"Explores poetry in the British Isles from the early nineteenth century until the late twentieth century ..."--P. [4] of cover.

"Examines early British poetry from the 7th century into the 19th century, including short biographies of poets like William Shakespeare and John Donne; also examples of poems, poetic techniques, and explication"--Provided by publisher.

"Discover some of the poetry of leading contemporary American poets, including: Roethke, Bishop, Stafford, Lowell, Brooks, Wilbur, Ginsberg, Merwin, Plath, Collins, and Gluck"--Provided by publisher.

"Discusses early American poetry from the early 17th century into the late 19th century, including short biographies of poets like Phillis Wheatley and Walt Whitman; also has examples of poems, poetic techniques, and explication"--Provided by publisher.

This is the first study to examine the Arabic translations of a number of major modern poems in the English language, in particular T. S. Eliot's The Waste Land and Walt Whitman's Song of Myself. With case studies dedicated to the Arab translators who were themselves modernist poets, including Badr Shakir al-Sayyab and Saadi Yusuf, the author brings a reading of the translations as literary works in their own right. Revealing why the Arab modernists were drawn to these poems through situational context, Ghareeb Iskander shows that the influence exerted by the English originals stems from the creative manner in which the Arab poet-translators converted them into their own language.

"Explores poetry in the British Isles from the early nineteenth century until the late twentieth century ..."--Page 4 of cover.

Does what is true depend on where you are? or, can we speak of a British culture which varies gradually over the 600 miles from one end of the island to the other, with currents gradually mutating and turning into their opposites as they cross such a distance? In Centre and Periphery in Modern British Poetry Andrew Duncan (a published poet himself) identifies distinctive traditions in three regions of the Britsh Isles providing a polemic tour of Scotland, Wales, and the North of England while revealing the struggle for ‘cultural assets’. The book exposes the possibility that the finest poets of the last 50 years have lived in the outlands, not networking and neglecting to acquire linguistic signs of status. Centre and Periphery in Modern British Poetry provides insightful accounts of major poets such as Sorley Maclean, Glyn Jones, Colin Simms, and Michael Haslam.

A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of literature written by an American “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for The New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. “The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice.