A fascinating biography of one of the Middle East's greatest architects whose life story is intrinsically connected to that of Iraq. 'Makiya was Baghdad and Baghdad was Makiya.' These words sum up the life of one of the Middle East's most famous architects. Mohamed Makiya's career spanned seven decades and included projects in more than ten countries. He was a master of incorporating traditional and classical styles into modern architecture. For Makiya, the continuity of tradition as a 'living dimension' was the justification for his work. Makiya was revered as a teacher of architecture in Iraq, where he set up the first Department of Architecture at Baghdad University in 1959. Makiya was also a promoter of Iraqi art, which he displayed at his Kufa Gallery in London that was set up to build a bridge between the East and the West. This compelling biography reveals the life of a visionary who achieved remarkable feats in Iraq and whose philosophy and humanity crossed all borders and cultures.

Fascinating biography of one of the Middle East's greatest architects whose life story is intrinsically connected to that of Iraq.

"These three essays, these novellas--call them what you will--are extraordinary tales about excruciating modern themes: individual responsibility, national identity, and courage. In each case, the reader has to ask himself: What would I have done? 3 halftones. Copyright © Libri GmbH. All rights reserved.

Architecture in Context: Designing in the Middle East provides a foundation for understanding the critical context of architecture and design in this region. It does this by: presenting a practical overview of architectural know-how in the Middle East, and its potential for cultivating a sense of place introducing local architectural vocabularies and styles, and how they can still be reactivated in contemporary design exploring the cultural and contextual meaning of forms as references that may influence contemporary architecture discussing important discourses and trends in architecture that allow a rethinking of the current global/local dichotomy. Highly illustrated, the book covers architecture and design in North Africa, the Levant, the Gulf, and Turkey, Iran and Iraq.

Using Kuwait as a case study and Pan Arab Modernism as a lens, this book comes to fill two voids in the literature on Middle Eastern architecture: one is in practice and the other is in history. The current practice of architecture in Kuwait, the Gulf and the larger Middle East, is typically a-contextual and lacking any understanding of the local context. The architectural history, on the other hand, ignores the larger context of the Middle East and the influence of Pan Arabism is not configured into many analyses. Thus, this project seeks to tackle both. By providing a [re]contextualizing of the architectural history of Kuwait and bringing forgotten protagonists back into the dialogue, a nuanced reading of Pan Arab Modern architecture emerges. This book It aims to create a “knowledge generation” which can [re]define how a local generation is being influence on the ground. CONTRIBUTORS: Prof. Eve Blau (GSD, Harvard) on the influence of Oil on Urbanism; Prof. Michael Kubo (Univ. of Houston, Texas) on the relationship between The Architects Collaborative (TAC) and the local Kuwaiti firm Pan Arab Consulting Engineers (now PACE); Caecilia L. Pieri ( Associate Researcher - ‎Institut Français du Proche-Orient) on the influence of Iraq modernisation in Kuwait; Prof. Iain Jackson (Univ. of Liverpool) on the influence of British Architects on the Middle East (tropical architecture, expertise); Prof. Hyun-Tae Jung (Lehigh University) on the relationship between Skidmore, Owings & Merrill (SOM) and PACE and the photographic work of the artist Antje Hanebeck commission by PACE for this project.

Named One of the 10 Best Books of the Year by The New York Times Book Review Named one of the Best Books of the Year by The Washington Post Book World, The Boston Globe, Chicago Tribune, TheSan Francisco Chronicle Book Review, Los Angeles Times Book Review, USA Today, Time, and New York magazine. Winner of the Overseas Press Club’s Cornelius Ryan Award for Best Nonfiction Book on International Affairs Winner of the New York Public Library Helen Bernstein Book Award for Excellence in Journalism The Assassins' Gate: America in Iraq recounts how the United States set about changing the history of the Middle East and became ensnared in a guerrilla war in Iraq. It brings to life the people and ideas that created the Bush administration's war policy and led America to the Assassins' Gate—the main point of entry into the American zone in Baghdad. The Assassins' Gate also describes the place of the war in American life: the ideological battles in Washington that led to chaos in Iraq, the ordeal of a fallen soldier's family, and the political culture of a country too bitterly polarized to realize such a vast and morally complex undertaking. George Packer's best-selling first-person narrative combines the scope of an epic history with the depth and intimacy of a novel, creating a masterful account of America's most controversial foreign venture since Vietnam.

This provocative collection of essays is the first book-length treatment of the development of modern architecture in the Middle East. Ranging from Jerusalem at the turn of the twentieth century to Libya under Italian colonial rule, postwar Turkey, and on to present-day Iraq, the essays cohere around the historical encounter between the politics of nation-building and architectural modernism's new materials, methods, and motives. Architecture, as physical infrastructure and as symbolic expression, provides an exceptional window onto the powerful forces that shaped the modern Middle East and that continue to dominate it today. Experts in this volume demonstrate the political dimensions of both creating the built environment and, subsequently, inhabiting it. In revealing the tensions between achieving both international relevance and regional meaning, Modernism in the Middle East affords a dynamic view of the ongoing confrontations of deep traditions with rapid modernization. Political and cultural historians, as well as architects and urban planners, will find fresh material here on a range of diverse practices.

A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."

Border Urbanism presents a global array of authors’ research that tackles the perception, interpretation, and nature of borders from a transdisciplinary perspective. The authors examine ways in which borders attempt to define socially, economically, politically, and historically incompatible systems, from micro neighbourhoods to global macro territories, and how this blurs urban order that results in an absence of cohesion. Their analysis of contextual worldwide settings considers the unique issues and the broad scope of forces that shape borders and separate socioeconomic, political, cultural, and historical polarities. The authors consider ways in which the resulting urban border conditions determine the mobility of goods, resources, and people and how these delineations define relationships that influence geopolitical relationships, socioeconomic transactions, and people’s lives at multiple levels. They address the temporal issues defined by a variety of unique urban conditions that result from these lateral thresholds. Each chapter contributes to a critical discourse of the subject of border urbanism and the phenomenon created by separation, demarcation, and segregation as well as by conflict and coexistence. The transdisciplinary approach of Border Urbanism ensures that it will be of interest to individuals across a spectrum of professions and disciplines. Professionals such as urban planners, designers, architects, developers, and civil and environmental engineers and students of these disciplines will be particularly interested as will allied professionals and those not traditionally associated with urbanism; these include artists, sociologists, historians, lawyers, politicians, and civic and government leaders. The authors’ global perspectives, combined with their expertise in environmental, historical, cultural, social, political, and geographic areas, will appeal to anyone interested in border urbanism and its intersection with these areas.