This timely volume brings together case studies that address the urgent need to manage energy use and improve thermal comfort in modern buildings while preserving their historic significance and character. This collection of ten case studies addresses the issues surrounding the improvement of energy consumption and thermal comfort in modern buildings built between 1928 and 1969 and offers valuable lessons for other structures facing similar issues. These buildings, international in scope and diverse in type, style, and size, range from the Shulman House, a small residence in Los Angeles, to the TD Bank Tower, a skyscraper complex in Toronto, and from the Calouste Gulbenkian Foundation, a cultural venue in Lisbon, to the Van Nelle Factory in Rotterdam, now an office building. Showing ingenuity and sensitivity, the case studies consider improvements to such systems as heating, cooling, lighting, ventilation, and controls. They provide examples that demonstrate best practices in conservation and show ways to reduce carbon footprints, minimize impacts to historic materials and features, and introduce renewable energy sources, in compliance with energy codes and green-building rating systems. The Conserving Modern Heritage series, launched in 2019, is written by architects, engineers, conservators, scholars, and allied professionals. The books in this series provide well-vetted case studies that address the challenges of conserving twentieth-century heritage.

The construction of earth buildings has been taking place worldwide for centuries. With the improved energy efficiency, high level of structural integrity and aesthetically pleasing finishes achieved in modern earth construction, it is now one of the leading choices for sustainable, low-energy building. Modern earth buildings provides an essential exploration of the materials and techniques key to the design, development and construction of such buildings.Beginning with an overview of modern earth building, part one provides an introduction to design and construction issues including insulation, occupant comfort and building codes. Part two goes on to investigate materials for earth buildings, before building technologies are explored in part three including construction techniques for earth buildings. Modern earth structural engineering is the focus of part four, including the creation of earth masonry structures, use of structural steel elements and design of natural disaster-resistant earth buildings. Finally, part five of Modern earth buildings explores the application of modern earth construction through international case studies.With its distinguished editors and international team of expert contributors, Modern earth buildings is a key reference work for all low-impact building engineers, architects and designers, along with academics in this field. - Provides an essential exploration of the materials and techniques key to the design, development and construction of modern earth buildings - Comprehensively discusses design and construction issues, materials for earth buildings, construction techniques and modern earth structural engineering, among other topics - Examines the application of modern earth construction through international case studies

How to Read Modern Buildings is an indispensable pocket-sized guide to understanding the architecture of the modern era. It takes the reader on a guided tour of modern architecture through its most iconic and significant buildings, showing how to read the hallmarks of each architectural style and how to recognize them in the buildings all around. From Art Deco and Arts and Crafts, through the International Style and Modernism to today's environmental architecture and the rise and fall of the icon, all the major architectural movements from the 1900s to the present day are traced through their classic buildings. Examining the key architectural elements and hidden details of each style, we learn what to look out for and where to look for it. Packed with detailed drawings, plans, and photographs, this is both a fascinating architectural history and an effective I-spy guide - a must-read for anyone with an interest in modern design and architecture.

Available again, a wholly original study of the complex relationship between architecture and language that has changed and enriched the way we think and talk about architecture.The words we use when we talk and write about architecture describe more than just bricks and mortar they direct the ways we think of and live with buildings. This groundbreaking book is the first thorough examination of the complex relationship between architecture and language as intricate social practices. Six rigorously argued chapters investigate the language of modernism, language and drawing, masculine and feminine architecture, language metaphors, science in architecture, and the social properties of architecture. There follows a vocabulary of key words such as Character, Form, History and Space, locating each words modern meaning within an historical and theoretical framework, and setting out clearly its development and relevance for architects, historians, philosophers, critics and the users of the buildings themselves. Architects should be made to read Words and Buildings Architecture Today Unusually clear and accessible Students of all kinds will love this book The Architectural Review A forceful, clear and sophisticated exposition of the role of conceptual thought in architectural discourse The Architects Journal

This is an important book, written by one of the top lighting designers in the country. Written at the end of a career as an architect and lighting designer, the book draws on the experience gained while living through a period of intense lighting development, from 1956 up to the millenium. It bridges the gap between the present day architect and lighting engineer, from the viewpoint of the 'independent lighting designer'. 'Lighting Modern Buildings' documents the part played by the independent lighting designer, leading to a greater understanding by architects and lighting engineers of the importance of lighting in architectural design. The book starts with an exploration of the basic human needs of vision and the perception of our exterior world...the intellectual and the physical...since this is what lighting is all about. To do this, it is necessary to trace the development of daylight from earliest times up to the present day; the starting point for any lighting design is the 'natural' source. Whilst an essential understanding of the role of daylight is the beginning, a knowledge of the various forms and properties of artificial light is essential; not only at night but during the day. In early buildings, there was one form of light - daylight - during the day and another - artificial - at night. No attempt was made to integrate the two. The situation today is different; there are many reasons for this, not least in the possibilities of modern structure. The book therefore has extensive coverage of day and night lighting and how it is designed to provide optimum solutions in building design. A major portion of Derek Phillips' book is devoted to 'design'. Sufficient technical detail is provided in the book to permit an understanding of the design principles of each scheme. Schemes illustrated vary from small domestic buildings, churches and workplace, to those devoted to leisure and sport. At the end of each section a series of conclusions are drawn leading to a philosophy of lighting design.

In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of “race” and “style” as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character, Charles Davis traces the racial charge of the architectural writings of five modern theorists—Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze—to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.

An illustrated reference guide to the history of modern architecture in Montgomery County, Maryland, from 1930 to 1979, with an inventory of key buildings and communities, and biographical sketches of practitioners including architects, landscape architects, planners and developers.

Who Built That? Modern Houses takes readers on a fun-filled tour through ten of the most important houses by the greatest architects of the twentieth and twenty-first centuries. Beginning with a brief biographical sketch of each architect, illustrator Didier Cornille uses a light touch to depict the various stages of construction, paying special attention to key design innovations and signature details. Cornille's charming drawings and accessible text unlock the secrets of modern classic houses, ranging from Le Corbusier's Villa Savoye (1931) and Frank Lloyd Wright's Fallingwater (1939) to Shigeru Ban's Cardboard House (1995) and Rem Koolhaas's Bordeaux House (1998). Readers of all ages will delight in this colorful introduction to modern architecture's most extraordinary homes.

Fifty of the world's greatest modern buildings, from 1950 to the present, dissected and analyzed through specially commissioned freehand drawings After a period in which computation-derived architecture—driven by digital design tools, data analysis, and new formal expression—has thrived, students and their teachers have returned to age-old techniques before employing the digital tools that are a part of every architect’s studio. Tired of the perfectly rendered screen image, architects are making presentations that are clearly the work of the hand and the mind, not the computer. This ambitious publication, organized chronologically, is aimed at a new generation of architects who take technology for granted, but seek to further understand the principles of what makes a building meaningful and enduring. Each of the fifty works of architecture is presented through detailed consideration of its site, topology, and surroundings; natural light, volumes, and massing; program and circulation; details, fenestration, and ornamentation. Over 2,500 painstakingly hand-drawn images of the buildings of the past seven decades help readers return to the core values of understanding site and creating buildings: looking with the eyes, engaging through direct physical experience, and constructing by hand.