The collective volume “Modern Forms of Work. A European Comparative Study” evokes the intent to embody a reflection focused on modern labour law issues from a comparative perspective. A first set of essays contains national reports on modern forms of work. The second group contains some reflections regarding critical issues on digitalization, platforms and algorithms, analysing the different facets of the galaxy of digital work. The third group of essays flows into the section entitled “new balances and workers’ rights in the digital era”, a crucial topic in the debate. The complex of the writings, despite the diversity of approaches and methods, reveals the existence of a dense and inexhaustible dialogue between young scholars, at European and extra-European level. The analysis of new forms of work – the offspring of transnational processes of globalization and technologization – forms a fertile ground for experimenting a transnational dialogue on which young researchers can practice with excellent results, as this small volume confirms.

"Proceedings of the 11th IVR World Congress on Philosophy of Law and Social Philosophy ... held on August 14-20, 1983 in Helsinki"--Introd.

This revised edition of Grospierre’s celebrated tour of modernist architecture has been expanded beyond Europe and North America to a truly global reach, featuring buildings in Southeast Asia, Australia, Africa and South America. Featuring new and revised texts from Barbican, MoMA and independent curators, this book offers intriguing insights into the history of modernist design, the origins of architectural photography and the reasons why architectural forms repeat in otherwise dissimilar countries. Is form still function? How “modern” is modernist architecture? And what has happened to the style’s foundational utopian ideals? Nicolas Grospierre’s masterful photographic survey catalogues both famous and little-known buildings, challenging the viewer to consider modernist architecture’s complicated legacy. Drawn from Grospierre’s ever-expanding archive documenting his travels, these large-format photographs of almost 250 buildings are arranged purely by their shapes, prioritizing form over function and location to give a unique perspective of global structures. Uniform in perspective, and presented without comment, Grospierre’s photographs allow viewers to discover details and colors that a more narrative-focused presentation would prohibit. The work of nearly a quarter of a century, this ever-expanding collection reflects a labor of love, a photographer’s deep obsession, and a celebration of buildings both iconic and mundane all over the world.

Originally published in 1958 and written by a serving M.P. this book discusses the nature and purpose of political activity in the Government of Britain, the Commonwealth and the former British Empire. As politics is closely connected with history and economics, the book makes reference to these subject areas, but in a way that is only necessary to give a lucid introduction to the political problems of the 20th Century. The book was written in such a way as to be particularly useful for the introductory study of government and politics.

This EDM bestseller is now available in a compact paperback edition, featuring a new cover.

In this study of space and power and knowledge in France from the 1830s through the 1930s, Rabinow uses the tools of anthropology, philosophy, and cultural criticism to examine how social environment was perceived and described. Ranging from epidemiology to the layout of colonial cities, he shows how modernity was revealed in urban planning, architecture, health and welfare administration, and social legislation.

Claude Lefort is one of the leading social and political theorists in France today. This anthology of his most important work published over the last four decades makes his writing widely accessible to an English-speaking audience for the first time. With exceptional skill Lefort combines the analysis of contemporary political events with a sensitivity to the history of political thought. His critical account of the development of bureaucracy and totalitarianism in the Soviet Union and Eastern Europe is a timely contribution to current debates about the nature and shortcomings of these societies. His incisive analyses of Marx's theory of history and concept of ideology provide the backdrop for a highly original account of the role of symbolism in modern societies. While critical of many traditional assumptions and doctrines, Lefort develops a political position based on a reappraisal of the idea of human rights and a reconsideration of what "democracy" means today. The Political Forms of Modern Society is a major contribution to contemporary social and political theory. The volume includes a substantial introduction that describes the context of Lefort's writings and highlights the central themes of his work.

Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do—yet, crucially, demands the actor's embodied performance. In the early modern theater, concepts of disability collide with the deforming, vulnerable body of the actor. Reading dramatic texts alongside a diverse array of sources, ranging from physic manuals to philosophical essays to monster pamphlets, Katherine Schaap Williams excavates an archive of formal innovation to argue that disability is at the heart of the early modern theater's exploration of what it means to put the body of an actor on the stage. Offering new interpretations of canonical works by William Shakespeare, Ben Jonson, Thomas Dekker, Thomas Middleton, and William Rowley, and close readings of little-known plays such as The Fair Maid of the Exchange and A Larum For London, Williams demonstrates how disability cuts across foundational distinctions between nature and art, form and matter, and being and seeming. Situated at the intersections of early modern drama, disability studies, and performance theory, Unfixable Forms locates disability on the early modern stage as both a product of cultural constraints and a spark for performance's unsettling demands and electrifying eventfulness.

The first coherent exposition of the theory of binary quadratic forms was given by Gauss in the Disqnisitiones Arithmeticae. During the nine teenth century, as the theory of ideals and the rudiments of algebraic number theory were developed, it became clear that this theory of bi nary quadratic forms, so elementary and computationally explicit, was indeed just a special case of a much more elega,nt and abstract theory which, unfortunately, is not computationally explicit. In recent years the original theory has been laid aside. Gauss's proofs, which involved brute force computations that can be done in what is essentially a two dimensional vector space, have been dropped in favor of n-dimensional arguments which prove the general theorems of algebraic number the ory. In consequence, this elegant, yet pleasantly simple, theory has been neglected even as some of its results have become extremely useful in certain computations. I find this neglect unfortunate, because binary quadratic forms have two distinct attractions. First, the subject involves explicit computa tion and many of the computer programs can be quite simple. The use of computers in experimenting with examples is both meaningful and enjoyable; one can actually discover interesting results by com puting examples, noticing patterns in the "data," and then proving that the patterns result from the conclusion of some provable theorem.

The annual Going Romance conference has developed into the major European discussion forum for theoretically relevant research on Romance languages where current ideas about language in general and about Romance languages in particular are tested. The twenty-third Going Romance conference was a very special one: for the first time it was not hosted by one of the Dutch universities, but was co-organized by the Radboud University Nijmegen and the Université de Nice-Sophia Antipolis and held in France at the Maison du Séminaire in Nice from 3–5 December 2009. The present volume contains a broad range of peer-reviewed articles dealing with syntax, phonology, morphology, semantics and acquisition of the Romance languages as well as selected papers from the special workshop dealing with linguistic change in relation to linguistic theory.