The Mediterranean world is a model that serves the analysis of the dynamic process of cultural identity through approximation and differentiation, through openness and self-assertion, through a constant contact - by way of travel - to foreign regions, cultures and societies. For ancient Greek culture, mobility seems to be a specific characteristic. The same can be said for the Christian, Judaic and Islamic Middle Ages, however, under different or changed circumstances. This publication presents the contributions to an international workshop in cultural analysis, which focused on mobility as a proof of the historical flexibility of Mediterranean cultural systems.

Migration, Mobility and Place in Ancient Italy challenges prevailing conceptions of a natural tie to the land and a demographically settled world. It argues that much human mobility in the last millennium BC was ongoing and cyclical. In particular, outside the military context 'the foreigner in our midst' was not regarded as a problem. Boundaries of status rather than of geopolitics were those difficult to cross. The book discusses the stories of individuals and migrant groups, traders, refugees, expulsions, the founding and demolition of sites, and the political processes that could both encourage and discourage the transfer of people from one place to another. In so doing it highlights moments of change in the concepts of mobility and the definitions of those on the move. By providing the long view from history, it exposes how fleeting are the conventions that take shape here and now.

This book offers a critical methodology for analyzing travel literature. The subject of travel literature, as well as travel literatures, have not always been regarded with respect or given much critical attention. In order to amend this lack of positive reception, Francis Tobienne Jr. analyzes the late medieval text Mandeville’s Travels, specifically the Cotton MS. This text, though not overly popular currently, was among the most popular pieces of literature for well beyond its fourteenth-century inception in some three hundred manuscripts divided into three groups as well as early printed editions; further, this text offers a way in which to approach other pieces of travel literature. To facilitate this critical process Tobienne proposes a seven-part method: 1. Identify and Define the Problem, 2. Make Observations, 3. Look for Regularities, 4. Wonder Why Regularities Exist, 5. Propose a Hypothesis, 6. Use an Experiment and 7. Have Reproducible Results. Of note, Mandeville’s Travels is both the impetus behind this seven-part method, as well as the object of study. Thus, Tobienne showcases how each element of the seven-part method is at play in the text, even as he argues for the text’s importance within medieval studies. Also included in this examination is the application of this seven-part method to medieval and post-period pieces of literature. The book culminates in an argument for the canonization and importance of Mandeville’s Travels in and beyond medieval studies.

Why did ancient autocrats patronise theatre? How could ancient theatre – rightly supposed to be an artform that developed and flourished under democracy – serve their needs? Plato claimed that poets of tragic drama "drag states into tyranny and democracy". The word order is very deliberate: he goes on to say that tragic poets are honoured "especially by the tyrants, and secondly by the democracies" (Republic 568c). For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatre's existence more than a third of all theatre-states were autocratic. For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors. Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

What was it like to use and live with Etruscan pottery? Characterising that experience of Etruscan pottery is the concern of this book. More specifically, this volume aims to unpick both the physical encounter between vessel and hand, and the emotional interaction between the user of a pot and the images inscribed upon its surface.

Cultural records such as dedications, honorific statues and decrees are keys to understanding the manifold and diverse social roles and religious functions of priesthoods in the cities of Asia Minor and the Aegean islands from the classical period to late antiquity. These texts and images indicate how the priests and priestesses saw themselves and were viewed by others. The approaches in this volume are historical, religious, and archaeological, and they elucidate the religious functions that the cult personnel fulfilled for the city, and the perception of priests and priestesses as citizens of the polis. The volume focuses on developments from the Hellenistic period into Imperial times. Subjects include: gendered priesthoods and family traditions, the topography of honorary statues and the presentation of funerary monuments, federal and civic priesthoods as well as priests of private cult-foundations, benefactions and social pressure, and the religious, social and political functions of priests and priestesses within cities.

This is a study of Hellenistic athletics from the perspective of the victors. By analyzing agonistic epigrams as poetry on commission, it investigates how successful athletes and horse owners and their sponsors wanted their victories to be understood. Based on the identification of recurring motifs that exceed the conventions of the genre, a multiplicity of agonistic cultures is detected on three different levels - those of the polis, the region and the empire. Kings and queens used athletics in order to legitimate their rule, cities tried to compensate for military defeats by agonistic successes, and victorious aristocrats created virtual halls of fame to emphasize their common regional identity. Without a doubt, athletic victories represented far more than just leisure activities of Hellenistic noblemen. They clearly mattered in terms of politics and social status.

Discover the power of Greek lyric with essays from some of the foremost scholars in the field today Recent decades have seen a strong resurgence of interest in Greek lyric, resulting in this topic becoming one of the most dynamic areas of Classical scholarship. In A Companion to Greek Lyric, renowned Classical scholar Laura Swift delivers a collection of essays by international experts and emerging voices that offers up-to-date approaches on the methodology, contexts, and reception of Greek lyric from the archaic to the Hellenistic period. This edited volume includes detailed analyses of the poets themselves, as well as a reflection of the current state of play in the study of Greek lyric. It showcases the scope and range of approaches to be found in scholarly work in the field. Newcomers to the subject will benefit from the range of contextual and technical information included that allows for a more effective engagement with the lyric poets. Readers will also enjoy: Guidance on working with texts that are mainly preserved as fragments A selection of ways in which lyric poetry has influenced and inspired writers from Rome to the modern era Recommendations for further reading that offer a starting point for how to follow up on a particular topic Perfect for undergraduate and master’s students taking courses on Greek lyric or survey courses on classical literature, A Companion to Greek Lyric also belongs in the libraries of students of English or Comparative Literature seeking an authoritative resource for Greek lyric.

Of Odysseys and Oddities is about scales and modes of interaction in prehistory, specifically between societies on both sides of the Aegean and with their nearest neighbors overland to the north and east. The 17 contributions reflect on tensions at the core of how we consider interaction in archaeology, particularly the motivations and mechanisms leading to social and material encounters or displacements. Linked to this are the ways we conceptualize spatial and social entities in past societies (scales) and how we learn about who was actively engaged in interaction and how and why they were (modes). The papers provide a broad chronological, spatial and material range but, taken together, they critically address many of the ways that scales and modes of interaction are considered in archaeological discourse. Ultimately, the intention is to foreground material culture analysis in the development of the arguments presented within this volume, informed, but not driven, by theoretical positions.

The first part of this collection brings together a selection of Peregrine Horden's papers on the history of hospitals and related institutions of welfare provision from their origins in Late Antiquity to their medieval flourishing in Byzantium and the Islamic lands as well as in western Europe. The hospital is seen in a variety of original contexts, from demography and family history to the history of music and the liturgy. The second part turns to the history of healing and medicine, outside the hospital as well as within it. These studies cover a period from Hippocratic times to the Renaissance, but with a particular focus on the Mediterranean region - Byzantine, Middle Eastern and Western - in the Middle Ages.