How climate influenced the design strategies of modernist architects Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design. Extensively illustrated with archival material, Modern Architecture and Climate provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings and offers a historical foundation for today’s zero-carbon design.

British architect and planner Bill Risebero recreates 200 years of modern architecture and design against a backdrop of class dominance over rising industrialism. The lively and opinionated text and more than 1,000 captioned drawings by the author provide a refreshing reinterpretation of architectural developments in the modern period.

This atlas of more than one thousand Modernist architectural masterpieces uncovers hidden gems while offering new perspectives on old favorites. In 2006, architecture and design curator Adam Stech embarked on a photographic project to document the best Modernist architecture around the globe. More than thirty countries and more than a decade later, the fruits of that monumental project are gathered in this impressive collection covering nearly a century of architectural history. Driven by a passion for rediscovering forgotten or lesser known architectural treasures of Modernism, Stech took thousands of diverse photographs of exteriors and interiors. This survey features often overlooked details and hidden projects that Stech helps bring to light. His brief commentary on each featured building reveals insights into his vast collection of images that includes treasures of Italian Modernism, American mid-century classics, South American Art Deco, Belgian organic architecture, French Brutalism, forgotten Australian modern houses, and much more. This expansive and inspiring book is the definitive guide to architecture in the 20th century in all its different forms and tendencies from its strict rationalist to flamboyant decorative styles.

Now back in print, a revealing look at the visionary French furniture designer and architect, highlighting his virtuoso designs and versatile creativity "Pierre Chareau: Modern Architecture and Design adds even more depth and breadth to the architect's deserved reputation for creative virtuosity."--Julie V. Iovine, Wall Street Journal "[A]n exceptionally informative, readable catalog."--Roberta Smith, New York Times The designer and architect Pierre Chareau (1883-1950) was a pivotal figure in modernism. His extraordinary Art Deco furniture is avidly collected and his visionary glass house, the Maison de Verre, is celebrated, but the breadth of his design genius has been little explored. Chareau linked architecture, fine arts, and style; designed furniture for avant-garde films and chic homes; collected artists such as Picasso and Mondrian; and was a radical innovator in the use of materials. This revealing look at the visionary French designer highlights his virtuosity and versatile creativity. Essays by leading scholars embrace the full scope of his invention, offering detailed analyses of individual projects, the interdisciplinary nature of his work, his Jewish background, his place in the avant-garde of Paris between the wars, and his more recent reception. Extensive illustrations present a rich sampling of Chareau's furniture, architecture, interiors, fabrics, and wallpapers, as well as his own important art collection. Published in association with the Jewish Museum, New York

Covering the period 1890 - 1932 this book focuses on various recognised masters explaining the detailing and construction techniques used in their buildings.

Designed to appeal to visual thinkers, 25 Concepts in Modern Architecture explores the fundamental ideas behind architectural design, through easy-to-follow sketches, drawings and succinct explanations. Twenty-five concepts – each of which are key to architectural design thinking – are accessibly explained by examining twenty-five different masterworks of modern architecture. For example, the concept of 'movement' in architectural design is explained through a close look at a Le Corbusier building; 'transparency' is examined in Philip Johnson's seminal Glass House; 'asymmetry' is understood through the work of Zaha Hadid – and so on, through twenty-five core concepts and twenty-five of the most significant buildings of the modern era. Taking a highly-visual approach, this simple yet visually-powerful guide is an essential companion in the design studio and to introductory courses in modern architecture, interior architecture, and interior design. Understanding these concepts will provide a key to demystifying the greatest works in modern architectural history, inspire new ways to think about new design projects, and reveal how drawing and sketching are used as tools for the visual analysis of architecture.

Breathtaking home designs that fit perfectly into the unique landscape of the West. Architects and designers are breaking new ground on the West Coast, incorporating tested ideas with modern technologies, materials, and concepts in thrilling and sustainable designs. This collection of more than 25 inspiring residences by such renowned western architects and interior designers as Ricardo and Victor Legorreta, Tom Kundig, Jim Jennings, Steven Ehrlich, Marmol Radziner, Aidlin Darling, Paul Wiseman, Terry Hunziker, and Gary Hutton showcases large and small homes that respond to the deserts, mountains, plains, and coastlines of the West. The sculptural forms and elegant interiors are at once both urban and rural, open to the outdoors, and always contemporary, comfortable, and stylish. Zahid Sardar is a San Francisco editor and writer specializing in architecture, interiors, and design. His work has appeared in Dwell, Interiors, Interior Design, California Home & Design, Elle Decor, House Beautiful, and the San Francisco Chronicle. He teaches design history at the California College of the Arts and has written several books, including San Francisco Modern and New Garden Design. Matthew Millman has photographed architecture and interior design in the western United States for the past 20 years. His work has appeared in Dwell, Architectural Digest, and the New York Times, as well as the design titles Concrete Countertops, Concrete at Home, and Model Making.

Fifty of the world's greatest modern buildings, from 1950 to the present, dissected and analyzed through specially commissioned freehand drawings After a period in which computation-derived architecture—driven by digital design tools, data analysis, and new formal expression—has thrived, students and their teachers have returned to age-old techniques before employing the digital tools that are a part of every architect’s studio. Tired of the perfectly rendered screen image, architects are making presentations that are clearly the work of the hand and the mind, not the computer. This ambitious publication, organized chronologically, is aimed at a new generation of architects who take technology for granted, but seek to further understand the principles of what makes a building meaningful and enduring. Each of the fifty works of architecture is presented through detailed consideration of its site, topology, and surroundings; natural light, volumes, and massing; program and circulation; details, fenestration, and ornamentation. Over 2,500 painstakingly hand-drawn images of the buildings of the past seven decades help readers return to the core values of understanding site and creating buildings: looking with the eyes, engaging through direct physical experience, and constructing by hand.

Brooklyn Modern is the first book to explore the connection between Brooklyn’s astounding rebirth and its emerging architecture. As the new cultural heart of New York, Brooklyn has recently attracted many young people interested in creating their own sense of space, as well as in renovating brownstones and townhouses. The results are homes that express the optimism, resourcefulness, and experimentation of many of Brooklyn’s bohemian residents. Cutting-edge new public buildings have also enhanced the area’s cachet.Working with spatial and financial restraints, architects in Brooklyn have demonstrated deft solutions to urban living everywhere. Likewise, the architects working in Brooklyn are no longer just local firms, but "star-chitects" such as Frank Gehry, Richard Meier, and David Adjaye, among others. Essays by two very popular bloggers, Grace Bonney of Design*Sponge and Jonathan Butler of Brownstoner, give perspective on new ways of living as aesthetics and landscape change.

Triangle Modern Architecture documents the rich history and unique cultural significance of a region that is one of the most important on the national map of modern design. Over the last 75 years, the architecture in this area has grown to creatively combine innovation and technology with the area's history, culture, unique landscape, and built context. While the Triangle has seen a great increase in interest in Modern architecture, the understanding of this design and the reasons and history behind it, have not been shared in a clear and meaningful way. There is an information gap between what is appreciated by architects and by the general public.