Written by leading authors in their respective fields, this first comprehensive handbook on the relationship between modern Judaism and historical thinking contributes to a differentiated interpretation of Jewish historiography and its interaction with other academic disciplines since the Enlightenment.

The volume, composed by excellent scholars from different academic disciplines, is a comprehensive handbook devoted to the complex relationship between modern Judaism and historical thinking in Europe, the United States, and Israel from the Enlightenment to the present. Apart from analyzing the emergence of a new scholarly historical paradigm during this period, the contributions interpret the interaction and the tensions between Jewish historiography and other disciplines such as literature, theology, sociology, and philosophy, describe the way historical consciousness was popularized and used for ideological purposes and explore the impact of different – religious or secular – identities on the historical representation of the Jewish past. A final part envisions new theoretical and methodological concepts within the field, including cultural studies and gender studies.

Essays examining the emergence of Jewish scholarship during the period 1818 - 1919, concentrating on the Wissenschaft des Judentums movement.

Publication of Yosef Yerushalmi's Zakhor in 1982 inspired a generation of scholarly inquiry into historical images and myths, the construction of the Jewish past, and the making and meaning of collective memory. Here, eminent scholars in their respective fields extend the lines of his seminal study into topics that range from medieval rabbinics, homiletics, kabbalah, and Hasidism to antisemitism, Zionism, and the making of modern Jewish identity. Essays are clustered around four central themes: historical consciousness and the construction of memory; the relationship between time and history in Jewish thought; the demise of traditional forms of collective memory; and the writing of Jewish history in modern times.

Focusing on 19th-and 20th-century European, American and Israeli artists, the contributors explore the ways in which Jewish artists have responded to their Jewishness and to the societies in which they lived (or live), and how these factors have influenced their art, their choice of subject matter, and presentation of their work.

Inventing New Beginnings is the first book-length study to examine the conceptual underpinnings of the "Jewish Renaissance," or "return" to Judaism, that captured much of German-speaking Jewry between 1890 and 1938. The book addresses two very fundamental, yet hitherto strangely understated, questions: What did the term "renaissance" actually mean to the intellectuals and ideologues of the "Jewish Renaissance," and how did this understanding relate to wider currents in European intellectual and cultural history of the nineteenth and early twentieth centuries? It also addresses the larger question of how we can contemplate "renaissance" as a mode of thought that is conditioned by the consciousness and experience of modernity and that extends to our present time.

Arguably, no historical thinker has had as varied and fractious a reception within modern Judaism as Baruch (Benedict) Spinoza (1632–77), the seventeenth-century philosopher, pioneering biblical critic, and Jewish heretic from Amsterdam. Revered in many circles as the patron saint of secular Jewishness, he has also been branded as the worst traitor to the Jewish people in modern times. Jewish philosophy has cast Spinoza as marking a turning point between the old and the new, as a radicalizer of the medieval tradition and table setter for the modern. He has served as a perennial landmark and point of reference in the construction of modern Jewish identity. This volume brings together excerpts from central works in the Jewish response to Spinoza. True to the diversity of Spinoza’s Jewish reception, it features a mix of genres, from philosophical criticism to historical fiction, from tributes to diary entries, providing the reader with a sense of the overall historical development of Spinoza’s posthumous legacy.

Hungarian Jews, the last major Jewish community in the Nazi sphere of influence by 1944, constituted the single largest group of victims of Auschwitz-Birkenau. In Hungarian Jews in the Age of Genocide Ferenc Laczó draws on hundreds of scholarly articles, historical monographs, witness accounts as well as published memoirs to offer a pioneering exploration of how this prolific Jewish community responded to its exceptional drama and unprecedented tragedy. Analysing identity options, political discourses, historical narratives and cultural agendas during the local age of persecution as well as the varied interpretations of persecution and annihilation in their immediate aftermath, the monograph places the devastating story of Hungarian Jews at the dark heart of the European Jewish experience in the 20th century.

I. L. Peretz (1852–1915), the father of modern Yiddish literature, was a master storyteller and social critic who advocated a radical shift from religious observance to secular Jewish culture. Wisse explores Peretz’s writings in relation to his ideology, which sought to create a strong Jewish identity separate from the trappings of religion.

Lloyd Gartner presents, in chronologically-arranged chapters, the story of the changing fortunes of the Jewish communities of the Old World (in Europe and the Middle East and beyond) and their gradual expansion into the New World of the Americas. The book starts in 1650, when there were no more than one and a quarter million Jews in the world (less than a sixth of the number at the start of the Christian era). Gartner leads us through the traditions, religious laws, communities and their interactions with their neighbours, through the Enlightenment, the French Revolution, and into Emancipation, the dark shadows of anti-Semitism, the impact of World War II, bringing us up to the twentieth century through Zionism, and the foundation of Israel. Throughout, the story is powerful and engrossing - enlivened by curious detail and vivid insights. Gartner, an expert guide and scholar on the subject, writing from within the Jewish community, remains objective and effective whilst being careful to introduce and explain Jewish terminology and Jewish institutions as they appear in the text. This is a superb introductory account - authoritative, in control, lively of the central threads in one of the greatest historical tapestries of modern times.