure. 75,000 first printing.

Published years after her death, Moments of Being is Virginia Woolf's only autobiographical writing, considered by many to be her most important book. A collection of five memoir pieces written for different audiences spanning almost four decades, Moments of Being reveals the remarkable unity of Virginia Woolf's art, thought, and sensibility. "Reminiscences," written during her apprenticeship period, exposes the childhood shared by Woolf and her sister, Vanessa, while "A sketch of the Past" illuminates the relationship with her father, Leslie Stephens, who played a crucial role in her development as an individual a writer. Of the final three pieces, composed for the Memoir Club, which required absolute candor of its members, two show Woolf at the threshold of artistic maturity and one shows a confident writer poking fun at her own foibles.

Illustrated with 200 stunning photographs and encompassing objects from furniture and ceramics to jewelry and metal, this definitive work from Jo Lauria and Steve Fenton showcases some of the greatest pieces of American crafts of the last two centuries. Potter Craft

Like the postcolonial world more generally, Southeast Asia exhibits tremendous variation in state capacity and authoritarian durability. Ordering Power draws on theoretical insights dating back to Thomas Hobbes to develop a unified framework for explaining both of these political outcomes. States are especially strong and dictatorships especially durable when they have their origins in 'protection pacts': broad elite coalitions unified by shared support for heightened state power and tightened authoritarian controls as bulwarks against especially threatening and challenging types of contentious politics. These coalitions provide the elite collective action underpinning strong states, robust ruling parties, cohesive militaries, and durable authoritarian regimes - all at the same time. Comparative-historical analysis of seven Southeast Asian countries (Burma, Indonesia, Malaysia, the Philippines, Singapore, South Vietnam, and Thailand) reveals that subtly divergent patterns of contentious politics after World War II provide the best explanation for the dramatic divergence in Southeast Asia's contemporary states and regimes.